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  1. New FCP Version Rumor: NAB '10
  2. Color crashes on importing FCP XML
  3. Fixing Underexposed Footage
  4. RedRocket, will it do the job?
  5. reverse conform
  6. Debayer knowledge
  7. Upgrade FCP in middle of project
  8. FCP 7 and BUILD 21?
  9. 17" 3.06 Macbook pro cut 1080 prores?
  10. Question regarding QT Proxy Malfunctions - Green/Black Screen Playback Malfunction
  11. Is it possible to cut proxies on an intel based imac?
  12. Editing on a macbook
  13. Boris FX at 1/3 the price (today only)
  14. QT Proxies Speedup please Help
  15. R3D playback/pause in color 1.5????
  16. PROBLEM- Dual Heads on a ATI 4870
  17. Workflow Using Redrocket
  18. problem playing 2k proxies on 8 core
  19. Whiskey Tango Foxtrot?
  20. After Upgrade to 7.0, some of my sequences are grey...
  21. CS 4 plugin, cant import into After Effects!??
  22. Log and Transfer crashes FCP
  23. rack mount a mac pro on some sort of camera/dit cart?
  24. FCP, R3D and Color
  25. 2 editors...2 mac pros...one intel & one g5
  26. Ram and Debayering speed
  27. When will Color use the new Color Science?
  28. Is there an "easy" way to replace proxies with 1K ProRes Transcodes?
  29. Conform a FCP project for grading on a baseline system
  30. Combining 25p video footage with RED 24fps
  31. Color Screen wont re-size pissing me off any ideas?
  32. How To Upgrade My Current Mac System For RED Editing In Final Cut
  33. No HD Video Output from Color using ioHD
  34. FCP 7 into Premiere into AE dont work XML or EDL
  35. Changing Name in Log & Transfer Window
  36. new to red and anxious about workflow during and after shoot
  37. VFX Workflow suggestions needed
  38. color- color science
  39. Imacs for Redcode!
  40. Crimson workflow serial number help anybody?
  41. FCP 7 and L&T or red rush problems
  42. metaSAN 4.0 is out
  43. Color "Force RGB" setting
  44. 23.97 to 25 fps — how?
  45. 4K Finish Practical? Yes? No?
