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- ProRes stutters
- resolution qeustion
- merged clips and sub-clipped audio
- help EDL problems CMX 3600
- Workflow shooting 4K to 1080P 2K
- Trouble making DVD files. . .
- Online 4k Color
- Time Remapping
- Sheer codec ? (and RA / RC codec options)
- Music video sync help!!!
- Feature Workflows
- Advice needed - Storage/External Harddrives for RED?
- Anamorphic Lenses
- RED CINE- COLOR- change
- Raid Set Up question for Pro Mac
- Logging clips in FCP
- Any DVD Studio Pro Experts in the House?
- Apple Color Quality
- Final Cut Express for On Set... possible???
- DEAR REDALERT DEVELOPER(s) ...
- Intel App on PowerPC
- 4k to SD DVD Quality issue !!!
- ProRes Encoding through Log and Transfer
- Log and tranfer- Import at 2k
- DPX or Redcode?
- Proxie Editing & ONLINE
- A little bit of Apple news
- it's just another workflow...
- need help with specs
- RA Histogram vs. FCP/Color Waveform
- researching RAID
- ProRes transcode w/letterbox
- Canīt play proxy files lower than size "H" in 4k-HD
- White & Super-White
- ExpressCard 34 to dual Firewire 400
- blackmagic decklink HD extreme
- FCP Digital Preview
- Known DPX Issues
- FCP 8 character setting
- Red Rushes and Log/Lin conversion
- Banding in Red Footage
- Best videocard(s) for G5 (AGP 8X bus)
- Is there a 2 minute limitation in Final Cut?
- Crimson Workflow in a Apple Mac failed...
- Fcp proxies edition done, now how do I make DPXs from it?
- Caldigit HDPRO vs HDONE
- RELEASED: RED Final Cut Studio 2 Installer
- Do you mean to tell me APPLE beat Adobe to it??? for native R3D
- Question for Caldigit owners
- Quicktime/FCP and Redspace
- Cant get red tab in color to work
- REDCODE-wrapped QT's not supported in Compressor?
- More Options for FCP Offline
- Color - Output Sharpening
- Workflow Redrushes - FCP - Color native
- Color and RSX files
- ProRes (HQ) in 2K files bigger than R3D, 4K?
- Quick FCP / Color / Native R3D Ingest Video +++
- Adobe Premier and FCP using same drives?
- Shake has been updated to fix QT issues.
- "Native" QuickTimes good, but not great
- Help ! (Redrushes) to Native R3d workflow change.
- FCP will not EXPORT RED FOOTAGE totally stuck.
- Native r3d in FCP, clips incomplete
- Upgrading MAC PRO CPU
- Edited with Proxies, but want to now use L&T Tool
- Renders from the new COLOR are far too dark!!??
- RED FCS2 plugin downside!
- Why not offline with other codecs?
- FCP plugin and Red Alert
- Color - Anyone tried this?
- Shake - anyone tried the "RAW" qt in Shake?
- Multi Cam workflow advice
- New Workflow - Why so many complaints?
- 1920x1080 workflow for "offline" - advice?
- graeme: are you gonna make some RED plug ins now for fcs2?
- de-Moire on wrapped QT
- Cineform/RED on Mac rock! (banding issue solved)
- 1080 Padding
- FCP File Sizes
- FCP-Shake/AE-Color workflow suggestions?
- Color -r3d full DeBayer
- Native Playback Quality and Frame Rate?
- Matrox MXO and MXO2 test
- Any way to make a short R3D file from a longer one?
- Native Clips Compressor?
- How did Compressor implemented R3D?
- Framerate in Final Cut Pro
- working with 120 fps footage
- Apple Color: Gamma & Color Space setting
- Proxies in Compressor
- WTF: Proxies no longer RT with new FCP L&T?
- nooob here - dont even know how to ask
- Apple Color RED ROOM bug
- Great experiences to be able to adjust RED ROOM and Primary/Secdondary in Color
- Log and Transfer vs RedRushes
- is color using Raw data in all functions?
- Will it be possible to send a Color session to Compressor?
- Changing work flow half way through project!?!
- Proxies in the world of the new plugins
- Warning: Serious timecode bug in Compressor?
- 4K Quick Turn-Around Workflow - FCS2
- Apple Color Network Render
- fixing cracks on blue concrete in Apple Final Cut Studio
- proxies, slow motion and transitions
- Consolidating project on FCP
- On a shoot! Dropped frames when capturing in FCP using Blackmagic
- Proxy to CineForm conforming (in case you need to)
- Figured out the proxy to color repeating frame bug!
- Outputting to HDCAM through Kona 3
- Failing at Apple workflow...Help please
- R3D in Color back to Final Cut not working
- CineForm NEO 4K Update Available
- Final Cut won't open the R3D-files - why?
- clipfinder vs. crimson vs. monkey extract
- EDL time code error/missing reel names
- L&T error
- mixing Build 16 and 17
- Red Room Tab not working
- strange error
- FCP Plug In - Problems Ingesting
- _M to _F
- First RED project to SD DVD
- RGB, YUV, & Film-out
- getting a grey screen after render
- Color Looks Great, FCP Doesn't
- Red Alert Presets available in Log and Transfer
- half screwed up frame rate on B-camera
- CF Card Issues - HELP!!
