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View Full Version : RED DISCUSSION



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  1. The simple truth
  2. BUILD 30 ?!
  3. an extra 2,561,920 pixels per frame!
  4. Is it possible to record the in-camera generated test/calibration images?
  5. QT wrapper codecs for fast import
  6. System requirement
  7. Bayer Pattern
  8. Mysterium-X issue / "Beta" use only?
  9. Progress on Epic / Scarlet lens mounts for Nikon & Canon?
  10. Canon finally realizing RED is a threat?
  11. Batch Render with RED Alert!
  12. Working Scarlet/Epic Prototypes!
  13. DSMC configurator suggestion
  14. Why CMOS over 3CCD ?
  15. Suggestion about red media (drive/cf/ram)
  16. Any news about Birger/ViewFactor products?
  17. 3rd party software and a lot of question from the beginner:-)
  18. RED won an Oscar with "El Secreto de Sus Ojos"!
  19. RED MX update...
  20. What "Touch Focus Tracking" might look like
  21. RED no compromise!
  22. rolling shutter
  23. Using a RED DRIVE with Epic & Scarlet...
  24. Shutter Speed Question.
  25. clean the sensor
  26. ASC Red Article
  27. Does FOV affect image quality?
  28. Aspect ratio
  29. Build-30
  30. LA RED POST SPECIAL for INDYs
  31. Amazing NEW Way to use RED!
  32. Program that syncs red clips with audio?
  33. RED STATION
  34. Power Windows
  35. Research Project: Film vs. Digital
  36. Passing thought
  37. Who makes the Red Lenses?
  38. A Question For all you clever and experienced people!
  39. Setting up Red Ones with zoom and focus handles?
  40. How much for a new sensor board?
  41. Nab 2010 mx reel
  42. 13.5
  43. Tattoo Forum?
  44. Coming???
  45. A great meeting in Chicago
  46. The 4K to Beta SP workflow???
  47. Red Rocket Rental in LA NOW!!!!
  48. Red-EVF Compatibility
  49. RED Hating
  50. What does this mean for RED? Quantum dots?
  51. POsitive Vibe...
  52. MX at 2k with Super-16 lenses?
  53. Jim should check this out, new type of sensor
  54. for feature film
  55. Looking to Rent: Cooke or Zeiss Super Speeds
  56. Quantum Film
  57. RED should look into QUANTUM FILM
  58. RED, Please Consider a Leica M Mount for DSMC System
  59. Quantum Film for Red future chips?
  60. New RED website?
  61. Understanding the Color Histogram
  62. Red Team: What is the status on the Scarlet S35?
  63. Zacuto Shootout - VDSLR vs. Film
  64. BSC film and digital image evaluation
  65. Media 100 Red Support
  66. technological challenge using red
  67. Build 30
  68. Corrupt 3RD files (used to be okay) recovery
  69. LDS info does not show after changing lens
  70. This is awsome!
  71. sensitivity ?
  72. Redcince X BUILD 183 much slower than previous builds
  73. 8GB CF Cards not working!!
