- Davinci Resolve Dongle Nightmare....
- .R3D Quicktime Plugin for Windows?
- Rotating footage in Redcine-X
- epic workflow question
- thunderbolt question
- Epic transcoding
- List of Color Systems that support Raw
- saving rdm/rsx LOOK files? redcine x 454? EPIC FILES?
- .r3d file analisis tool?
- Mixing EPIC-M and RED ONE footage in Premiere 5.5 timeline
- Alexa just got thrown into the mix.
- 4.5K WS final delivery resolution issues
- Fastest 5k offload time
- Storage type: Is gigabit network good enough?
- Rewriting Metadata
- EPIC 5K 2:40:1 - SSD Offload Times - What should we expect?
- Light Iron Post
- Torrey Loomis and Silverado Systems
- Mobile Editing
- RAM on MAC PRO
- REDCine-X roundtrip workflow
- REDCine-X roundtrip workflow
- Comparison of CC workflow’s: Film Log vs. Linear REC709
- HELP new redcine x
- RedCineX PRO build 2 AAF/MXF Bug
- Archiving Data
- My 72 hour export was a waste! Why? Please help!
- Lightworks evolves
- New App From The Foundry is Announced! HIERO
- RED Announces RED Rocket Thunderbolt Enclosure!
- HELP!!!!! RED ROCKET ISSUES!!!
- Low budget feature workflow
- EPIC AND PP5.5.1 AUDIO
- Reviewing Red One 4K footage (basic newbie question!)
- Free high-end software
- Cubix new Thunderbolt-based GPU-Xpander Mobile product for Apple iMac, macbook
- Taking 59.94 Footage and Exporting 23.98 QT or Avid AAF\MXF
- 3CP Image Control
- SSDs not mounting in 10.7.1...
- RED - examples of natural, "filmic" color?
- Media not loading...
- Shotput 4.1.1 - File Transfer Error
- RedRocket and a new product from Sonnet Tech.
- Minimum Computer requirements
- Red Station Esata vs FW800
- External Three PCIe Slots Expansion Box From Netstor
- REDundead File Structure
- 2.5" Drive Recommendations for Red Station
- Redcine x build 501 Help needed!
- stupid redcine-x professional question
- macbook pro whit 2 e-sata???? no exprescard 34
- Proxy playback quicktime
- Epic @ 23.98 converted to 59.94 XDCAM? Which cadence?
- Video Card for Mac?
- What is the best workflow for a feature
- HPA Reference Monitor Symposium - anyone else going?
- No NLE can open Epic r3Ds and audio?
- Can anyone recommend a DVD / Blu-ray manufacturer in California?
- H262 export looking crazy ...please HELP!!!
- Trim all the R3D files used in a timeline, with EDL or XML
- How import R3D files into new Final Cut Pro X?
- Scenes in RedCineX good, Adobe Premiere Pro too dark - WHY ???
- Coloring "washed out" RED ONE footage
- RED WorkFlow to FCP and COLOR (using proxies)
- Red Rocket Problems/ question regarding epic 2k footage.
- RedcineXpro rendering greater then 2gb files to SAN
- problem with CS REVIEW
- Is RedRocket supposed to help QT proxies playback in FCP and QuickTime player?
- Erasing Disks
- Pro Res Encoding times
- Real RAW from R3D?
- What was Contagion edited on??
- YUV or RGB export?
- Assigning Camera Letters For 3D Jobs
- What the Duck?
- AVID 6 details releasd.....
- setting up an output monitor
- Where is the problem on my workflow?
- SEXY OLED Grading Monitor
- Redcine X Pro Audio Automatch
- What resolution to color grade a feature
- PROBLEM: Red Station SSD / Esata / Tempo Sata Pro card
- R3D to Proress
- Help! R3D files not recognized by FCP Log & Transfer
- RED processing to look like B/W FILM
- notebook with i7 2630QM or 2670QM processors for editing and grading?
- how to achieve 'ghosting' double image with shutter
- Suggestion: Red Armor / extended warranty for Red Rocket
- Can you change project frame rate/TC on R3D file?
- Media player for playing R3D files
- HUH?! Alchemy missing from SDK? Please say it isn't so!
- Debayer: Red Rocket vs. Software
- Message to Apple: WE WANT A NEXT GENERATION MACPRO FOR OUR RED WORKFLOW.
- 1st RED Epic project - advice?
- intersting to read..
- RED One-MX Greenscreen Keying Problem on Hair
- Redcine-X and Aperture
- Neat Video 3 vs others?
- Working Esata Expresscard for Red Station / Macbook Pro under Lion
- POST PRODUCTION IN ASIA
- PREMIER 5.5 to Redcine x build 506 EDL
- RED One / FCP / Redcine / Color / Resolve workflow questions (LONG)
- Matching REDColor+Gamma with REDColor2+Gamma2 in FCP?
- Red Epic Workflow Demo, December 14
- Colorspace for Photoshop?
- Red shot with Anamorphic Lenses
- Does anybody have RED footage from before and after a "Film Out" ?
- Color Correction for "TimeScapes 4K"
- Spanning LTO archive-sets between LTO4 & LTO5 tapes?
- Convert Lustre project to other software
- Uncompressed RGB versus YUV?
- LTO3A Help
- Using Final Cut Pro 7 with Scarlet and Epic
- Gamma/color space issue in post
- HDRX & Resolve
- EPIC/SCARLET Workflow Diagram
- WACOM tablet for grading
- How do I save ALTERED CLIP in RedCineX ??
- Sonnet ESata Express Card successes and failures- advice appreciated.
