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  1. Is there FLUT control in Color's "REDCODE plugin v4.0 Beta 2" ?
  2. Problem with color and 4.5Kws
  3. Prores Quicktime files has no image
  4. Export stills from FCP and QuickTime7...problems
  5. Sony EX-3 RED Workflow
  6. Debayer Quality in FCP L&T Plugin?
  7. Midnight TOD Timecode Issue
  8. Apple Cinema Display Calibration
  9. Used Carbon Copy Cloner, then changed "startup disk" and now nothing...
  10. Proxy conversion to Prores?
  11. Onlining in FCP - 10-Bit RGB Concerns
  12. RED with 5D Footage
  13. Red-Color Troubleshooting
  14. MX Sensor and Proxy Workflow
  15. Transcoding Time
  16. Problem with REDCineX
  17. Convert from 4K to 2K or HD?
  18. Reconforming ProRess files
  19. Log and Transfer
  20. Maintaining 24FPS in Compressor - DVD
  21. Im looking for a few good Post guys to have on my Buddie lists.
  22. CFCards Copying problem
  23. First time Red editing
  24. Renaming R3D Files?
  25. NEW: RED FCS installer build 30
  26. Color limiting highlights / MX / Redcode v4b2
  27. Rendering DPX from Color
  28. Changing aspect ratio with a mask to 2:40:1
  29. APPLE MAC PRO for AUTODESK SMOKE
  30. Redcine-X crashing on launch
  31. Problem with proxies in Final Cut Pro 7
  32. REDrushes & Build 30
  33. Need suggestions for a conundrum
  34. Glitches In Render
  35. Pablo vs Lustre
  36. Need help - FCP exports produces longer audio files
  37. Re-linking to R3D's
  38. RED Workflow - From Scratch
  39. Color correction - Calibrating Imac monitor for best results
  40. Considering 17" Macbook Pro to replace Mac Pro
  41. very long r3d
  42. Tape name issue
  43. All FCP edit and conform
  44. Proxy Project Settings
  45. Problem creating ProRes files
  46. Using RED generated _H and _F proxies
  47. Redcine renders
  48. Huge ProRes files
  49. Post Production
  50. .dmg or folders/files?
  51. Please help! Issues in CF
  52. Shot Logger Pro - New Application for logging footage
  53. External hard drive mount (for internal HD ) ?
  54. RELEASED: RED FCS Installer (v30.1.0)
  55. Leopard or Snow Leopard recommendation
  56. Exporting 4k files
  57. Black frames on my RED online
  58. Red Post Workflow for TV
  59. best workflow for fullscreen ipad/iphone video
  60. A newbie to R3D editing. Workflow.
  61. Still store in Apple Color saves Stills that are brighter than original video...
  62. RED to FCP to AE
  63. Black Proxies
  64. Clipfinder wont reconnect
  65. HELP! Anyone know apple technicians in LA?
  66. Cinemascope and Color finish
  67. Is it worth running your Mac in 64 bit?
  68. Red FCS Installer v30 - USE CAUTION!!!!
  69. Screwed up colors in FCP
  70. clipfinder 2.5beta3 doesn't process .rsx
  71. RCX-FCP-CF-Color Workflow problem!
  72. FCP Canvas Unrendered
  73. Editing HD with mixed-resolution proxies
  74. Useful Mac apps for RED users..?
  75. Does FCP re-process audio on export?
  76. USB 3.0 and New Firewire in next Mac Pro/iMacs
  77. Status of 4.5K in Apple Color
  78. Apple New Codec based on Wavelet
  79. Rumors that Apple will drop H.264 for wavelet based codec and will support 4K
  80. Multi-Monitor RED Rocket / Apple Color question
  81. workflow problem
  82. RED workflow question: quicktime proxy vs ProRes 422
  83. Major problem with conform in CLIP FINDER
  84. Inconsistencies in Prores conversion
  85. Mixing Anamorphic and 2:1 Workflow
  86. Your Mac fails, and your backup is...?
  87. Problem in Red Rushes
  88. External power for a MacBook Pro laptop?
  89. working with 120fps in FCP
  90. Proxie editing and Geometry room in Color
  91. 7D Footage with RED - FAIL
  92. I can't export a stable QT from FCP (Redcam)!!
  93. FCP 7 RED files in FCP 6
  94. Color bogging on spanned clips
  95. where to begin?
  96. Going to Broadcast?
  97. Final Cut Pro workflow with After Effects CS5
  98. Searching for movie data in file...
  99. New Mac Pro
  100. Best New Mac Pro for RED workflow?
  101. Color Color Color
  102. Final Cut Master Comment Field
  103. On Location Workflow
  104. iMac set-up & workflow
  105. RED with MBL
  106. saving keyframes in Color, please help
  107. New Imac supports esata...sort of.
  108. PCI-E Expansion Chassis Advice?
  109. Nvidia Quadro 4000 for Mac...
  110. Final Cut Crashes!
  111. Transcoding looping bug
  112. Preferred hard drives for Apple data copying and storage
  113. Color Fixer causes clips to unlink in Color
  114. Can't Log and Transfer -- PLEASE HELP
  115. Bulk Pull 4k TIFFs
  116. 4K & 2K same timeline, on export, 2K goes blank
  117. 12-core Mac Pro's are available...
