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  1. RedCode vs Apple ProRes 422 HQ
  2. Thoughts on Color
  3. Another friggin blog!
  4. How much Hard Drive?
  5. Just ordered my Mac Pro!
  6. REDCINE Trial Version
  7. 'Playing' with Milk Girls
  8. To Graeme - RED FILTERS idea
  9. What's 4K
  10. Wwdc
  11. Can 10Bit LOG DPX/Cin files from Red be Color Corrected in FCSP2?
  12. What camera and editing suite will you be upgrading/changing from by going red?
  13. Intel's V8
  14. Laptop Or Tower?
  15. Color/Final Touch - lots of heavy bugs and issues.
  16. REDCINE Questions
  17. Workflow Detail
  18. 3D/RED Stereo Workflow
  19. 32 gb SSD probably rocks
  20. looking for
  21. RedCine -Team Update?
  22. Colour monitoring on an apple display
  23. Dream Machine?
  24. 4K Projector one step closer to the everyman
  25. Increased RedCode RAW data rates? Long term archiving?
  26. Monitor Calibration for Film and Broadcast
  27. /i Support (Avid has it what about FCS2)
  28. Storage/Backup Workflow on the Road
  29. Codex Digital 4K Recorders
  30. Archiving
  31. Performance Raid Setup - 187MB/sec sustained
  32. List of MetaData options
  33. Final Cut Studio 2 -Update- 3.01
  34. Quanum SDLT 600A
  35. BWF auto-sync in REDCINE
  36. red footage and quantel sq server
  37. RED Drive and 12V Power for Offloading
  38. Any ideas on how much the Red 4K monitor will cost ?
  39. Hard Drives
  40. any HD set monitors <$1K worth considering?
  41. BluRay or HD-DVD for Red Productions
  42. Onboard downconverting
  43. Fast, cheaper, better: G-Tech vs. CalDigit
  44. Storage Media-Record Times
  45. What is redcine?
  46. Is it possible to build your own Mac Pro?
  47. 2K Preview with HDLink Pro
  48. Problem Copying Single File > 4Gb
  49. shipping dates and FCP
  50. Red Pre-configured LUT's?
  51. 4K Projection?
  52. Red Drive
  53. The Production/Postproduction Software You Can't Live Without
  54. Drive duplication in field...
  55. CoolDrives: Avoid
  56. simple, cheap HD monitoring using Avid software-only
  57. No Camera Needed?
  58. XP 64 and Redcine
  59. Poor Mans Conform
  60. Apple Post production environment for Red
  61. Red Class
  62. Cineform 2K - DPX conversion? Anyone?
  63. RED in Vancouver
  64. AIT drives, for long-term storage ?
  65. Bitjazz SheerVideo Compression?
  66. SmoothCam Weirdness
  67. Redcode file integrity etc
  68. Apple laptops only 6bit color?
  69. Hardware Raid 1 320GB FW800 drive $340!
  70. Redcine Rendering times
  71. To- buy list for an indie feature
  72. iMovie and RED
  73. RED CODE RAW - Native support in NLE
  74. 16Bit Redcode RGB
  75. Something to think about
  76. REDCine and 8bi files
  77. Pros and Cons of 17" Vs 15" Macbook Pro
  78. Software for Post
  79. delivery to station
  80. Nle Poll
  81. USB Transfer Speeds?
  82. REDQUICK and Timecode Burns?
  83. 24P or 23.98?
  84. A working post workflow
  85. A working post workflow follow up
  86. Quick Redquick question
  87. Soft Scissors
  88. Post workflow
  89. 2k equipment- kona or blackmagic
  90. Anyone Considered the AJ-HPM100?
  91. Dci Output
  92. GPU for RedCode and Redcine
  93. 2K/4K Workflow In and Outs
  94. 4k workflow in AP CS3?
  95. So, what's YOUR on-set workflow?
  96. RED, Blu-ray, and you
  97. Metacorder for Audio
  98. REDcode
  99. Cineform 4K solution?
  100. Refrerence scaled files
  101. New Vocabulary?
  102. Final Cut ready
  103. What is the current ProRes 422 Workflow?
  104. PC or MAC w/Bootcamp ?
  105. The über SAN
  106. Bored? (A New Toy)
  107. About Genesis HD
  108. Redcode RAW avid
  109. Definitive AP vs. FCP Thread
  110. Which computer
  111. Rendering Fisheye to Rectilinear?
  112. Motu V3HD
  113. What is 4k REDCODE RAW @27MB/sec?
  114. Is the RedCode codec available this Friday?
  115. How to dynamically reframe for SD output?
  116. Recine Processing Times
  117. Future Back-up/archive options
  118. Red in Avid
  119. Red Belt?
  120. New 45 MB/s CF Reader
  121. Redcine Open Source or Plugins?
  122. REDCODE and FCP
  123. Scratch Lite = Red Cine?
  124. RGB, YCbCr and RED
  125. Wavelet Compression Analyzed
  126. Sub forums?
  127. RED Present 4K Workflow
  128. REDAlert Settings
  129. Red to Smoke
  130. NLE Vendors Besides Apple
  131. Compatible hard drives on set?
  132. Proxies on ProRes edit?
  133. Compression
  134. I'm an apple man, but...
  135. Data Transfer Rate
  136. Power PC Quad?
  137. Nice monitor from Eizo
  138. Multi Machine Sync
  139. The Red Box
  140. Buying New Apple for RED
  141. RED Feature post budget
  142. TV Logic Grade Monitor
  143. Log/lin settings in shake
  144. recommended tech specs for Redcine
  145. Eizo CE240W DI ?
  146. RAW-RAW and REDCODE-RAW editing
  147. The PERFECT REDCODE RAW KEY
  148. Please Post Your Workstation Specs
  149. Watch footage on the set
  150. 2K medical monitor from eizo...
