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  1. OCZ HSDL/IBIS
  2. *** Red One MX In Stock FYI :) ***
  3. ISO changes between shot without any reason
  4. New article about Red HDRx™ at HD Magazine
  5. Red One - What do I need?
  6. What camera was used for Ted's highlights at red.com?
  7. The Book of Eli
  8. What laptop configuration for 3K editing?
  9. So where did the histogram/info etc. go in the new BOMB Evf ?
  10. HDRx with More Normal Motion Blur simulation
  11. Hobbit Cam
  12. How to judgment a film shooted by RED
  13. Support of RED equipment (repair)
  14. Comparison
  15. That site with the menu pdf
  16. Still + video at the same time?
  17. Folks seem testy!
  18. Recon RSS Feed?
  19. Installing SSDs in Red Drives?
  20. If you've got buckets of footage...
  21. How can I obtain a previous build?
  22. Shortfilm
  23. Looking for 3 Redrams
  24. RedRocket Problems
  25. the influence of RED
  26. Social Network B-Roll
  27. multiplier lipsync music video
  28. Battle Tested Rockets
  29. DIT Pre-Pro questions
  30. Vertical lines in my shadow noise
  31. Reasons to be cheerful
  32. Help me be patient............RED is the way
  33. SAVE SOME TIME
  34. SSD Questions
  35. Redmote details
  36. 2011 RED Predictions
  37. SUMMARY: EPIC..READY THREAD: save some time
  38. Future Module Request - Small Battery module
  39. Red Sights
  40. SSD: more $$$ Confusion ????
  41. Ergonomics, what do you need?
  42. I'm new
  43. mixing NTSC and PAL HD footage
  44. One more request for EPIC/Scarlet!!!
  45. Lots of interesting Digital Cinema articles...
  46. RED Electronic Lenses and Mount
  47. In search of content on Reduser
  48. REDrushes problems...
  49. Red Reel 2010
  50. Zoom, Touch focus and controling lense motors
  51. EPIC...PL MOUNT
  52. Shutter speed and AE
  53. Epic Timeline
  54. RED Classes/Seminar?
  55. Mounting a Red One/Epic to a massive telescope?
  56. RED Support?
  57. Graded Barn Footage
  58. DSMC (and Red One) Playback display and navigation
  59. Epic, it's worth the wait and all the hype
  60. Single Lens 3D
  61. Red Electronic Lenses for Epic and Scarlet
  62. NAB 2011
  63. Red used in Telecine
  64. SSD characteristic slow down after use - Anandtech article
  65. RED Drive coming up as OEM
  66. Any word on the New Epic Option?
  67. Re: Pissed on by a Lion
  68. EPIC: Special Production camera pricing
  69. BNC Cable Hell
  70. Serious Questions about a "new deal"
  71. Epic To Ship February
  72. Searching Disabled?
  73. Link to Current Stage 3 Information
  74. Red vs Genesis vs Alexa
  75. My "I love my RED" rant
  76. Options for Stage 3 Holders (and New Customers)!
  77. 3D production - Scarlet fixed or Epic brains
  78. SSD Drives: All I want for Xmas.
  79. Quote about Red in Digital Photographer magazine...
  80. Spiderman: Turn Off the Dark
  81. Scarlet pro?
  82. dSmc..... ? for the still shooters
  83. Dedicated focus-puller's touchscreen request
  84. RED MX in extreme heat?
  85. anyone out there using Red in a telecine set up?
  86. RED MX in extreme heat?
  87. And now about DSMC? No competitor for Nikon D3X or Canon 1D Mark 4 ?
  88. anyone now of a good macro-focusing lens for the red?
  89. Reducation Workshops in the east coast
  90. More SSD questions $$$$$
  91. Full Metal Scarlet
  92. Spider-man
  93. Epic-L on Epic Timeline / Reserve List?
  94. Red 17-50 on a 5D mkII
  95. RPA Update?
  96. Autodesk/Assimilate lawsuit resolved.
  97. Checklist for Exterior Greenscreen Shoot on MX
  98. Sony F3 RGB 444 module vs Red Scarlet/Epic Raw?
  99. How many ssd's will you buy?
  100. Redcode File Sizes at Different Data Rates
  101. RED Station in DIT Setup
  102. Red Focus
  103. THIS THURS - Reducation Community Day
  104. PL mount to Canon Adapter
  105. What need to shoot on RED in 3D?
  106. Stand Tall Young Epic
  107. Post Production Hardware Q's
  108. New Rod standards
  109. some photos from this weeks REDucation class at RED studios
  110. What Happened to the Apple Gamma Thread?
  111. Solutions for Portable Data Management for Epic
  112. RED Matte Box and Follow Focus
  113. Total hours check- How?
  114. REDRAY PRO on RED.com
  115. RPZ 17-50 or 18-85 ?
  116. Yet another EPIC product
  117. Sony 4k SXRD Roll Out
  118. FS: Zeiss prime 35mm
  119. 80 Series filters still needed?
