REDUSER.net > Shooting RED > EFP / ENG and RED

1. Cooke 9-50mm T2.5
2. Welcome
3. Compact 1080p EFP cam
4. RED LCD for other cameras
5. What types of EFP/ENG will you do?
6. Lenses?
7. Can we ENG at 480?
8. Tridods?
9. RED Cine. in ENG?
10. B4 mount lenses would need correction?
11. EFP & ENG Definitions and Explanations
12. Shoulder tripod shoulder tripod shoulder tripod etc etc etc.
13. B4 lens options
14. RED triples income! More customers, more sales.
15. O'Connor 2060 Kit -US Agents
16. Cinema Lens Servo?
17. That 60i look?!
18. The little filter dial....OR
19. EFP back up preferences?
20. RED Flypack?!?
21. 2/3 HD lens for single CMOS
22. EFP/ENG PL mount 35mm motorized zoom lenses
23. Dalsa goes wide with 4K
24. ISO rating
25. ActionCam and Red
26. red and mulitcam switching
27. ENG/EFP Package
28. What about docs?
29. Abolish this Forum Thread?
30. RED BELT CLIP for RED DRIVE and RED BRICK
31. Weather Proof Red!
32. O'connor 1030HDS (Studio)
33. Matte boxes and FF
34. Automatic controls
35. Ok, so here's my setup, what do you think Gibby?
36. Audio spikes on a Varicam
37. DC Power Output
38. Hey Nikon Mounters...
39. Pdaudio, Wireless monitoring and Sync-software
40. For those looking for a good tripod...
41. Stock Footage Question for Gibby
42. LCD recommendation
43. Are any of the major news or Broadcast Production facilities looking at the RED
44. Solid State DTE and RED
45. Eng?
46. Steadicam
47. Tips on Negotiating a Broadcast Deal
48. Thoughts on OConnor 35 L quick deployment CF tripod
49. Newsworthy shot but no REDCINE...
50. Equipment discussions?
51. EFP Scenario
52. Using ND filters for EFP
53. Using ND filters for EFP
54. Headphones
55. My JVC HD250 with 35mm or a Red camera... ?
56. Changing PL mount to B4
57. 2k shooting w/ super16 glass, anyone done it?
58. Quick release plate for Red?
59. viewfinder position.