- Only partial clips captured in log & transfer
- Proxy with RSX very slow load in FCP
- P Proxies have Red Render line
- viewing QT proxies
- Finishing on Color from FCP offline: A Tale of Two Gotchas
- Monkey Extract now supports Final Cut XML
- A couple of comments on the new FCP/Color workflow
- aspect ratio in Final Cut Pro
- RED R3D color workflow how do you do it?
- motion is really for 3d camera work
- Hello guys, new guy here
- 1080 Pro Res HQ on Raid & Macbook Pro?
- Log and Transfer Problem
- Even though Color can see the R3D now, I STILL USE REDCINE its so sweet.
- Experiment workflow - How to get rid of color bug -I hope
- Color.app: Terrible framerates with wrapped R3Ds playback...
- Whats up with the GAMMA SHIFTING???? color, fcp
- REDCINE Uncompressed 10Bit 4:2:2 not working.
- Destructively Editing R3D files
- FCP XML 10bit project shows up 8bit in Smoke
- Problem with Proxies and R3D files going blank
- FCP workflow support build 17+
- We are no better off?
- Debayering R3D's in the new FCP>Color Workflow
- quicktime 7.5.7 and prores issues
- Workflow
- Mac Pro spec
- Kona 3 and 2k at 29.97
- 2K croped to 1080 or scaled ?
- FCP can't import r3d.
- prores edit question
- Mac OSX 10.5.6 update
- Mixed timeline LUTs and such in Color
- How to apply 1.85 frame guide in Apple Color ?
- Final Cut to DPX output
- Pro Apps update fixes RED Room in Color
- FCP and REDCODE
- **** warning!!! Don't upgrade to 10.5.6...
- Color DPX to FCP/GlueTool for conforming
- Help with denoise?
- Automatically Sync dual system sound
- CineForm NEO 4K now supports DPX, ProRes and uncompressed YUV
- Final Cut Pro to Apple Color workflow problems
- Best output settings for vimeo?
- Weirdest thing
- LaCie 6TB 1U Rackmount NAS
- Which hard drive for Apple Workflow?
- Extremely sharp images from FCP/Color
- QT codec 3.5 and RT playback...
- On line workflow for Red
- What capacity Drive required for 3hrs 4K footage?
- Color grading and sound mixing
- Native workflow video?
- DPX with FCP, can it be 10bit RGB?
- Render in REDCODE turns out grey!
- Best FCP workflow including transcoded ProRes files from RedRushes?
- Experiment workflow 2 - FCP-COLOR-AE
- REDCODE in System preferences
- FCP crashes in "Log & Transfer" !!
- More problems
- Is ther a 4:4:4 YUV codec for FCP ?
- Build 18 Anamorphic Workflow
- What's the best workflow for a feature on FCP?
- Gear for Prores Workflow
- What is the definitions
- Syncing Video and Audio in FCP
- Color shuts down my DVI inputs when playing 1080 uncompressed
- XML linking support to FCP by RED
- FCP to Color issues...
- FCP r3d support - what's the deal?
- Is Apple ProRes 4:4:4 ?
- Color to FCP to Quicktime Problem
- FCP to Color native workflow
- FCP LUTs?
- Happy New Year! from Japan
- Tracking Secondaries in Color
- anybody have questions for Apple Cert.Pros.?
- Which CARD? LCD HDTV + Mac Pro
- a very easy wat to bypass the gamma shifiting in FCP
- a very easy wat to bypass the gamma shifting in FCP
- Seagate 1.5 TB drives in a Mac Pro
- Need for a firewire device
- Color Reconnect Issues
- Best tools for 4K colour correction
- FCP or CS4
- FCP and AJA iO HD- anyone using for monitor output?
- AVID RED CAM HD Cam Dailies
- My RED footage is Green in Final Cut Pro
- step 1 work flow
- Better to Color in Final Cut for best quality?
- CineonDPX v3.0.7 is available
- workflow documentation
- Monkey Extract - $100 off this week only
- RED native FCP, RED tab in Color not enabled?
- Red Rushes Crashing my 8 Core
- Full debayer power in FCP ?
- Working with 4k HD all the same?
- Frame rates out of Color
- FCP/Color Plugin workflow vs Premiere/AE Plugin
- reframing in Color
- Final Cut Crashes on ProRes output
- First time RED workflow
- mixing 25p and 24 fps for filmout?
- Color Issues or User Error?
- FCP log & transfer
- Why??
- FCP unable to play PR22HQ, why??
- Color doesn't let you output DPX when DPX clips were imported
- Removing flickering on panning. Please HELP !
- RED ONE Film Out Workflow Diagram with FCP/Color
- Wow! Intel X-25 SSD in MacBook Pro - 250MB/S Read!
- FCP/Color DPX trick
- Can 1 replace ProRes Converted files into PROXIES???
- Crimson problems, many clips out of Sync cant figure it out.
- RED Proxy blinking in final cut studio 2?
- best workflow for quick turn around on a laptop?
- MacBook Pro FCP Proxy Playback problems
- Black Screen? Big Time Newbie
- half speed shot back to 100% with faster shutter speed
- New Mac Pro and Final Cut Studio 3 ?
- fun compressor problem... only fix might be to delete and reinstall FCP