PDA

View Full Version : Apple Workflow


Pages : 1 2 3 4 5 [6] 7 8 9 10 11 12 13
  1. FCP Workflow: offline w/Proxy & Color VS ProRes & RedAlert
  2. 4k Anamorphic - Post Workflow
  3. help please
  4. Best way to compress for a NTSC 720X480 DVD?
  5. Apple Pro Apps 4-seat Xsan updated for 2009...
  6. Realtime 2K proxy playback on new Mac Pro 2xQuad?
  7. FCP -> DVD Studio Pro for Anamorphic DVD
  8. RedAlert grade darker in Log and Transfer
  9. Easy RED post workflow blog article
  10. REDrushes- why is PDLOG 685 listed twice for Gamma Space?
  11. FCP crashing
  12. Can't transcode to ProResHQ
  13. 720x576 out from Red One Footage ..help?
  14. Red 4k color correction
  15. Building a Red Editing Bay
  16. L&T Build 17&18?
  17. Clip Finder Questions
  18. 2k Pro Res HQ playback
  19. Prores/dpx question...
  20. Workflow?
  21. Clipfinder xml conform
  22. Green Screen workflow
  23. Reconforming to Native Redcode Issue
  24. Render Bar on 4K HD?
  25. FCPro Luminance Shift in Pause Basic CC
  26. R3D to dpx via color?
  27. Color Grade Priority
  28. Possible Clipfinder Issue
  29. workflow export at 4k
  30. Malaysia Telemovie with RED One Camera
  31. Why are the L&T REDCODE native proxies so large?
  32. Macbook for occasional DIT?
  33. No "native" in the log and trasnfer preferences
  34. New to RED & REDcode
  35. PRORES to SD
  36. Noise Reduction Technique?
  37. Was there anything that can conform from EDL with edgecode?
  38. L&T gives error on spanned clips
  39. Build 16/Offline with Prores422/time to online - NEED HELP
  40. Possible to finish in FCP?
  41. Estimate for feature film online
  42. Asking question about FCP/COLOR-DPX-AFTER EFFECTS....
  43. RED L&T plugin not appearing?
  44. Grading change bug in Color
  45. Overcranked material playing back at normal speed
  46. FCS3 Tomorrow?
  47. Red Quicktime proxies in FCP
  48. Needed -- "Color" colourist in Toronto
  49. Green/Pink screen when editing
  50. Proper Kona 3 Settings for RED proxy's
  51. NVIDIA Quadro FX 4800 GPU for Mac
  52. Feature film - 2k online in FCP ?
  53. CalDigit Storage
  54. resizing 2:1 files to 1920x1080
  55. Interesting problem with Redcode installers
  56. Qube?
  57. L&T not loading the whole clip Just segments
  58. Final Cut Server RED intergration
  59. What complete editing suite right now: Late April 2009
  60. Color speed up my footage, help!!!!!!!!
  61. fast shared storage
  62. 8Core Nehalem / Red Rushes madness - absolute madness!!! HELP
  63. 4K ana resolution in Color ?
  64. Connecting the harddrives
  65. Red Rushes - MIA?
  66. BWAVs in FCP
  67. XML problem with FCP, Crimson and Redcine
  68. Need help finding white pages
  69. Harddrives for new Nehalem Mac Pro -
  70. Decklink Extreme HD to HD-LCD SDI monitor Problem?
  71. Red to Film Output
  72. Conform from ProRes to R3D
  73. Smoothing a slow motion shot. . . how can I do it?
  74. Color Request
  75. color issue.. please help
  76. 2k proxy not playing smooth any more
  77. FCP Color Temperature Playback
  78. Dissolves Flicker?
  79. Best way to work with sequence finishing in Color
  80. macbook pro specs
  81. How much can you zoom in 4K to 2K filmout
  82. RED in 23.98fps question (from PAL guy)
  83. FCP / Color Workflow Question
  84. Color Rendering Handles/EDL Issues
  85. QuickTime wrapped R3Ds?
  86. Export Question
  87. Red twitter
  88. NAS workflows
  89. DPX Export from FCP?
  90. mac pro configuration for color
  91. FCP M Prox send to Color
  92. DPX vs. R3D
  93. how to H.264
  94. RED rookie needs help, URGENT!
  95. Anamorphic RED Trascoding??
  96. Moving R3D Files
  97. avoiding excessive rendering with QT files
  98. avoiding excessive rendering with QT files
  99. Render Farming
  100. Gamma Shift for a few frames before an edit?
  101. Problems exporting .cin
  102. Question for those who know the CS4 Workflow, bonus if you know FCP Crimson also.
  103. Tips for editing in mixed formats in FCP?
  104. Conforming 2:1 to 16:9 for FCP - when?
  105. dealing with Color Temp
  106. ICC Profiles for Mac Book Pro
  107. Stand Alone Quicktimes
  108. Fastest card for Apple Color
  109. FCP to REDCINE to DPX
  110. Workflow advice needed for a FCP music video
  111. SHAKE/.dpx to Final Cut RED
  112. RED and VFX(Shake)
  113. 3k color vs. 3k redcine
  114. 50fps and 100fps proxies only plays half framerate?!