  46. Problem: FCP workflow with build 21
  47. New FCP Studio rumors. All in one app. Entirely re-written, interface deeply modified
  48. AJA have released new drivers for IoHD/FCP7.0.1
  49. FCP newbie seeking advice
  50. Clipfinder Render In/Out poss?
  51. Light Peak
  52. RED ALERT vs. RED CINE vs. COLOR
  53. redcine rendered hd clips are causing issues in fcp and color
  54. First Post
  55. Clipfinder to FCP workflow. HELP PLEASE!
  56. Tricky Edit
  57. Still have Gamma Shift in SL and 4444
  58. Final Cut / after effects workflow
  59. Problems making reference compressions
  60. Second monitor playback issue
  61. Simple RED proxies FCP > Color problem
  62. Blind extra frame in FCP? How to get rid of it?
  63. Backing up RED material on site
  64. Newbie Help, Please
  65. Quicktime Proxy error
  66. Flow - cool new software to keep your projects organized
  67. Can't get output quality that doesn't suck
  68. Problem with Pan & Scan in Color
  69. color space and gamma
  70. Whats total gigs per hour shot of Red 4k footage?
  71. Rocket and iMac?
  72. Why not proxies?!
  73. Please Help This Poor Newbie .... Mixing 2k w 4k issues
  74. Problem Sending Proxies to Compressor
  75. Snow Leopard- What happen to Quicktime Pro
  76. Snow Leopard kills Hackintosh
  77. Difficulty with aspect ratios
  78. Is this a good work flow?
  79. Using proxies for offline: how to reconnect to R3D for final output?
  80. How to output to film: shot in RED, edited in FCP
  81. Inexpensive Raid suggestions?
  82. Bad Workflow. Can someone show me the light?
  83. My 4.5K HD FCS 3 workflow
  84. FCP 2 and newer builds.
  85. Color shifts
  86. Final Cut shows wrong colors + grain
  87. Rendering jpegs in a REDCODE timeline
  88. JPG-2000 from QT
  89. ClipFinder workflow
  90. Which Color Space to use?
  91. RSX look data in Apple Color?
  92. What is the best workflow for cinema release?!
  93. What is 4:2:2, 4:4:4, etc...
  94. Clipfinder issue.
  95. Which Mac Pro?
  96. Importing all proxy's from drive at once?
  97. Is it possible to cut with Large Proxies ?
  98. performance differences of a .r3d Prores transcode versus one from an HDV source
  99. Clipfinder = Conform XML issues
  100. Every other clip not showing up in color window
  101. dpx settings from redcine
  102. weird playback on new 17" Macbook pro
  103. Looping Bug .. sorta
  104. Apple Color Data path
  105. ProRes in FCP = replace with HProxy files, can anybody tell me how?
  106. Aja-Kona broadcast monitor view
  107. off camera audio sync ... HELP
  108. Fcp 7 xml into premiere
  109. Re-transcode to prores? Premiere Pro?
  110. Help!!! Looping bug not fixed in Clipfinder
  111. export a dpx sequence out of color
  112. Can't see dissolve
  113. external monitor set up
  114. RED editing and MBP and G5
  115. Rendered footage from Color has some clips out of sync
  116. R3D REDundead
  117. FCP Workflow to DVD
  118. About to jump in with both feet (and hands)
  119. FCP log & transfer retitled clips. Issues with XML...
  120. built 17 - fcp7 send to color 1.5 problem
  121. Clipfinder wont save
  122. Really Sorry: Question about Proxies in a mixed format timeline
  123. i5 iMac and R3D seems to be working well
  124. Missing feature for FCP and Color
  125. is new color any better?
  126. Export fcp sequence to premiere, reconnect with R3D
  127. problem with Clipfinder
  128. RED 25fps on Kona
  129. Coloring 2k 16x9 ProRes need 1.85 matte
  130. Extended File System on OSX - is there a way to speed up performance?
  131. Color Bars for Color
  132. Build 21, anyone successfully assemble an online
  133. MACPro 2008, SONY FW900 is it possible in 10bits ?
  134. Blackmagic unity gain
  135. What is the best? Apple color question.
  136. AE CS4 and CC software
  137. BW workflow
  138. No clue what to do
  139. 4KHD 16x9 For L&T?
  140. HELP! White Haze On Transcoded Files
  141. iMac system?
  142. Edit with H proxies & CC the R3d in Color?
  143. FCP Media Manager makes R3D proxies self-contained??
  144. Color Grading Pro Plasma or Projector?
  145. Artifacts from Color
  146. Red >Prores Red shift
  147. Mixing Red and Smaller footage
  148. frame rate for sound designer
  149. Live Type settings
  150. Color Timing Monitor
  151. iMac experience
  152. Consolidating from original media in FCP
  153. FCP to DaVinci DPX workflow with clipfinder 2.2 ?
  154. Best way to telecine 23.98 to 29.97?
  155. Mac Nehalem FCP Log and Transfer Times
  156. Will PROXIES alone send the R3D to Color??
  157. New User Questions
  158. Send to Color and some shots freeze the first frame
  159. Mixing 4K and 3K in Final Cut
  160. Banding when using hue keyer in Color's secondaries
  161. Strange issue when ingesting RED footage to FCP
  162. Is it necessary to use Color Fixer when sending Native REDCODE from FCP to Color?
  163. LOG and TRANSFER duration issue
  164. Helping choosing Monitors and Displays for new Mac Pro
  165. Time Remapping and Apple Color
  166. RED Rocket Lab
  167. Desperate for help. Corrupt .r3d file that needs to be salvaged.
  168. Does the new FCP actually debayer R3D files automatically?
  169. NTSC / PAL mixed workflow
  170. After Color?
  171. Best suggested workflow?
  172. Color- color science
  173. Final conform and grade in FCP and Color
  174. Very crappy looking quality when exporting SD DVD
  175. Using Wrappers, no Unlimited RT drop down option?
  176. FCP->Color using Wrappers = Twitching (3 frame loop)
  177. Clipfinder leaving me baffled
  178. IMAC and 2k Workflow question for online commercial
  179. Apple Color Looping Bug
  180. best way to crop a shot?