  120. 4in1 redvolt
  121. VAT and duty on Stage 2/3?
  122. Stage 2.5 - A straight question....
  123. Renewed RPP's w/Focus Markings Added by Duclos w/my modest collaboration ;)
  124. Variety strikes again...
  125. mx upgrade
  126. Why not Modular Features for a Modular Camera?
  127. Why I am Loving SSD
  128. RED 1.8" SSD module connector
  129. Baseplates / Risers
  130. EVF REQUIRED
  131. Flicker on 90 degree shutter
  132. Nyt article - the revolution is being shot on digital video
  133. Redmag SSD Module
  134. SDXC module ?
  135. Jim, or... Perhaps an alternate use for the $1500 MX Credit?
  136. 4K Projectors
  137. 2k Varispeed bug
  138. A Response To Jim Jannard and 1080P
  139. Stage 2
  140. 2560x1440 standard?
  141. RED for still photo camera?
  142. RED - A Look Back
  143. Atom 3D Rig
  144. Canon EF 8-15mm f/4 L USM
  145. Thank you RED TEAM.
  146. All these Epic productions, anyone need an Epic?
  147. Red Android product?
  148. SEEKING RED STOCK FOOTAGE (OF A DEER)
  149. Red in the Arctic?
  150. Anyone interested in a PODCAST?
  151. Love for RED
  152. Year 2011
  153. How many pixels would the mini primes cover on the EpicX sensor?
  154. First publicly owned RED Epic stolen in France. Let’s get it back! Large reward offer
  155. open systems
  156. Suggestion: RECON - REDCINE-X Builds sticky
  157. new ssdmag for offload media?!
  158. Why is Red so special?
  159. Examples of food spots shot on Red, please
  160. alternative to Steadicam
  161. A box with a hole and a sensor
  162. HDRx motion interpolation
  163. Spider man - gossip magazine pics
  164. RED's own version of the GoPro/question to Jim.
  165. hi
  166. Red to iPhone mount/cable
  167. RED everywhere these days.. :)
  168. RED101 Coming in KOREAN
  169. Thoughts and questions from a (mostly) stills guy
  170. What if RED...
  171. Simultaneous Shooting Ideas: 24 + 25 fps, Normal + Slow-mo, Stills + Motion
  172. Approximate Cost of Epic/Atom 3D Rig
  173. Aja, nvidia, redrocket..
  174. Reducation?
  175. A couple of questions about Epic and MX 3K mode
  176. looking for a fisheye...
  177. LDS "Lens Data System" in the 5K Epic X
  178. Dimensions, Weight, etc for Epic and Scarlet?
  179. 3D basic training
  180. The Infection of Epic...
  181. Is 1080p still 'enough'?
  182. NLE Advice?
  183. Now You See How Tough Building the Epic Is ...
  184. Which RED for me?
  185. iPads on Set?
  186. The 007 Thread
  187. Short film in competition at the Berlin Film Festival
  188. Why the new AC Adaptor with MX?
  189. Scarlet vs Epic checking facts
  190. Cameras referred to letters...
  191. Reducation Q
  192. Image stabilization questions
  193. what is a RED Certified Field Technician?
  194. 3D projectors being used for 2D 48fps
  195. Using Coal Posts?
  196. Epic S, Epic M, Epic X, Epic Lite, Scarlet 2/3" - S35 - FF35
  197. Mac minimum requirements for FCP native files
  198. Shooting Zebras and HDRx
  199. Viewing Mark's 007 Footage
  200. Color science information
  201. Several Hrs record RAID HHD module, Would it suit you, or not a good thing?
  202. Status on the 64GB CF Cards?
  203. Shooting scaled 2K MOTION while snapping 5K STILLS?
  204. fixed scarlet lens vs mini primes
  205. History of the S35 Scarlet (and why it's now EPIC-S) from my perspective...
  206. REDuser "RED TEAM Thread"...
  207. Airline Baggage Media Pass
  208. Alternative power
  209. Need a 15-or 20-foot LCD cable for Red One + 7" Red LCD
  210. REDONE-MX Trade in for EPIC-X
  211. RED cameras could speed up editing in general?
  212. Red Station 5.25" Bay version
  213. Lens 5K Sensor Coverage Database
  214. Help a newbie who is interested in a RED camera
  215. Interview lighting for red mysterium
  216. Quick Time Proxies have green tinge?
  217. Red On Board Meters Not Matching?
  218. Size of MX data vs M.
  219. Project Funded, Red Gear Time!
  220. Sony F3
  221. Thoughts now that the end is in sight!
  222. NAB '11 "Surprise" Guessing Game
  223. RED ONE Mountain filming
  224. Spanning footage?
  225. Not Just a Pro-Res Module ....
  226. RED observations and questions
  227. Red's sustainable cameras?
  228. The Future of Red
  229. Ebert, RED, MaxiVision
  230. Article in POST magazine featuring Crash and I and Red#0031
  231. RED's new night sensor
  232. Camera testing and comparisons
  233. Zacuto's "The great camera shootout 2011"
  234. Who-the-Hell Is Shooting All This 3D?
  235. Every second frame gets blurred.
  236. RED PRO EVF is the BOMB
  237. What Ads are shot on Red this year in the Superball?
  238. Feature Request - Dropped frame/error flag metadata - simple error log option
  239. Advice for a brand new RED owner?? Any help is appreciated!
  240. RED GROUPS
  241. How will the Epic-S compare to the Red one MX??
  242. M-X, read-reset, & shutter speed
  243. 3rd part Battery system in UK
  244. What is your Rental policy? All things Rental
  245. Side Handle positioning
  246. Playback issues after long flight.
  247. EPIC M "Beacon"?
  248. RED SuperGrip for EPIC?
  249. REDucation
  250. Infra red problem with clothes