- Proof of Concept Fashion Film
- Filmimg lasers with Epic/Scarlet ?
- New ZEISS CPs and ANAMORPHICS coming 2012
- eBay Scrims...
- lighting - exterior night of car
- Anyone ever used a wheelchair for a dolly?
- How good is the Matthews Dolly?
- 3 Prime Choices for Epic X: your favorite would be most helpful.
- Wikipedia on CRI light spectrum
- DOP EGO...
- Prometheus: In One Day
- Prometheus trailer
- Infrared effect When you find me
- Lenses used on "Let the Right One In"
- Roof rack to carry 4x4 frames
- Lens Mounts and the future. Where do we go from here?
- Lens Recommendations and light meter for Scarlet
- How could this soft and beautiful look be achieved with other lenses ?
- Recovering Reflectors
- What Shutter Speed best approaches film look?
- Need help with Sekonic L-758 Cine & RED 1 MX
- Stabilization on the cheap (Red One)
- RED One Interview frame grab
- Filter for Shooting with Lasers
- RED One frame: nightclub
- Red One frame: car
- Spinning Light Rig
- Insane Cinematography
- Capture/Display of microscope contents
- NATURAL HISTORY CINEMATOGRAPHY
- Sekonic L-758Cine calibration (with Sekonic Profile Target II)
- DSMC Aerial Shooting
- anti aliasing and moiree for 5d? anyone used this little bugger?
- best forums for questions on jib, dolly, motion control workflow and hardware?
- Affordable PL-mount Primes Compared
- Cinevate Titan and Durus package.
- What's s LUT
- What are you using as a full size moniitoring display - 10-bit?
- For those of you who teach...
- What do I get if I stack two black promist 1/4 filters?
- Lowel Solo Kit
- Let's Talk About Golden Globe Awards
- Knock-off HMIs any good?
- thoughts on this angenieux lens?
- I propose a contest
- Side By Side trailer
- Has a RED ever been used for IMAX?
- Wildlife Cinematography Showreel - ABC4 - Some Shot on RED
- New Cinematography School in Los Angeles (Global Cinematography Institute)
- What is the "VE" on Kino Flo's for?
- Commercial use of helis for filming banned by FAA???
- Let's name our favorite movies and discuss ...
- Light meter
- Anamorphic Aspect Ratios
- Sharing my Sekonic 758 Cine experience
- First reel. Advice?
- Marshall LCD Flield Monitor
- Kino Flo CFLs???
- New Stabilized Head for EPIC/SCARLET
- Mobile Flicker Box
- Favorite graded films...
- Has anybody used CRLS (Cine Reflect Lighting System) light?
- UV filter for haze reduction?
- Boardwalk Empire favorite episodes-scenes-shots
- Cinema Lenses
- Shooting Artist Drawing on Pad
- Pudl vBlog - Experimental Cinema
- Tinker Tailor Soldier Spy -- Amazing Shot
- Focusing with jibs and cranes
- Double Wicked Candles ?
- Lighting with Projectors
- Hot Mirror IR filters for Red One Epic
- Anybody knows Proline Steadicam ?
- Anamorphic look without using a anamorphic lens?
- lomos prices?
- Favorite 2-Stage Tripod
- building a set
- Do CFL's flicker ?
- Tips on Shooting molten metal/gold
- True-Cut 750 IR or Combo NDIR on Red One or Epic?
- Soon to be Film School Graduate Demo Reel.
- Litepanels Sola Fresnel Series
- Scrolling when shooting broadcast monitor/projector
- Lighting in an open forest
- Inside job (documentary)
- Matte-box choice...
- I've lost some footage! Anyone know of a good way to find it?
- Lantern Lock
- DIY motorized dolly
- 'Hybrid scenes' on the new NBC series Smash
- Janusz Kaminski: "..I don't have respect for digital media just yet."
- New art of cinematography website: cinevenger.com
- RC Heli Operator in Spain or nearby??
- Rosco lite pad pricing info and alternate suppliers
- Dumb-ish back focus question
- If you had to pick 2 ND grads...
- Anybody try the Tessive Temporal Time filter on an Epic or Scarlet yet?
- Laszlo Kovacs and Vilmos Zsigmond documentary
- Robert Richardson, ASC won the Academy Award for Best Cinematography 2012 with HUGO
- Are there focus-enhancing programs?
- Shooting an Empty Mirror for Amateurs
- How To Light Car in ShowRoom?
- Variable IRND Filters
- Steadicam - DSMC power from sled
- simulating natural daylight in small rooms without windows
- Looking for advice on getting into the world of cinematography
- Your favourite photography/art reference books?
- First Los Angeles Turkish Film Festival@ Grauman Egyptian Theater Hollywood
- A Dangerous Method - Tilt Shift Lenses
- My first feature as a Cinematographer...
- Chimera Lantern vs JEM Ball vs Lantern Lock
- high speed ballasts / 240fps epic
- Caterpillar Film
- Kony 2012 - Must See
- Single Frame of Awesomeness - weird/unexplained flare
- RED SUN - A disruptive opportunity for RED.
- Location Instant Support for Epic
- Music video Would love feedback
- does color get darker during internet upload compression
- FF turns
- Pixar Learning Lighting - with Roger Deakins - documentary/video?
- Sensor damage filming very bright light source?
- Looking for tutorials, bts of hmi lights
- Zoom in shot from portrait to eye iris : How to?
- Ronford Baker sticks help
- Stop Motion on Epic / Scarlet???
- Low Contrast #1 Filter
- Used HMIs
- the look of Melancholia
- showreel feedback
- 5D REEL PLEASE CHECK
- light kit, portable, durable and low power draw
- 3.5:1 Anamorphic on Epic?
- EyeDirect 16x9 direct eyeline tool - any experience?
- Showreel Feedback
- TRUE SKIN
- Preserving the blacks without the noise
- Shot on?
- Chapman Peewee III super low mode options with Red Epic Lomo anamorphics
- Help with a logistically difficult shot. Ideas?
- Cinematographer Needed for low budget feature.
- Newport Beach Film Festival 2012/APRIL26/MAY3
- Glass filters: Tobacco, Chocolate, Antique Suede shootout.
- Filter order? amount of filtration.
- SCHNEIDER FILTER
- Lighting for food
- Any tips on shooting welding? Suddenly have a Scarlet shoot tomorrow
- INFRARE OR FALSE COLOR?
- Shooting in the dark / candle lit without noise. Possible?
- CPM gearhead for under 15lbs...anyone seen at NAB or anywhere else..?
- Newcleus Studios this is our 5D REEL PLEASE WATCH
- squarebounce
- First Time Aerial Filming Tips
- Reverse Engineer this light...
- Fine Netting?
- Interesting beta software for lighting
- This lens is amazing, someone want to buy it for me?
- Location Scouting & Mapping with Bosch GLM 80
- 4K and beyond...Pretty .Ugly
- Photographer looking to gain Directing/Cinematography skills
- Doug Trumbull on High Frame Rates
- Best Sources for Director Storyboards (aka Ridleygram's) ?
- Shooting 48 fps music video question
- Higher FPS
- HMI
- Filters
- What filters do you consider essential?
- IN-HOUSE LIGHT KIT - $5K BUDGET
- Polarizer for Epic/Scarlet
- shooting red one MX in raw mode or color? and shooting dark lit scenes
- Help with filters
- Timeline of Historical Film Colors now online
- Eclipse this Sunday! How should we film?
- Dark Shadows - Aspect Ratio Question
- How to calculate light loss in higher shutter speeds?