  181. Send to Color gives Blue Hue
  182. Apple Color Freezing Bug
  183. Great Grading Solution
  184. .mov to FLV
  185. 23.98 into 30frames
  186. 2k contains 4k after reconform in FCP7?
  187. Color turns footage to Scrambled Eggs!?
  188. transfering project from Premier
  189. link to h movie in clipfinder problems
  190. Some Clips Won't Play in Color
  191. PhotoShop Image Adjustments
  192. Redline exports not working in QT
  193. Gamma problems (found no answers)
  194. L&T Frame Size
  195. Renaming RDC Contents to Final Cut?
  196. 4.5k support soon?
  197. What is Drive Read/Write Speed for Apple Color R3D Workflow ?
  198. Color Troubleshooting
  199. Difference between Codec "None" and 422HQ
  200. Utility to make new proxies from the R3D?
  201. Glue Tools: End of year Thank You - 10% off
  202. Working with Red, P2 and Cannon 7D
  203. Footage
  204. Need help on workflow RED -> FCP -> Clipster/FilmMaster
  205. "Real" 2:1 - editor needs help
  206. FCP7.0.1, Merged Clips, & Reconnection
  207. Color's Red Tab crushes highlights
  208. Clipfinder strip audio
  209. Automating CF offload/backup and verification
  210. Project coming from AVID now in FCP for confo
  211. Can't conform after renamed quicktimes.
  212. Panasonic TH-42PF11UK and Aja hd sdi to hdmi
  213. Exporting EDL from Color
  214. Manually Configuring R3D Timecode?
  215. Beginner in Need of Assistance
  216. Strange Project - Need to Online 4k?
  217. Suggestions for final color - RGB, DPX, or 10bt
  218. RedCine, Redrushes, and FCP L&T problems with 4k footage
  219. FCP: How do you ensure the integrity of your edit?
  220. Is an SSD in a new mAcBook Pro a bad choice?
  221. Simple Question About Exporting
  222. Audio Slipping...any ideas?
  223. Newbie Looking for Suggestions for FCP 7 / AE CS4 Project
  224. Best quality compression out of Final Cut
  225. med proxy in FCP wont render?
  226. Absolute first time with Red on my Mac. Need help!
  227. Which Widescreen Matte Filter to Use for 2.4 frame
  228. Best Way to Build End Credits?
  229. 16:9 1k in FCP 7 supported?
  230. New to Red workflow, looking for a Mac Pro FCP/AE suite.
  231. How much longer till we see 32-core Mac Pros?
  232. Feature Film Finishing Question
  233. Tell Apple you want RED support!!!
  234. Time Of Day / EdgeCode Problem ???
  235. Matrox MX02 and Panasonic BT-LH2550 27"
  236. AVID xml and clipfinder prob
  237. REDCINE-X and Final Cut?
  238. Picture locked with proxies. Now how do I conform?
  239. Fcp and apple color, wide gammut monitors
  240. Scarlet 3k to Final Cut Pro Workflow
  241. Color Grading Workshops
  242. Clipfinder Help with FCP
  243. Native Workflow Quality Question
  244. Thoughts on RED and Color
  245. Clips in Color are Frozen, sent from an M Proxy Timeline
  246. Compressor Gamma Shifts
  247. different color between Red Alert! and FCP
  248. Collecting used files for a Film Transfer..
  249. Film Simulator for FC - FxAndy demo is out
  250. Any interest in a dirt-cheap Color control surface?