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  1. Get ready to Rocket ...
  2. Batch Render in Clipfinder?
  3. PDPLAYER now supports R3D
  4. Feature film memory space
  5. Cineform update?
  6. worst media disaster ever?
  7. Media 100 User?
  8. red - luster
  9. FCP7 audio sync shot with 2 RED ONEs
  10. Flame 2010 or Color 1.5
  11. Smoke on MAC
  12. clip finder , red alert qu,
  13. R3D color in Nuke
  14. Please help with Wiretap problem
  15. MIST officially supports R3D and RedRocket
  16. FCP log and transfer does not convert to 2K
  17. RED workflow tool for vfx... of any interest?
  18. CameraRGB and REDSPACE color spaces definition
  19. Clipfinder: Import from Avid XML doesn't work
  20. anybody use LUT3D for derushing?
  21. AE cs4 question
  22. Smoke 2010 Trial version.. can read R3D?
  23. Smoke without Quadro & AJA
  24. Red transcode workflows for people in a hurry
  25. question on red one workflow with nuke
  26. No movie in Clipfinder-window??
  27. Stop Motion with Red (Scarlet)
  28. problem exporting files from red
  29. Extreme Pro Expresscard & R3D Manager...
  30. Conforming to R3D with FCP vs Clipfinder
  31. PS3 Media Center and Red Footage.
  32. Storage and hardware question
  33. Does Baselight use the recent Red's color science ?
  34. having trouble creating quicktime proxies..
  35. Red log
  36. Clipfinder?
  37. RED footage for Dailies
  38. Quicktime Renders Look Faded
  39. R3D. Files and Autodesk Flame
  40. Confirming EDL in Nucoda Filmmaster
  41. clipfinder 2.5
  42. How to Id an mx-file by red?
  43. Lightworks to go Open Source
  44. R3D TRIM Beta delay
  45. Digital cinema package - how i, a computer neophyte, made an open source dcp on my ma
  46. Clipfinder adding in/out info to clip names
  47. mistika 5
  48. A Digital Cinema Package Question...
  49. QT Proxies on Ipad
  50. Premiere CS5 - RED build?
  51. SpeedGrade OnSet for Red MX ?
  52. Archive / Master Format
  53. IFX Ant 3D and RED?
  54. LTO-5 Reports
  55. Smoke- R3D Audio?
  56. RLX on pc?
  57. Bluray
  58. Extracting metadata info from build 30.5
  59. Digital Vision
  60. G-Technology GSPEED eSPro
  61. Apple Pro Res Universal?
  62. Where to fine Kodak 2383 LUT?
  63. R3D Problem
  64. REDCINE X to First Light workflow
  65. Archiving VFX with LTO?
  66. How do you make 3cP usable?????
  67. EDL from Fc Pro
  68. Digital Cinema Package (DCP) Software
  69. REDundead to correct green clips
  70. Data Management Advice
  71. Whats causing Sytem crash?
  72. Noise Reduction Question
  73. A question for the pro's - audio capture
  74. Trails and artifacts with m-x in Foundry Nuke
  75. Ingest Specific Clips from RED media with R3D Data Manager
  76. Is Smoke for Mac better than Premiere Pro CS5 (plus the rest of matercollection)
  77. HDR results from a single RED Raw Clip
  78. More than one Red Drive connected to Mac unmounts?
  79. The Perfect RED Workflow Setupů
  80. HDR Efex Pro
  81. Digital cinema package to rgb image sequence
  82. Apple color tracking?
  83. Express Card+eSata or FW800?
  84. Baselight qu BUT can be answered by any DI expert
  85. SpeedGrade Tutorials/Training?
  86. Red on Nuke
  87. red workflow with eyon fusion?
  88. RCX2MXF2BR Workflow
  89. Davinci and Flashed GTX 285
  90. Light Iron's iPad Dailies System joins Red#0031 on Set
  91. VFX Workflow - NEW USER/EDITOR
  92. RAW or DPX
  93. Colour space from R3D for VFX workflow
  94. Red Rocket, RedCine-X, and Monitoring
  95. Smoke on Mac trial - Rocket
  96. BlackMagic UpDownCross inline to DeckLink card?
  97. Cineform...
  98. Clipfinder-like program for quicktimes?
  99. Best Native workflow to film out?
  100. Smoke Mac vs IFX Ant?
  101. Active Storage
  102. Pablo PA Quantel's first software works with RED R3D on a laptop
  103. First Hardware RAID build - advice?
  104. Adding roundness to 2D to 3D conversion.
  105. R3D files and Nuke : Best workflow practices
  106. ESATA HUB or PORT MULTIPLIER FOR REDSTATION
  107. options on Ubuntu
  108. options on Ubuntu
  109. xeon decacore and 8 way serverchassis
  110. DCP file size
  111. Which video output card for PC?
  112. Smoke on Mac and Red Rocket
  113. Ask for help
  114. Sony HDCAM SR Media for distrbution
  115. Digital Cinema Packaging: QubeMaster Xport for Compressor
  116. Media100 Workflow with R3d files
  117. Making a switch - anyone have an opinion?
  118. RED Workflow Overview with Media100 Suite V2
  119. Media100 Webinar on Thursday, August 11, 2011 @ 1:00 PM U.S. Eastern Time
  120. 4K DI - in 2011
  121. Media100 at IBC 2011
  122. Flame Premium and Epic
  123. eyeon Generation AM asset management and workflow for RED, RED Epic
  124. Grading to VFX and back to Grading...(DPX?)
  125. Future 4k monitoring
  126. R3D Data Manager Verifying Issues
  127. RED STATION : BottleNeck SATA II
  128. any editor trying lightworks and r3d footage?
