- Send to: Color...
- Pro Res offline to full scratch etc "online" and back?
- QT Proxies Green, L&T won't convert
- Poll: Apple Representative/Contact for Red User
- RED classes
- Mac Computer Configuration
- QT Reference File - Color Look Change
- Another Basic Workflow Review
- APPLE setup for editing red
- log and transfer pro res
- When to resample?
- workflow help -- of course
- SDK idea for any programmer out there.
- Disabling Time Machine
- Data Dump question
- Quicktime 7.5 okay or stay away?
- Final Word 8800 Or 3870
- FCP Log & Transfer problem
- Editing on FCP 6.0.4 and a G5
- FCP time remapping and REDcine
- New version of Redcine with TARGA - am I missing something here?
- REDrushes does not create wrappers
- RED One Shoot to FCP / Crimson / RedCine finish
- Cheaper laptop for location work?
- Problems Converting Proxies
- QT 7.5 - The Magical Shrinking Window
- Proxies Dont Work Well In Fcp 6.0.4
- How Export
- 2K cinema editing
- Scripting in mac
- mac pro configuation help!
- Do any of you run OSX and FCP on a PC computer?
- FCP Workflow PDF
- FCP to HDCAM via AJA ioHD
- Image is Inverted
- Red4k+Cine+1080p from 35mm Workflow/FCP Questions
- The Older Intel Macs
- CineonDPX Pro for FCS2 3.0.3 released
- Log & Transfer vs. Import Folders
- Post Workflow for SD delivery..?
- Finishing on HDCAM
- FCP with QT Proxy P - any got it working?
- 800GB LTO-4 tape solution for the Mac, A review...
- Re-render proxies every time leaving FCP
- Log and Transfer
- FCP to Color
- Article on RED Workfow from my Music Video
- automatic audio files linking?
- Can't pull Pro Res from R3D.
- 4K - 2.35 - Film Out - Workflow
- FCP - Log and Transfer
- 2:1 Standard Def DVD
- DPX conform questions
- Another Log & Transfer Question
- EDL import
- Fcp Color Ideas
- Fcp Finishing Without Crimson?
- proxy audio sync issues
- dpx from redcine to fcp (gluetools) send to color problem
- NEED HELP with FCP and RED workflow!So Confused!!
- Trouble installing "RED Log and Transfer FCP Plugin"
- What happened to the COLOR r3d plug in?
- Folder Structure
- RED Workflow Manual v.1.2
- Apple MacPro + Promise Storage Workflow - KVM extender devices
- FCP to Scratch: renaming clips?
- External Monitor Viewing of 2k files
- Film Like Feel
- prores onlining question
- how do i get rid of the orange render bar in FCP?
- Unknown Error during L&T
- AJA Codec gamma problems
- KEVIN STANLEY where are you???
- Stupid Question
- FCP crashes with Redcode sequence
- Proxy files are Green
- RedRushes .RSX files
- Does rearranging of folders mess up Log&Transfer?
- FxFactory and the L&T plugin problems
- Mixing 3K & 4K proxies in FCP
- Getting the most out of Raw
- handling effects
- Can't upgrade FCP 6.0.3 to FCP 6.0.4
- Very bizarre scaling issue with keyframed footage (Crimson workflow)
- Test of proxies, L&T and Redrushes
- Apple Dream System Setup
- WTF! Final Cut kills 2k full res playback
- who have a APPLE FCS case?
- Quick Event Footage Workflow?
- Build 16 Corrupt render Problem, I think?
- Out of FCP into PC A.E. whats the best way???
- Is anybody else having problems with Apple Color Crashing with the New ProApp update?
- Bringing a Build 16 shot into a Build 15 project...
- render crashes FCP & other proxy problems
- Workflow with PPC Mac
- Quicktime Gamma Issue - Gah!
- Apple Pro Res QT Decoder available for PC !
- Getting from 4K all the way threw to DigiBeta whats the best way?
- 35mm Film out with custom 3DLUT's/Apple Color and plenty of consulting from Evangelos
- Applying a speed change to a clip after online...HELP!
- Where's RAW support in Color?
- Calling all S.FL. RED Editors
- Need Help with the new setup im building this might sound bragging but i need help
- Color image sequence framerate buggs
- How to? with a Power Mac G5, non Intel
- trouble mounting G Drive Q
- Changing Clip names and Merging Clips in FCP
- Quicktime 7.5.5
- Editing with 23.98 and 29.97
- help with finishing in HD
- When to add EFX?
- QT Gamma (Windows) issue discovery
- Final Cut EDL to REDCINE
- Simple Red Workflow
- From Proxy Files to 1080p Online
- FCP COLOR 2K DPX Workflow
- crimson workflow extra frames ?
- new Cineform FCP online workflow paper
- fcp crashes when i import _p proxies into timeline
- I Can't play back 2K Quicktime Proxies
- Is Apple going to let Adobe get away with this
- Insufficient content for edit?
- REDLog-to-Linear Viewing LUT for Apple Color?
- Shake and OSX 10.5.x ...
- Time to share RED ALERT HEAVEN.
- Blu-ray burner ?