60. B4 to PL mount
61. Curious about adding a new feature to CF Module...
62. The Efp Market
63. snow/desert shooting
64. OConnor 35L vs Sachtler Speed Lock CF HD?
65. DvRigPro for Red
66. B4 HD 2/3 lens test
67. Pushing the EFP envelope...
68. Lighting for EFP (web resource)
69. Fujinon group purchase
70. Shotgun mike mount
71. Wireless Mic's
72. Investment in RED compare to other Camera systems
73. Red connectors for ENG lens
74. Has anyone tried the SLIK DAIWA 15 Fluid Head?
75. B4 Red zoom/power handle?
76. Long Lens EFP Wildlife shooting... best lens for RED?
77. Anton/Bauer Gold Mount bracket
78. Slightly OT, but relates to EFP
79. Batteries...Who said Lithium Ion is safe?
80. Red and P2 cards
81. Converting signal to SD?
82. Picture of rear of RED camera?
83. Most widely use camera
84. Red Handheld
85. Du-All Camera's Handheld Configuration for Red One
86. EFP and Field Audio?
87. Can I make a broadcast wildlife doc with Red?
88. True Resolution of Mysterium difficult to determine.
89. Location Back Up - Doco. Small Crew
90. Backup in the field
91. Addonics Snap in 2.5" SATA enclosure
92. Red Batts on SDX900??
93. Eng And Backups
94. Thinking about the Red for an Outdoor/Lifestyle show
95. Hardlined EFP
96. Anyone put a light on you're Cam??
97. Anyone put a light on their Cam??
98. Quicktime reference Movies for Web work
99. Red one and wildlife cinematography thread?
100. Broadcast?
101. How to keep Red operating at -40C
102. Legs for quick setup
103. Satchler Head Question
104. Red as HD Player
105. Combat/Reality Frame Rate
106. Green Or Blue Screen
107. Longer form docos and red workflow
108. New audio and i/pins!
109. RED and welding flash
110. B4 Mount and HD Lenses
111. Lens dilemma - which way would you go for documentary work?
112. .R3D naming system
113. Connecting EXT Timecode
114. 744T and Red One FW 17
115. Changing from B4 to Cine to Nikon
116. If i have to choose... RED-EVF or LCD ?
117. Perfect EFP/ENG lens
118. HD-SDI transmission distance question
119. Sports footage
120. ENG & TV work
121. Scarlet/Epic EFP Setup
122. Finally a great mic for wildlife shooting
123. Run & Gun with RED1 at 4K
124. EFP Setup for Scarlet using HD-SDI
125. Anyone Shooting with Fujinon lens?
126. Red charger and 12v wilderness power
127. LED light on RED
128. RED in the air: methods for using RED in helicopters?
129. Red i Kabul - 1st Pics
130. Helicopter mount - who makes them
131. Portable Battery Charger???
132. Red one and problems with wobble effect
133. Going to buy a Red this summer...
134. Transvideo Titan with signal from RED?
135. Wildlife feature in Africa - 3K, and other questions
136. telephoto field lens
137. Nature Filmmaking
138. RED Scarlet for ENG work?
139. Jackson Hole Wildlife Film Festival
140. Gyro for boat
141. shooting at night using astroscope
142. Producers and editors?????
143. Need to rent a B4 to PL adapter
144. b4 to pL mount
145. The H.264 module a dream product for ENG?
146. I can haz ENG?
147. Red primes on Varicam2700
148. RED for live broadcast issue
149. Red MultiCam live Mixing for Cinemas
150. SDI wireless - 500m Omni range
151. Event Videography Tips for RED One
152. Red zooms on B4 to PL to varicam
153. Possible to power servo of B4 lens from Red body?
154. RED Scarlet in Live Production environment
155. Handheld work and Scarlet Fixed
156. Get Real...
157. Fujinon EFP/ENG lens with Epic?
158. Steadicam Pro Vid 2 Plus
159. screw-on ND filters for red primes
160. hdsdi over triax
161. Shoot with the Epic on Israel - Nov 10 - Nov 22
162. Epic + Canon + (Which Filters)
163. ENG does not belonge here
164. Need Help - Canon Lenses in Studio Config
165. Thoughts and feedback for these three tripod+fluid head combinations
166. Red Epic & Red One above the Arctic Circle
167. Epic Sachtler Fluid Head Recommendation
168. REDmote Station?
169. Not strictly RED but could be and really need help. Remote Broadcast
170. Audio Clicks
171. B4 Mount on Epic
172. Sennheiser vs. Lectrosonics vs. Shure for wireless lav on Epic and Scarlet.
173. Monitors, Monitors, Monitors...
174. Really, really, really isolated project, what would you take / suggest.
175. Matte Box homemade Donut ? Where ? Or ...
176. The Isolation Thread
177. Sky Sports filmed Arsenal @ the Emirate in 4K
178. Archival Work
179. Epic or Scarelt
180. Red Brick vs. Red Volt
181. Wimbledon to be shot in 4K
182. Zoom Motor using a Lanc Controller....
183. 4K OB Truck to film the Confederations Cup in Brazil
184. Japanese company tests 4K internet streaming
185. A suitable redcode level or other memory saving solution for tv-production.
186. Highly mobile EFP/ENG camera system
187. What is the best auto focus for shooting sports on a Scarlet?
188. DPP compliacace for 4K
189. IS THE IPHONE NOW A NETWORK CAMERA?
190. Go pro 4k 15 fps footage : how does it look onced converted into 24/25 fps ?
191. Mafrotto 509 or Sachtler DV 10 SB
192. World's smallest 4K OB van....!!
193. Airport Security & REDMAG's
194. Epic, dragon, efp/eng.. please adress the need for a more sensitive 5k sensor !
195. Anyone with experience on getting cameras in Kolkata India?
196. Low cost HDSDI to FIREWIRE?
197. Abakus 132 Converter Lens - B4 Lens to Super 16mm PL Mount - Wanted
198. How to determine footage price for Broadcast
199. BBC shooting the Commonwealth Games on RED
200. New Sony ENG Lens: 4K, autofocus, stabilized, zoom control
201. Camera Operator with RED package for ENG shoot in LA
202. Westcott Ice Light versus newcomer Genaray SpectroLED SP-LR Light
203. What's the current RED camera on "ENG" style rig option?
204. Broadcast TCP/IP Streaming Discussion
205. REDCAST for Weapon...
206. Sachtler 0705 FSB-8T Fluid Head
207. Help with battery solution needed for dtap
208. Sachtler Tripod Plate is too small, how to fix it?
209. Underexposed Dark Images coming out of my Red One MX. Any Ideas for this red newbee?
210. Saw this and asked myself what would Steve Gibby think of it
211. Canon 18-80 Red Team and Foolcontrol request
212. Goalzero
213. Using RED for live events
214. Epic-W ENG / ENP style rig suggestions
215. Recommendations: 4k S35mm ENG Lens
216. Best 3 Light LED Kit?
217. Len with Servo search
218. Live 8K output? Quad 12G??
219. Skaarhoj for the Red cameras