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View Full Version : RED ONE


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  1. LA Times Story
  2. White Balance
  3. Is a generic drive enclosure for RED inevitable?
  4. How Many Reserves are out there?
  5. Red Lights &
  6. Framelines in RED EVF
  7. NAB 2007 Red Digital Camera - Matt Tremblay interviewed
  8. Different Camera Lines?
  9. Batteries & data
  10. RED In Texas
  11. Crossing The Line
  12. Reserving camera now, buy accessories later??
  13. Our reservation was not confirmed since October!!!
  14. What the hobbyist crowd...what are they thinking?
  15. What about AUDIO?
  16. Whats the deal with this camera?
  17. ProRes support in a Red camera ?
  18. FCP Monitoring of 4K Redcode RAW
  19. RED ONE! How Hot?
  20. Reality Red if u have a red then this is the thread 4u?
  21. Color quality: 3CCD vs CMOS
  22. Is anyone else worried about this?
  23. Camera Control Software
  24. Shares?
  25. Raw, Redcode Raw, Redcode RGB?
  26. suggestions for this web site (thread's title at c#############.com)
  27. Shoot Red without Lighting?
  28. May I beg for White Balance
  29. China Revolution - RED in 4K for big events in 2008
  30. Money can't buy everything
  31. Cancelation Policy
  32. Sensor Dust
  33. Is there a Viewfinder??
  34. Signature Model of RED Ones for the RED Fans/Collectors
  35. Weddings with RED?
  36. RED Store redesigned online
  37. Zebra lines
  38. What do we do this the audio monitor TA5 port?
  39. Why is the Red Drive so expensive?
  40. How do you record audio with Red?
  41. Poll, how will you handle footage?
  42. Power Output
  43. Possibility of a Canon or Nikon mount B4 adapter
  44. Pocket Red
  45. gain, Iso and ND
  46. Versitile Electronic ND filter.. possible?
  47. EVF & LCD problems
  48. Any advantage to a Zoom Reservation?
  49. How does RED handle dead pixels?
  50. About raw port module
  51. New News from the Head Honchos?
  52. Power Options
  53. Cage Update
  54. How about a onboard 128GB 3.5-inch SATA SSD?
  55. Slow Motion in 2.40:1 4K Redcode Raw?
  56. RED Workshop
  57. Top handle
  58. Battery mount without RedDrive
  59. Intel based Macs only?
  60. Red Cage Suggestions.....
  61. Check the gate!...
  62. How is RED doing on its 1st feature?
  63. Can a 2/3" lens shoot 2k???
  64. Quick Overview
  65. Who is getting the RAW port?
  66. RED news?
  67. Storage Options - what are they exactly??
  68. Production speed question
  69. Red in the News
  70. 4k REDCODE to Compact flash...
  71. From actual speed to slowmotion the same shot
  72. HD-SDI and non standard frame rates
  73. Meeting Boris & Natasha
  74. Focusing for 4K.
  75. any idea how many cameras have been reserved?
  76. What is the current data rate and how was it chosen?
  77. Operating Hours readout
  78. Spiderman 2K-Scan
  79. Finally got to check out milkgirls on hdtv
  80. Chip Question
  81. Red One and 23.976
  82. Tape Reliability for Archive
  83. RedDrive
  84. Red DSLR grip
  85. RED Extendable Grip Handles Idea....
  86. Display readout placement
  87. 2K vs 1080p resolution question
  88. How many batteries will we need.
  89. New Red Design and Steadicam/Tripod Weight
  90. 35mm / super 16 / red comparisons
  91. RED Optical Center Specs
  92. Questions from a know-nothing newbie :)
  93. Uninterruptible 12vdc Camera Power Supply?
  94. flash drive 1.8" or 2.5"
  95. RED Milk Girls Grading Comparisons
  96. 2 EVFs or 2 LCDs simultaneously ?
  97. how long could be captured on each kind of storage
  98. Canon Eye Control
  99. Chromatic Aberration canceling for REDRAW
  100. mysterium high speed?
  101. PJ Quotes
  102. T-handle
  103. "RECORD" buttons . . . how many and where are they?
  104. This is very funny
  105. Gigabit Ethernet
  106. A speed impossible with film.
  107. Porthole effect over wider lenses
  108. RedDrive - Creating My Own
  109. render
  110. Red One Support in Germany
  111. Why isn't Compact Flash slot standard?
  112. 2k shooting and workflow thread
  113. Solid State Recording
  114. it'd be great to get a sticky with all the render, photos etc...
  115. someone explain this to me...
