View Full Version : Other Workflows
- CineForm NEO 4K Beta, RedCine compatible, and available for trial.
- Vegas
- CineForm Prospect 2K, now working with 4K RedCine exports.
- DVS Clipster
- Beta of Prospect 4K
- CineForm Prospect 4K now in beta.
- David
- Dailies
- Cineform in a Mac World
- CineForm V3.2.3 released
- Hey David, Some Newbie Questions
- Media 100HD
- To Cineform or wait for Red and Apple support
- ImageMagick 16-bit libs
- Cineform workflow with Audio
- Is this for real?
- CineForm News
- RED, Cineform and others...
- Request to Cineform
- R3D2DPX pulled - R3D support returning later
- GREAT workflow discovered and tested
- Red & autodesk
- Does RED 2K & 4K 16/9 work in Scratch and REDCINE?
- Red@home Workflow?
- disadvantages of proxies
- footage log file
- How to edit AE skriptfiles
- Speedgrade and Clipster
- MATRIX System 4K
- Looking for the workflow
- New editing software
- 4K DI options
- Cineform as a Tiered Partner
- redcode 4k to 2k filter comparisons
- Redcine QT cineform constant output
- Taking advantag of 2k image in an sd fcp project
- modifying redcode metadata
- S.two real time red workflow.
- anyone seen this
- REDCINE REST where is it please? I NEED HELP
- RED RAW stills extraction
- Dumping to Tape
- Mixed 4k and 2k workflow
- LTO-3 (Quantum 600a) available for rent??
- jpeg 2000 encoding card for pc
- Green 2K Proxy files in FCP
- workflow news???
- Conforming to 2K - possible without Crimson?
- 3d post workflow
- The Cineform 4k trick @ NAB
- Cineform Mac
- open source
- Sony Vegas Support?
- Final Cut-≥ Crimson-≥DPX-≥Smoke
- 5 top requests for Cineform
- 5 top requests for Cineform
- SMOKE/PC dudes & dudettes, how are you doing it?
- K-G UDR 20S + Sony SRX projectors + RED One = 4k screenings
- RED support in Telestream Flip4Mac/Episode Pro 5.0 Update
- Check your Inbox: CineForm offers discounted upgrades to Prospect 4K
- SpeedGrade DI test on MacPro 8-core
- R3D Data Manager not answering
- After Effects and Timecode
- I Need A Film Out Test
- Color + Scratch TO MAKE red BETTER
- Why are Kona/Decklink HDSDI not connected to the GPU?
- Broadcast Quality
- 15 minute shots on REDCODE 28 no QT?
- dpx with famecode
- 5 Red workflows on The Reel Show
- Linux REDCINE!
- affordable storage/edit long-term solution for indies ?
- RAW Support DI solutions
- Photoshop CS3 RAW
- OpenFiler SAN software
- Anyone know Heavyworks? (I know, I know..)
- Stop motion... help!
- Cross PLatform Programming toolkits
- editing in premiera on pc
- Crimson Problem/help?
- Crimson - Intermediates missing?
- CRIMSON deleting files??
- Question about R3D, FCP, Coremelt, Crimson, Redcine.
- RedRushes + Crimson
- Red Rushes Rsx Feature Request
- MATRIX System is able to grade native REDCODE RAW
- Work Flow - Film and TVC where is the finishing
- Color Grading & Finishing
- Linux Sdk
- Great Red DI Workflow for Theatrical features
- Nucoda suport
- RedLine to .m4v anyone?
- Crimson or Rubber Monkey??????
- MiniDV or DVD for theater exhibition?
- Holy Snikeies Adobe!!!!!!!
- MEDIA 100 eHD Workflow
- SCRATCH & Nuke Workflow
- Autodesk Signs RED SDK License Agreement
- Autodesk is in
- RED pre-selects workflow, anyone?
- 64 Cores, 4 Terabytes
- da Vinci's onboard...
- Anyone export to Beta SP?
- Lustre Workflow
- Anyone using Speedgrade?
- RedLine on Unix or Linux....
- Qantel IQ 4K Pabro
- Post Production Lab in Los Angeles
- turning 4k into 35mm or 70mm
- Workflow Generic Question
- R3D find and copy software?
- Eyeon Fusion support for Red
- RED 4k to Quantel iQ Pablo
- R3d Octob3r
- LUT for Lab
- speedgrade color grading
- Digital Vision - London, Red workflow demo's extended
- Red Rush
- clipfinder xml export
- R3d octob3r
- Crimson/Redcine/DPX output
- shooting 3k, is it ok?
- Edit Metadata within the R3D files ?
- Autodesk Red Workflow
- REDCINE 3.15 in Wine - Any Luck?
- mistika editing and color grading??