  118. The Foundry's Storm summer update
  119. Help with on set LTO back up solutions
  120. FCP render
  121. The old 16 character problem
  122. Full range with R3D
  123. Exporting EDLs from an offline sequence
  124. FCP to AE to Color. Where all the experts?
  125. Easy FCP post
  126. DVD Compression issues
  127. Anamorphic Post Nightmare
  128. Quicktime Proxies vs. REDCINE-X
  129. Clipfinder and Build 30
  130. Revisiting the LTO4 Deck for backing up Precious R3Ds!
  131. Strange file/reel names in FCP
  132. Editing on FCP for 1st timer
  133. WHAT WORKAROUNDS FOR THE 4 SLOT MPro LIMIT?
  134. Re-generate QT wrappers for a whole project
  135. 4,5k Final Cut to Scratch Workflow...
  136. Wacky question
  137. Offline Macbook Pro i7 to Online
  138. FCP7 Mediamanager of any value?
  139. Color on two machines: difference in brightness
  140. When Apple Color loop bug is so stubborn
  141. Final Cut 7 & QT above 7.5.5 not accepted at DG
  142. Kona: 2K sequence viewed @ 1080p
  143. redundead help
  144. Help with Red FCP plugin
  145. Remote Location Data Wrangling
  146. Ideal Transcode Settings for 1080p
  147. Music Video Workflow
  148. Flut color science for fcs2 color?
  149. LTO4 using BRU PE
  150. Da Vinci
  151. Log & Transfer without Meta Data
  152. Small portable Firewire drive?
  153. RED with DVCPRO HD and FCP
  154. Two simple Automator Scripts
  155. Clipfinder does not give me proper handles any ideas?
  156. Anybody in LA got THE FOUNDRY STORM?
  157. FCP & COLOR, When to Sharpen, and What to use?
  158. No audio converting .mov to .flv?
  159. Minimum Requirements
  160. Green Footage Problem
  161. Red > fcp > edl > scratch
  162. Red Rushes pro res to R3D and maintaining Metadata workflow
  163. Dropped frames problem
  164. Prores broken encode?
  165. view 2048x1152 clips on 1080i monitor?
  166. Color Looping Bug with Canon 5D footage
  167. Instant Transcode GPU
  168. Best way for working offline/online?
  169. Sharpen footage?
  170. Upgrading my Baby Edit Suite
  171. QT proxies -- why not use Rocket and RMD?
  172. Color wont Render, any ideas why not?
  173. 4kHD and color
  174. Shot ID in Color
  175. FCP Multiclip conform hell...
  176. Need Advice on Mac Pro
  177. screen grabs from HD feed ?
  178. proxies cause frame drops in fcp
  179. Broken R3D's
  180. Defragging and Mac OSX
  181. 24p questions, workflow issues.
  182. Quick Daily Color Correct
  183. BlackMagic Decklink Extreme 3d: Impressions
  184. Log and Transfer Native Issue 1920 x 1080
  185. Color grading in Apple Color
  186. FCP and RedRushes transcoded footage is a GREEN?!
  187. REDCOE.Color plugin error
  188. How to export a 2:1 ratio from FCP to DVD pro keeping aspect ratio
  189. Final Cut version 6
  190. Budget Workflow
  191. Trouble exporting EDL of RED footage from FCP for Blackboard Baselight
  192. "Searching for movie data in file...R3D"
  193. Clipfinder to RCX problems
  194. Conforming the proxies to full rez
  195. Importing prores422 QT'S VS L&T for conforming
  196. Toast 10 for half price
  197. FCP studio needed
  198. problem with log and transfer...conforming...i don't know
  199. Good 2.5" external enclosure?
  200. Problem with transcoding ProRes 4444...
  201. Problems roundtripping back to FCP in a FCP7+CF2.5+RCX workflow
  202. 1888 x 1062 WTF???
  203. Posting a 5DMKII/RED ONE shoot
  204. Reconforming prores 4444 to original R3D files?
  205. Half Premium debayer option in Color?
  206. Pro plasma vs Dreamcolor
  207. automated pull list from FCP edit of proxies?
  208. New DVD drive in my MBP?
  209. Extracting Specific Shots From .RDM Folder
  210. Tangent Wave vs Euphonix MC Color
  211. Clipfinder
  212. Red, FCP, Color, NUKE, Cinema4d workflow question
  213. Replacing optical drive on Macbook Pro with SSD ?
  214. Final Cut Rumor......2013 :(
  215. Best export for TV?
  216. Pomfort Silverstack 2.0 experiences?
  217. Softer images on output
  218. Rocket support for Color - please help us test
  219. Proper way to online RED after editing in offline?
  220. Transcoding to FCP ProRes results in 2048x1152
  221. EDL in Final Cut
  222. down converting for multi-camera editing
  223. Replacing clips in FCP
  224. How would I export a RAW image sequence?
  225. A few questions to help get me started...
  226. ClipFinder not seeing clips.
  227. New MacPro Processor Speeds
  228. how to judge gamma on iMac with snowleopard?
  229. eSATA expresscard making my MBP crash
  230. Segmented files not comming in w L&T
  231. clips color shift in final cut
  232. Quantum LTO 5 questions
  233. BUG: clip as stop frame in Color ???
  234. FCP totally over modulates QT exports. Why oh why?
  235. Which eSATA card for my MBP?
  236. General questions
  237. Proxies look very yellow in fcp
  238. FCP to AE - So that all footage matches at Grade?
  239. Ideal Mobile Editing Config?
  240. I'm not a witch... I'm Hue
  241. Is REDCINE-X still the only tool able to render MX proxies?
  242. Need a recommendation for Data Recovery
  243. film scanned to proRES...Help
  244. Another Premiere-FCP connection...
  245. And now... reconforming issues...
  246. Banding
  247. red proxies to color
  248. Cutting RAW
  249. "Codec not found" in FCP with editing proxys
  250. P Proxy - can't select Unlimited RT in Timeline