  129. Weird Color RGB difference in my Red one X footage
  130. film look application
  131. ext. hd used by both mac and PC?
  132. 4k DCP vs 2k DCP for 2k projection
  133. Colorfront On-Set Dailies Training Session
  134. Calibrating EIZO CG241W
  135. why no Edius 6 support yet????
  136. Where should Noise Reduction come in the post process?
  137. Open source editing software Lightwork natively support R3D,What you think about it?
  138. Nuke Workflow for visual effects and grading
  139. Nuke working with RMD Red one footage grading pipeline
  140. nextLAB - All in one Ingest, Manage, Color, Sync, Transcode and Archive.
  141. Tape worflow
  142. Cineform Question
  143. mounting Red SSD on Linux
  144. Database recommendations, mixed data types
  145. DCP encoder + player NEW
  146. Autodesk Flame Premium - working with R3D's
  147. NVIDIA Quadro K5000
  148. Black Magic 4k
  149. FILM BACK size on EPIC & SCARLET footage
  150. What Byte Order setting to use when Exporting DPX for Flame - LSB or MSB ?
  151. Settings for export from AE to then encode a 3D DCP using Cineasset DoReMi?
  152. Is this a correct workflow?
  153. workflow question. resolve dailies - mc for edit - resolve for cc - adobe prem. 4k
  154. Firing 10 Epics at Intervals
  155. Dumping Footage (Thunderbolt)
  156. DCP Subtitles Question -- SRT to InterOp conversion
  157. 25p to 50i Conversion
  158. ICAS / ACES Presentation - Fail
  159. Best DVD
  160. FinalDCP Player beta testers wanted for closed beta
  161. Anyone working with Autodesk Smoke 2013?
  162. Audio Hiss in Smoke 2013 on Transcoded Epic ProRes
  163. question on editing and sharing GoPro MP4's
  164. Isolate only the plot color in the 2D Vectorscope?
  165. RED workflow tutorials
  166. Keying & Compositing the Cow
  167. Work
  168. Strange workflow needed, involves speed ramping and 5K pan&zoom
  169. NeoDCP Player - The Most Progressive 3D DCP Player Software
  170. Baselight not reading metadata correctly
  171. Let's grade some horses.
  172. CuteDCP v1.5 released - a DCP export plugin for After Effects
  173. Youtube compression.
  174. compositing multiple debayers for one image: when is it appropriate/desirable?
  175. Recording wireless signal... which transmitter works?
  176. Beta testers needed for DCP export plug-in for Premiere Pro. (Mac only)
  177. FinalDCP Player Open Beta started - join now
  178. CuteDCP Released - a DCP export plugin for Premiere Pro
  179. Red Mag Power Adapter DC Barrel size?
  180. Innovative Pixel Black Friday Deals
  181. Celebrating FinalDCP Player - Special offers for FinalDCP and FinalDCP Player
  182. Final Output Resolution
  183. Codex Vault - Onset Edition
  184. File Fetcher
  185. Compressing for the Web - Best Practices
  186. Live Production
  187. Nuke Studio NAB 2014
  188. Smoke 2015, GPU Accelerated
  189. Simple nuke trick to remove grainy "blacks"
  190. What are the pros and cons of recording Pro res versus Raw ?
  191. Live Play 3 ARRIVES - Let the DAILIES begin!
  192. .cube LUT files
  193. Red Undead outdated maunual
  194. Has anyone shot with Red Epic for 360 degree (3D) photo project?
  195. DropBox for Dailies
  196. Updated Nuke 8 with DragonColor and Redgamma 4 support
  197. Any Thoughts on Lightworks?
  198. Neat Video squeezes my 5K WS footage.
  199. Blu-ray app with more options ...? (I-frames manually?)
  200. Ideal DCP format for RED theatrical vs. festival releases
  201. MOX open source movie format needs you.
  202. Possible to Capture to ProRes 422 with Capture Card?
  203. FinalDCP goes Black Friday
  204. shotput pro sloppy copies vs drag drop copies
  205. NeoDCP Player - Recent news and promotions
  206. A sneak preview of CuteDCPTools for After Effects
  207. VFX workflows
  208. Miraizon bought out. Final download January 31st, 2015
  209. MetaData in OpenEXR VFX workflow
  210. Tentacle Sync
  211. New version CuteDCP for Preimere Pro is Released
  212. ClipToolz V2.1.1
  213. Release of CuteDCPTools for After Effects
  214. IBC 2015: Innovative Pixel
  215. Boot Camp
  216. Live Grade and LUT's WEAPON
  217. Sound Devices PIX-E series
  218. DEAR RED, PLEASE RESPOND TO SDK INQUIRY!!
  219. HDR Video - HDRx + Photomatix tutorial
  220. CALLING ALL COMPUTER HARDWARE/SOFTWARE/CODEC GURUS
  221. Creating a catalog of stock footage for in house use?
  222. Vegas Shows Different RGB Curve than CINE-X / Premiere
  223. Beta testers wanted for CuteDCPTools - encryption and KDMs
  224. Resolution Loss when rendering to other formats for VFX, Grading
  225. 8K Monitor !
  226. FinalDCP Black Friday 2016
  227. Audio mixers at editing stations
  228. FinalDCP adds IMF Support
  229. How are you watching your 4K footage on a 4K UHD TV
  230. Preview LUT for linear Nuke workflow(?)
  231. Hydrogen requests: workflow, peripherals, functions and .h4v production
  232. CineForm Intermediate Codec is from now on Open Source
  233. Any Mistika user here?
  234. split R3D files into high-resolution frames
  235. VFX workflow for Camera Tracking in 3DEqualizer (RED ONE MX)
  236. Nuke 11.2v3 now supports IPP2
  237. tethered stills with CaptureOne
  238. Label Writers - marking gear