- Using markers to edit in FCP
- Native R3D support in FCP coming soon:
- RED Rushes
- No Clips Appearing in L&T
- FCP crashes... Solution?
- RED with Mac OS X 10.5.5
- Getting the Red Drive to mount on the front FW800 port of an octocare...
- Disc will not mount
- Compressor problems with 4K proxies
- First timer - is it possible to edit proxy and send only x frames to colorist?
- View proxies with Coverflow?
- Proxies rendered to ProRes
- Log and Transfer makes self contained movie(for G5)
- Help with Possible Workflow Changes using Subclips
- Help with Possible Workflow Changes using Subclips
- Best Setup for MacBook Pro
- QuVIS DCP Mastering plug-in for FCP
- Newbie on Red, basic apple workflow question
- Anyone heard about possible Dolby's buyout of FCP?
- Size of proxies
- Problems with the FCP Viewer
- Best Post Houses in NYC for Red?
- Final Cut Pro Settings?
- Transcode Yourself or Have a Vendor Do It?
- Transcoding Software/Workflow
- 3151-3400 On their way
- Best Settings for Redrushes?
- FCP crash/render problem
- Files greyed out in Log and Transfer Tool
- SAS for Mac
- 3K REDCODE doesn't like music
- Converting 24fps to 23.97
- RELEASED: REDCODE QT CODEC (v3.5.0)
- Monkey Extract - new version, new Final Cut workflow
- Microcosm Codec
- ATI Radeon 3780HD's HDMI out to Sony Bravia with 10bit panel
- Calibration for DVI monitors
- ProRes size
- URGENT Cant get Decklink HD Pro Pcie to work with Color
- Ati 1900
- Red 4k Editing - Edit 1 Resolution, Match Other 3?
- AVID into REDCINE how to?
- How do I change the default color gammut in FCP/proxies?
- RedLog to Redspace and/or Rec709 LUT
- Organizing prorez files
- 29.97 or 23.98?
- ProPresenter or ProVideoPlayer output help needed
- Does Glue Tools work? I NEED DPX conform
- need help trying to create DPX files
- Final Cut Pro hangs
- Serious Sync Drift after Merge Clip
- Graphics Card Advice
- File size problem
- New MacBook Pro's next week?
- Dropped frames after Compressor/DVDSP?
- synching audio for editorial in FCP
- Orange Render bar solution
- Esata vs Firewire drives
- FCP to Quicktime to DVDSP
- 16 Cores = 720 pro res HQ real time processing
- Can´t open Files in RedCine
- Cutting footage with MacBook Pro 2.6 Ghz
- Importing Red data on final cut???
- Red Proxy and fcp playback
- Red Cine output blanking function not working?
- finish on 1080?
- Where's the Red -> FCP -> output guidebook?
- Apple says some MacBook Pros affected by faulty Nvidia chips
- Dealing with 24 and 23.98 fps
- HELP! EDL from nested sequence
- Can I Temporarily Edit with a MacBook Pro?
- (UK) G Tech or Caldigit? + Graphics card advice?
- Gamma question
- Monkey Extract - new version supports Quicktimes from build 17
- Reasons to check out the new MacBook Pros today...
- Webcast for today's special event…
- Why use Log and Transfer?
- 3.0 ghz vs 3.2 ghz?
- Black Screen in FCP Log & Transfer
- fix frame rate of clip
- What is all the stuff in the "RED Support Page"?
- help needed with fcp red one edit
- RedCine vs Red Alert vs Red L&T
- COLOR (color correcting 4k)
- Consolidating an offline for the online
- Video:Editing RED on the new MacBook
- Which MacBook?
- Which FCP System will do the job?
- New Macbook Pro
- edl from fcp to color 24 becomes 23.98
- problem Ingesting files over 5 mins
- Best workflow for features
- Cineform HD Link Porting and 4K recorder
- Breathe to host RED camera and Apple ‘Color’ Grading Event
- Cine-tal SDI into FCS
- Sync drift problem with long (3min+) shots - please help!
- HELP! - COLOR INSISTING ON 23.98 FOR DPX's IMPORTED WITH EDL.
- HD Monitoring
- Apple Automator : Merge Audio with Video
- Recommended Apple Color Workflow?
- Advice on Brand New Apple FCP Edit Suite
- Quicktime and Gamma ....
- FCP SERVER and red one proxies
- Log & Transfer Question
- CineForm Offers NEO 4K-Mac for Red Support (BETA)
- Thumbnails?
- Premiere Vs. Final Cut
- Are these good MAC choices for FCP???
- Anyone burning Blueray DVD's with FCP???
- Autosync sound BWF with video by TC
- Log and tranfer color issue
- Crimson Roundtrip Issues
- OSx86 machine
- Log & Transfer Choice Grayed Out
- Blown out windows and workflow advice?
- Online Workflow Questions...
- Apple Color Float clipping
- Problem Mounting Red to Mac
- TIFF vs DPX
- Advice needed: MacBook Pro 15" or 17"
- DVD Studio Pro help!
- REDrushes gives error
- some workflow help/info needed
- AJA LHe or Kona 3 ?