- DIT hard drive set up
- The Art of Compression and Encoding
- New Intel Sandy Bridge E cpu out of stock
- RMD files and Adobe Premiere/After Effects
- CES 2012: MSI Shows Off Thunderbolt-Connected External GPU
- DUAL SYSTEM SOUND TECHNIQUES
- SSD Meta Data Software
- RED Station CF Reader
- DIT Business Insurance
- Has anyone worked with REDundead ?
- Production managment software
- Redcine X and Sony Vegas
- The Digital Dilemma (2012)
- RAW and bit depth...a couple of questions.
- Redmag 2.5" ?
- Thunderbolt Peripherals, AJA or Black Magic
- Saving R3D metadata?
- VFX workflow advice
- Premiere to RedCine-X Pro Problem.
- redcine x pro and final cut pro x workflow
- WHY!!!! are people still using color baked DPX's F&%*@#%*#K!
- Project with a lot of virtual elements...
- OH CRAP!
- Quick Acquisition to Post using Wiebetech
- Anybody got experience with 'Schneider Optics Century HD Collimator' or similar ?
- Youtube & Vimeo Encoding Settings
- Build a digital red lab on a budget...
- Legal or extended values?
- RCX Feature request
- GTX570/570 & HP Dreamcolor LP2480zx viable color grading set up?
- 4.5k and DCP resolutions
- Dreamcolor flicker issue in low blacks when Hardware Engine is active
- No Red Watchdog
- RED Station & eSATA Cards
- Green Screen work on Anamorphics
- Exporting R3Ds - Brightness never correct
- very small, very light pc to plug RED SSD reader ?
- Michael Cioni prepping for a 4K world
- PC - Popular Choice for Editing R3D?
- foolcat / foolmeta - R3D catalogs and metadatas ingest
- RED MXF WORKFLOW - GUIDLINES
- Compositing / Baselight Color Correction workflow to best utilize RAW?
- Vimeo Settings
- LTO-4 problem
- Epic-X quicktime proxies PLEASE!!!!
- H.265
- Who is made color grade of 'Ghost Rider: Spirit of Vengeance' ?
- App for mass R3D to Bluray backups ?
- I would like Permission to post sample images from R3D .
- SSD Formatting w/o camera
- Workflow While on the Road
- Scarlet/Redcine-x BWF Export Problem
- Red 4k Competition Workflow help
- Ultimate Sticky?
- HDRX workflow
- Is this RAID pipeline fast enough for 5K?
- iPad 3 - a 2K monitor for your mac?
- RCX color wheels unusable with Wacom Intuos 4 pen or mouse.
- Color Space Confusion
- HELP! Shot an assignment with mismatch of project frame rate vs record frame rate
- HQ Video Screen Capture
- Coloring Issues.
- Your advice--AE confirmation on an Adapter?
- Playing with Workflows
- Dallies on software other than RedCine
- Running into Corners!
- Automatic eDelivery of dailies to IOS devices over the cloud.
- Old CRT vs Panasonic 11 Series Plasma for Grading
- Final Cut Red Cine X Workflow File Naming Question
- Photoshop 6
- Offloading storage without laptop/computer
- Tangent Element & RedCineX
- Eyeon Fusion RC3/RG3 support!!
- CineX: Multiple In/Out Points?
- Live Streaming help
- MXF for FCP X
- I give up
- Basic workstation
- Need help installing CineX
- Live Play currently on sale
- On site backup with USB 3 question
- HDRX WORKFLOW
- Red 4k Workflow Workshop in Paris - Friday, April 20th 7:30pm
- Workflow for using RC3 and RG3?
- Interpolating frames on the X track for HDRX
- Big Autodesk announcement?
- Some things to think about at NAB...
- Smoke news
- NAB News from IFX; Piranha now for Mac & Linux, $995
- Red Player - more info
- Lightworks with R3D support on Win & Linux
- NAB 2012 Tape Backup Solutions from Tolis Group
- Ideas for Learning Color Science
- What if ? (R3D recorder)
- Magma Thunderbolt
- Help! Horribly UN-organized files!
- DVD resolution issues
- Red laboratory... bad timing...
- My edit suite comes to a grinding halt thanks to windows 7
- Upscaling Red RAW Footage to Super Hi Vision 8K 120Hz
- 4K mastering??????????
- RED workflow in post - not a step forward? a serious discussion
- Pro Res Export height problem 1920x1080
- Help with Greenscreen and EPIC
- RAW workflow - a discussion
- 1.5x Anamorphic redcineX?
- Organizing / Naming files in the field
- Pulling only the R3Ds needed for a cut
- Premiere / RedCine-X Pro Workflow Question
- AUTODESK SMOKE EDITING SOFTWARE. Your thought
- Truly Professional H264 .mov Encoder ?
- Offloading media in the field using usb 3.0
- Shooting in Wrong Timebase
- Hard drives (storage and editing)
- Economical Dailies Upload service
- which kind of stablizer should i go for a Stable shots for Vehicle
- Need Some Community Critique on my 4k VFX workflow ... adobe/blender/davinci
- Shooting vertically...more resolution in post?
- Adobe would like to extend a special invitation to RED users
- Avid MC 6.0.1: AMA Producer Task::Execute AMA Plug-in Unable to Provide Sample
- EPIC workflow from FCP7 with VFX and blow-ups - CS5.5?
- Epic Anamorphic resolution error in Apple Color
- Need File Help
- Largest still you can pull from 5K
- Highly recommend Adobe Creative Cloud and Adobe Business Catalyst Hosting
- LIGHT IRON OUTPOST ENTERPRISE
- Why no third party GPU accelerated transcoding for R3D?
- CS6 Premiere HDRX tutorial?
- How are you dealing with no DRX with RedRocket?
- Tip for Mac-to-PC CS6 upgrade
- 5k and Davinci question