  115. Where to by high end FCP system in Toronto
  116. L&T makes to big ProRes files!!
  117. 2k import
  118. FCP Log and Transfer problem
  119. Thinking of buying Red
  120. Final Cut Pro Help Needed in NYC
  121. Stop Cinema Tools from moving files when doing Batch conform!?
  122. Color .dpx to Flame
  123. SD DVD Encoding: Compressor and CCE-MP
  124. ProRes Video Not Playing in QT7 or FCP5
  125. convert file to R3D
  126. Compressor and New Mac Pro
  127. How to color correct FX shots...?
  128. "Cloudy" Footage when Importing to REDalert
  129. But This New MacPro is soo slow...?
  130. Dual quad core problem playing 2k proxies/wrappers
  131. proxy batch processing - chaning "look" to "raw"
  132. which sequence settings for editing in FCP with M proxies
  133. Quad core vs duo quad core
  134. Basic FCP Workflow info
  135. Slow motion 2K in 4k M proxy redcode timeline
  136. Problem with the Frames – complete different lengths
  137. Mix Build 16 with Build 18
  138. Effect won't play back correctly
  139. transfer your red timeline from FCP to RedCine : the free way
  140. MAC PRO Config Suggestion ?
  141. Glue Tools: CineonDPX Pro for FCS2 updated v3.0.13
  142. Log and Transfer uses Edgecode instead of TOD
  143. fcp3....according to AppleInsider
  144. Color Conundrum
  145. RED benchmark on current MacBook Pro?
  146. Quicktime Proxies FCP to Color Question
  147. Transcoding R3D files results in image ghosting
  148. Cineform Neo 4K
  149. MacPro better performance?
  150. 60fps nightmare!!
  151. Colorist Advice
  152. Time Estimates for Apple ProRes
  153. Our octomac is a rocket!!
  154. WWDC NO FCS 3... At least for now.
  155. Problem with RedRushes not making ProRes files
  156. AJA Kona 3 1080p play out.
  157. EVGA GeForce GTX 285 available
  158. 23.98 vs 24
  159. Quadro FX 4800 advantages over GTX285
  160. does build 18 proxies work in color?
  161. FC General Error
  162. Storage configuration
  163. 4K 16:9 resolution supported for NLEs
  164. Complete Workflow using Matrox MXO
  165. Basic set up for FCP
  166. Apple Cinema display adjustments
  167. Quicktime gamma fix?
  168. Proxy Q file synced with audio question
  169. Help with process
  170. Color DPXs
  171. Color Correction with RedCine AND Color
  172. Inconsistent result with REDRushes
  173. ATI 4870 + DisplayPort + HP Dreamcolor?
  174. good results on DVD compression
  175. From ProRes > Online, back to R3D
  176. RED16 EDL on mac
  177. FCP software update / video displayed as unrendered
  178. red and dead, REDunDead
  179. stage at which to go from 4k to 2k
  180. 1080 prores on fw800?
  181. Color Science update for FCP
  182. help going from FCP prores to Color for DPX w/mixed resolutions...
  183. Odd or Even Amount of RAM?
  184. DVI to RGB output
  185. Going Back to the R3D for More
  186. Importing 4K 16x9 RED footage into Final Cut
  187. proxy not showing up in Color's RED tab????
  188. nVidia GTX 285 Mac Edition vs. ATI 4870
  189. Final Cut Pro update 6.06
  190. FCP 8 character for EDL?
  191. Can't copy .r3d files
  192. USB 3.0 Implications?
  193. Red / scratch cocktail party @ ika nyc
  194. Easiest Way to DPX output?
  195. Replacement Graphics Card?
  196. MacBook Pro Express Card Setups
  197. 1080 Online / offline advice
  198. internal Raid set up for editing Red
  199. easy way to burn with DVD Studio Pro?
  200. Clipfinder->FCP->Color...Then what?
  201. Final Cut plugs in development, RED test footage needed
  202. Workflow Chart for Film Print Output
  203. 3D Luts for Color
  204. Transcoding ProRes HQ Options
  205. RED Final Cut Studio 2 Installer color bug
  206. Crimson, Redline, and Qmaster
  207. FCP glitch with ProRes files
  208. Workflow edit in FCP and export DPX
  209. conforming 720p prores back to .r3d for Color
  210. Red -> ProRes HQ : Wrong colors
  211. NTSC for PAL users? How to 23.98 to NTSC?
  212. RED Native rewrap plays jittery on MP 2.26 Nehalem
  213. color tab not working...
  214. Log and Transfer Volume Names
  215. no proxies, tiny R3d file, cant open?
  216. Very basic question about RED FCP Workflow
  217. Redline Exports Maxes out at 2GB?
  218. 1K prores offline to 1080p prores online?
  219. Native files turning blue
  220. Red Rushes With FCP
  221. Relinking Red Camera Files
  222. Logging Footage in a FCP Environment
  223. Log & Transfer Problems
  224. ClipFinder Transcodes From In/Out Points in Sequence?
  225. Pro Res export time?
  226. FCP Green Proxies
  227. Updated drivers are available for the GTX 285
  228. RED material on Imac system
  229. The Right Video Card?
  230. Under the Microscope?
  231. R3D online - batch capture as described in RED whitepaper doesn't work
  232. Glue Tools: RedUser.net Discount Coupon/v3.0.15 to be posted.
  233. Is it possible to Raid SSD drives together?
  234. FCP>Crimson>Redline(Tab)>?
  235. Pointing devices lag!
  236. Apple Color with 4K files
  237. Clipfinder Help with RED rushes offline as well as MONKEY(which works)
  238. Importing 3k 48fps Footage
  239. Reconform from subclips using Clipfinder? Dual system audio question
  240. Solution to Compressor crashing on launch
  241. Info on Final Cut Studio 3
  242. retiming lost when back from Color
  243. FCS 3 Working with RED RAW Files Video
  244. FCP Workflow 2, L&T Onlining Problem
  245. Notes on the New Final Cut Studio -- It's not FCS3!
  246. Francis Ford Coppola & Walter Murch on Final Cut 3
  247. Francis Ford Coppola & Walter Murch on Final Cut 3
  248. Confused about FCS 3 ? Is it written cocoa 64-bit or not?
  249. Free: View DPX via quickLook
  250. FCS3...Yes, that is what they're calling it