  151. myriad of questions...
  152. Color Symmetry
  153. LCD Monitor Shootout
  154. pc workstation
  155. FCP and Quicktime Component Problems
  156. WARNING! Don't geek it
  157. Red Camera Motion Picture Examples And 4k Workflow
  158. Anybody use the Panasonic BT-L1700 with their Red ?
  159. ExpressCard CF reader experiences?
  160. mac workstation
  161. Has 480P (SD) been eliminated from REDCINE output options?
  162. AJA IOHD vs. MOTU V3HD
  163. PC Workflow Subgroup? Also, anyone actually using Premiere with RED footage yet?
  164. How long can I shoot 4k on a RED DRIVE?
  165. Kona & Black Magic...
  166. RED SxS
  167. Data Management - formatting cards.
  168. DIT'ing and the RED
  169. Is Red Really 4K?
  170. After Effects and practical workflow with Redcode?
  171. Multithreading capability of red workflow...
  172. Tape backup
  173. Anyone used Soundbooth yet?
  174. RedAlert
  175. A little SAN(??) that goes REALLY fast...
  176. detailed 2k workflow
  177. A little confused
  178. Colour Correction: Will RED support REDcode RAW widely?
  179. Tekserve video confusion..
  180. Making a shoestring work
  181. Rec 709 Preset & Quicktime Proxy
  182. Delivery for Christie, Barco, Sony 4K...
  183. FCP Studio 2 and RED Code??
  184. Workflow to prep for finishing in Scratch
  185. 2k redcode raw on macbook pro?
  186. When will native red files be available to play with
  187. Less expensive solution for editing, color correction and grading (4k)
  188. Clarification, part 2 - HD-SDI
  189. Who'll make the Red-multi?
  190. Red response to their customers need for 4k editing, color correcting, grading, etc
  191. HD-SDI output
  192. customizable XML?
  193. Calibrating video monitors [how-to] -- tip from Synthetic Aperture's Bob Currier
  194. Field Monitor Recommendation
  195. Cineform on a laptop
  196. We will always tell you the truth about our development.
  197. Workflow difference
  198. CAUTION - mixing resolutions in a project
  199. de-anamorphizing in post production
  200. Dynamic range trick possible with RED?
  201. Wow, What Happened?
  202. REDCODE RAW plugin for Photoshop?
  203. Support for Sony Vegas - was: there goes my POST
  204. Trying to understand Final Cut Workflow, thinking EDL's might be history.
  205. QT-wrapped R3D files: work with any QT app?
  206. Leopard and RED
  207. help my build new workstation... ( 4 xeons in hands ).
  208. On set playback...solutions?
  209. Workflow questions
  210. 8-core mac, today or later?
  211. CF vs Red Raid vs Red Drive
  212. Tape Workflow? (not quite dead)
  213. Another HD monitor thread...
  214. Post-production requirements for 2k
  215. HD-SDI to HDMI - AJA or Blackmagic
  216. New MacBooks for you Mac-lovers... (no, they can't do 4K yet)
  217. Motu V3hd Vs. Aja Io Hd
  218. RedAlert to Quicktime color discrepancy?
  219. LCD subpixels and 4K...
  220. projecting the dailies
  221. 4K Storage for Features - How Much is Enough?
  222. please help....
  223. Bottlenecks, am I wrong? - cluster question
  224. Finder Bug in Move operations on Leopard:
  225. r3d file request
  226. Is quick cut for TV (4k to 1080) possible?
  227. redcode quicktime availability
  228. Why do I want Scratch? - mmost
  229. RED and bluescreen or greenscreen?
  230. RedCine out this week!
  231. Render free paradise!
  232. 3 RedCine/REDCODE questions
  233. Am I missing it?
  234. Vista
  235. Something about Quicktime Codecs
  236. something about conforming for DI
  237. something about Grading for DI
  238. RED.com RECINE LINK BROKEN
  239. Editing and Re-Naming .r3d Files
  240. Any dates for PC QT r3d wrapper codec availability?
  241. 2K proxies for 2K RAW footage possible?
  242. SCRATCH and Wacom right-click
  243. cine4k solution
  244. Blu-Ray for OS X (advice please)
  245. Color Grading for Indie Film on an Apple 27" Monitor
  246. Visualisation possible workflows
  247. Any chance of both timecode tracks in the proxys?
  248. Redcine render farm
  249. Data Back-up
  250. Conform and sound workflow