  116. RED ONE Configuration Assistant is online
  117. 2k & 4k
  118. What Is 1.8" Sata?
  119. Hard drives fail 15 times more than advertised.
  120. Red and Blue-Ray
  121. Just Being Happy - Red's coming!
  122. REDDRIVE Esata Adapter
  123. NAB review of RED One from David Leitner
  124. Red Lens Schedual
  125. Barbarella, Robert Rodriguez .... Red?
  126. 1.8" Hard Drives Hit 100 GB
  127. Red IMAX
  128. Red 3d
  129. Red packaging for shipping
  130. More Dr - Still The Truth?
  131. Timecode and tapeless workflow?
  132. We need a Red SDK with the camera
  133. Mininal Configuration
  134. To Graeme maybe, on the frame rate options @REDCODE
  135. Trying to match RED 1080 RGB to HV20 and REDCODE 4K?
  136. Frame Rates Tested
  137. last minute steadicam call
  138. Audio at Different Frame Rates
  139. Mix and match formats, frame rates on Drives?
  140. Will the camera be fully operational with no recording media activated?
  141. 256 GB SSD drive
  142. Questions from (yet another) newb...
  143. Red Ref
  144. Pocket Camera
  145. What aspect ratios?
  146. The future of editing and downloading Red footie
  147. RED looks great in 2k with Apple's ProRez 422
  148. Best one sentence description of Red
  149. Stipulating windowed area
  150. Is it possible to telecine to REDCODE or prorez?
  151. LUT's
  152. There's a feeling in the air..
  153. Red at the WB
  154. RED on Wanted
  155. Whole Pipeline Work
  156. Some basic questions about the RED
  157. red shipping rumors
  158. Why do some Sample Videos appear Washed out?
  159. Inclusion of LCD screen? or anyhting for that matter?
  160. Supported CF Cards
  161. Is the future 60fps?
  162. Red Charger - Can it charge 2 at once?
  163. RED Motor & RED Super Grip
  164. The Future for Red
  165. Red at digitale cinematographie in Munich ??
  166. How about a Goodman's Guide?
  167. 4K and 4K+ only with RED RAW PORT Module?
  168. Mechanical Shutter , yet a problem for RED
  169. RED Cinematography Forum?
  170. Reservations filled before '08
  171. RED RAM 64GB Possibilities
  172. Final Look
  173. More Good Press
  174. 4K Screens Investment in the East Coast
  175. Red @ cinegear 2007
  176. Get a grip.
  177. Red Lenses-Which Formats
  178. Red Presentation At Cinegear
  179. to own or to rent red.. what would you prefer?
  180. Take a glance on this...
  181. IBC Amsterdam
  182. interface extension
  183. assignable buttons 2k/4k
  184. Red and digital projection
  185. delivery schedule
  186. delivery schedule
  187. Shooting infrared
  188. ICAO and IATA Air Transportation Compliance
  189. New Top Handle
  190. How in the world are we going to Post our 4k footage?????
  191. What if they raise the price?
  192. RED image and sound
  193. Shopping list woes
  194. Film Roll and CompactFlash
  195. Price,what is the catch.
  196. EVF and Accesories
  197. A solution to a serious problem
  198. Price can go up! and doesnt matter when it comes!
  199. Red Drive Questions
  200. Red Feature now shooting??
  201. Package?
  202. Interesting Kodak news on sensor sensitivity
  203. June 15th!!
  204. A thread closed because thunder stolen!1
  205. A suggestion about the VF to shoot HD direct for uses which require greater DOF
  206. Jannard, my hero
  207. we pay +20% for low #red contract
  208. reservation holders
  209. The suspense
  210. A future enhancement?
  211. Beta Testing
  212. "Four films" of the apocalypse
  213. Get out your Crystal Ball: Red in August 2008?
  214. 4K RED Vision Mixer for LIVE Gigs in HKG / CHINA for O' games in 2008
  215. Calculating price
  216. File Size
  217. Increase my deposit?
  218. EVF versus LCD
  219. camera setup files
  220. Red-trance
  221. RED Fanboyism vs. RED FUD.
  222. RED & unlikely prediction in Rangefinder Magazine
  223. The Natives are Getting Restless
  224. Red Insurance
  225. Will the RED Canon FD Mount allow iris control
  226. RED & IBC, When to go...
  227. More NAB Footage?
  228. What would happen to other HD Cameras
  229. Ports and data rate
  230. first test of a 32GB Solid State Disk
  231. warranty
  232. Crossing The Line - The Home Theater Version
  233. Matching Multiple Cameras
  234. EMI certified
  235. Screening at Cine Gear Expo today
  236. The making of Crossing The Line
  237. Schedule Dates - what do they mean?
  238. Fully Feature Enabled software? firmware? features?
  239. Red Major Motion Pictures
  240. i technology
  241. RED Accessories
  242. RED Crossroad
  243. about RGB or RAW is RGB Necessary
  244. Training and servicing
  245. <And when the day arrives, can I come and pick her up?
  246. Samsung 64GB SSD out in time for Red launch?
  247. Red start up time
  248. Katzenberg: Digital Cinema a Must
  249. 4K at the Grove
  250. Will data rate vary with image size?