  74. Weather sealing on modules and general module connection info.
  75. Sharpen and Denoise in Redcine X
  76. What is the compatible arri ff and mb with red
  77. Who is the youngest Red owner?
  78. Need to Rent BNCR mount for Red in LA
  79. M-X low speed sensitivity ?
  80. New feature in build
  81. RedCare
  82. If you had to choose one lens for Traveling..
  83. Camera manufacturer's NAB pre-announcements
  84. Master Slave procedure?
  85. Looking for RED Reels
  86. RED101 DVD at NAB
  87. Shooting 2K with Flash cards
  88. New to Red as a DIT
  89. DSMC Pre-NAB Roundup
  90. Green Filmmaker using RED on CNN
  91. Aerial Helicopter Shoot using RED/Eclipse
  92. Where can I find some raw sample footage?
  93. REDUSER VEGAS 2010 Details
  94. Strategies for Dealing With Moire?
  95. What are the must-see's at NAB
  96. 15mm Lightweight vs. 15mm Studio
  97. Work Flow problem FCP-CF-RCX-FCP
  98. RED 16GB observations
  99. Texas Stadium Implosion
  100. Working Scarlet Prototype Spotted at NAB?
  101. Red Day Vegas 2010 Pictures Thread
  102. Chat with Ted and his EPIC here in Vegas...
  103. The Unfortunate
  104. REDuser members show up for Ted's presentation at the Post Pit (NAB 2010)
  105. EPIC 5K & Lenses
  106. Red Drive 320GB/640Gb with Epic/Scarlet
  107. Red day iPhone posts
  108. Great FreshDV Interview with Ted
  109. RED Day Journal...
  110. REDuser Event Pictures (Working EPIC!&%!!)
  111. RED HMI
  112. RED Day EXCLUSIVE: Jim Jannard demos the 5K working EPIC
  113. I came, I saw, I believe...
  114. Reduser Afterparty at Studio 54 MGM Grand
  115. Can someone point me to the Epic X Stage 3 upgrade info?
  116. Reducation Vegas 2010
  117. Reduser vegas 2010 recap
  118. Changing redfile names.
  119. To those waiting on the Scarlet...
  120. RED DSMC button mics?
  121. New things we learned from RED DAY
  122. Taking Stock: All things RED April 2010
  123. For Those of You Who Missed RED at NAB...An Overview...
  124. Module Suggestion - Chroma Key Module
  125. EPIC - DRIVES??? Whats the news
  126. Where do the Red One trade-in's go?
  127. What would YOU pay for a Stage 2 Epic X after delivery?
  128. Why RED seems to be all "hush hush" to some people concerning the Scarlet...
  129. 5 pin lemo to 12 volt DC
  130. Nikon Lens on RED One
  131. Module Adapter
  132. Miniprime questions
  133. SSD Module/Reader for Scarlet and Epic ?...
  134. Video for Sillls Mode Suggestion
  135. Thanks for honoring the serial # system
  136. REDvegas 2010
  137. 5k Scarlet and Epic are 1.2 Crop Cameras
  138. FUSE - very important
  139. "Electronic mount" question
  140. Jim, how about a 5K 1000fps camera?
  141. Debayering still images?
  142. Vouching
  143. Auto-Detect recording media/drives?
  144. White Balance
  145. Red Day Vegas 2010 - Interview with Ted - Scarlet Priority - Gig-E ?'s
  146. Peter Jackson and the Red Video
  147. windows OS for red
  148. What am I seeing here?
  149. RED Studios Hollywood RED Store?
  150. Nanoflash?
  151. Gps/homing device module
  152. Question for the red team
  153. Shooting RSP36
  154. MX upgrade solution for Stage 3?
  155. RED Mattebox availability?
  156. RED reel NAB 2010?
  157. REDONE-MX vs EPIC
  158. Refreshing the Red-Raids ?
  159. Electronic Red Follow Focus, Interested?
  160. Redmote app on ipad to control epic/scarlet?
  161. Canon 5D's
  162. GPS & Timecode
  163. Are the DIT's days numbered?
  164. So Why RED? Really?
  165. Day rate?
  166. So why Red? Really?
  167. Red and Boxing
  168. What's in a name? (AKA: does "Scarlet" automatically imply "prosumer"?)
  169. Monitoring
  170. Where to Find 4K Resolution Charts?
  171. Can't wait for Epic
  172. Submission could not be processed because a security token was invalid?
  173. RED vs Scary license terms for DSLR video
  174. New Light Peak Laptop
  175. screw in filters for RPPs
  176. ISO control vs ND filters
  177. Looking for DPs - International Film Project
  178. having trouble mounting 2 red drives/same time. mac pro
  179. Stolen Red One - London
  180. For those who can't keep reading this forum... Where are we now?
  181. Proposal for Epic-X Stage2 Phases.
  182. Upgrade path beyond Stage 3?
  183. Network approved cameras
  184. Compression???
  185. Will a cheap CF reader damage my CF cards?
  186. Best place to order gear outside of NY
  187. Upgrade Lock Out
  188. RED digital cinema projector!?
  189. Why Epic Makes Me Happy!!
  190. Help, I need to make a tough decision: 1080p finish or 4K finish?
  191. Good RED article in Australia film industry mag Encore
  192. Cannot get RedCine to work with Snowlep
  193. Important question on SSD module
  194. export still higher than 72dpi?
  195. Needing opinions.
  196. Frame scrambled
  197. Help - Trying to save and look look to camera
  198. I have some question...
  199. Redrushes proxies
  200. Storm Chasing With Red
  201. Apple refocus final cut studio; moving from professional app to prosumer ?
  202. Can I pay for Stage 2 Epic early?
  203. Best route?
  204. XML Parse error in Redcine-X
  205. Maybe I'm alone...
  206. Suggestion to RED
  207. orphaned R3D file
  208. Nice Review on RED101..
  209. Is 2/3" going to be enough?
  210. Red Training
  211. SUGGESTION: QT CODEC for BUILD 30
  212. Wireless HD Video module for EPIC
  213. Still curious on this RED Light - HMI...
  214. EPIC with REDvolt XL Batteries...
  215. Tattoo's getting released into the wild ...?
  216. How many Stage 2 Reservations?
  217. DiskWarrior. Worth $100?
  218. Editing options for the Red footage.
  219. If I finish my film on Scratch, why would I need a RED Rocket?
  220. about build 30.5
  221. How about an "XLR Module"
  222. Epic/Scarlet EVF/LCD connection on Brains
  223. How about "Alexa" module?
  224. Filtering the Red
  225. Full Sensor option?
  226. Tell me about DaVinci. . . and how it works with FCS. . .
  227. RED wins a BAFTA
  228. M-X Looks Glitch
  229. LCD on camera monitor
  230. What's a Doggy Bone?
  231. "ISO" and noise on the M-X. . . and how good are the noise/clip bars?
  232. Preset Created in RED Alert, not translating into FCP
  233. Port covers
  234. Does the RED now output 1080p via HDMI while recording?
  235. RED Rocket Card
  236. dell 2405
  237. Can anybody comment on the Fixed Scarlet v HVX200 image
  238. OptiTek ProLock and New Cameras
  239. REDSpace vs REDColor
  240. shot music video, questions about exporting?
  241. Zacuto camera shootout 2010 EP3: Surprising insights on 4K and Raw
  242. Do you need a Redmote?
  243. RED Pro Primes - 14mm etc
  244. Important Epic Feedback
  245. Tattoo has begun...
  246. Naming Your Epic / Scarlet
  247. Darwinism
  248. Jim showing off epic in las vegas
  249. LOTS More EPIC Pics...Ted at CineGear Expo 2010
  250. Can't see ISO changes in build 30