- Quantel iQ and RED .R3D
- tangent devices
- New subforums for 'other workflows'
- 720P out to DVCPROHD Deck
- Digital Vision Nucoda 3.6r3 - R3D Support
- New RED Workflow from Pandora
- Mill Completes a RED project on Film Cutter
- Any Linux workflow with Redcode?
- RED/ Digital Vision - CST Conference - Paris
- no audio from R3D qt ref in quicktime
- FCP EDL errors when conforming
- no proxies, only r3d file
- speedgrade SDI output
- Smoke XML import changes 10bit to 8bit
- VelocityHD and RED ONE- Advice please
- Digital Vision presents R3D Chistmas
- A Teaser
- The best codec for output and archive?
- Digital Vision demo at RED L.A. User Group
- Piranha (Linux) & R3D Support
- SGO MISTIKA - Anyone use it?
- Encoding to other formats (for i.e. offline use)
- Cannot copy files from RED Drive to any other HDD
- Cinelerra
- Apple COLOR jumbles R3D clips
- LUT strange reaction to DPX files.
- Baselight redcode raw workflow?
- RED 59.94 from FCP to Smoke
- Quantel RED Stereoscopic
- Batch Color Grading
- Best REDrushes output to use in DI?
- Best Compression for SD DVDs
- RED workflow to Smoke/Flame 59.94
- crimson help
- Grading DPX
- Sandwich
- NEW! Baselight Transfer
- Stopframe to DPX to Sledgehammer question
- Apple color
- Creating MXF file with timecode
- color edl several HD's
- Slow Motion and Metadata.
- speedgrade 2009 r3d render issues
- On set down load time question
- RED over Manhattan - with Digital Vision and Avid
- An Avid EDL that Autodesk can deal with.
- RED FCS Whitepaper question
- Premiere native 4K playback?
- DPX output from any FCP file
- The Ultimate BLT in New York with FilmLight – 7th – 9th April 2009
- REDRushes No Audio
- Suggestion: Redcode .avi frameserver
- Film Master
- Monochrome?
- Clipfinder Question
- Using velocity with red native files.
- Crimson scale and offset
- Los Angeles Post Facility
- loading edl from monkey extract into Smoke
- Change frame display rate
- reduced size first frame for any clip ?
- Cineform and 4KHD
- Real real-time RED workflow and NAB. Rumors?
- Sony Vegas 9 & R3d
- Da Vinci offers real time 4k redcode
- FCP has nothing on Vegas 9?
- Avid Chrome and Liquid
- Current status with CINEFORM
- IFX Ant - anyone with first hand info?
- DPX 10 bit from REDAlert to Shake
- FCP and Nucoda Film Master
- Apple ProRes 422 HQ color shift?
- Different Color Filling after read into Nuke
- Autodesk and RED
- 50% discount of the 3cP - 3.1 (RED version) Software at CINEGEAR!
- Digital Vision Road Show in India showcasing Red R3D & Film Master Workflow
- Weird gradient issues...
- Magic Bullet Looks
- 50% discount of the 3cP - 3.1 (RED version) Software on June 7th for anyone!
- Can I use a RENDER Farm to TRANSCODE footage.
- Crimson Exporting roundtrip xml as Color doc.
- Pulling Stills in Clipfinder
- RAW->edit->RAW - real digital negative
- Fusion 6 open candidate released - with native R3D support!
- RedRushes > FCP > Crimson > Intermediates > CC ?
- Crimson Missing Files
- RED LOG export for grading
- Autodesk Smoke & Lustre
- load RAW files in Lustre
- Gamma & Density's 3cP Software Upgrades!
- Red Work Flow to Color
- Metadata Reset?
- Digital Cinema BLOG
- Local hero post santa monica coming soon
- F Proxies and the FCP Media Manager
- Altering primary timecode
- Lightworks Touch systems
- Redcine?, Redrushes?, Log and Transfer?
- REDCODE 36 vs 28 on 8GB Card?
- RED ROCKET and RocketCineX Heaven...
- Urgent Crimson / Redcine Issue
- Cropping in Red Rushes
- Iridas workflow
- Clip Finder Work Flow - Pro Res Compression
- Cineform's R2CF Transcoder
- Digital Cinema Package
- Crimson and Build 20
- Graphics Card Comparison/Suggestions
- Sdi capture to mbp
- RedRushTranscode
- log and transfer q
- Need advice on drama production
- Avid Smoke Workflow
- New Autodesk RED Workflow whitepaper
- Thoughts on VECTORSCOPES
- Nuke gets native .r3d
- Quantel and Red Rocket
- Capture workflow
- Crimson 0.9.6 for Snow Leopard
- NCS - removing all meta-data for on-line grade
- clipfinder: on a tight deadline now
- Why RED should kill .RSX
- Sound Devices 442/702T and RED One
- Nuke - RedCode output