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  1. Watch the Scratch review on the Reel Show
  2. The last issue! (for me)
  3. advice needed on 4k greenscreen workflow
  4. Live keying with RED ONE
  5. World's fastest music video on Red?
  6. Share your RED Rushes benchmarks?
  7. HD-SDI output workflow possibilities
  8. Frame rate conversion
  9. Red Rushes - Disk full warning
  10. DIT training material
  11. Crimson Problems
  12. Brand New Da Vinci--R100
  13. any one used Baselight?
  14. Get ready for 10bit - HDMI out off the GPU.
  15. Common Capture/Log for Avid & FCP?
  16. Same file names
  17. AJA, Adobe CS4, Mac Combo
  18. right color correction ?
  19. Post production software
  20. The right exposure
  21. Sony VPL FH300L 2K Projector
  22. emergency, quickest way to transcode 1080 prores to Uncompressed SD?
  23. Good R3D (and ProRes) footage, AWFUL dvd
  24. New: public beta of Clipfinder 2.1 - the render features you requested
  25. Speedgrade DI vs. Scratch Color Grading
  26. LTO-3A nightmare! Need help
  27. export bug
  28. Red and AE CS3
  29. Newbie workflow question...
  30. Help w/ FCP to DaVinci workflow?
  31. REC709/Video
  32. shoot 23.98....then broadcast
  33. Red Dailies Rates?
  34. Transfering files at the end of a shoot
  35. Redcode Quicktime strangeness
  36. REDCode QT Component 3.5 works!
  37. Novice seeking advice
  38. HD Link Pro and RED
  39. Cineform Prospect 4k Scripts not working
  40. Red Certified user/DIT
  41. What "Easy setup" for FCP when using BigT's piss easy workflow?
  42. RED Rushes with Build 17...
  43. Compositing CG vfx into live action RED footage
  44. 2K 100 fps - not proper tc on DPX output
  45. Question regarding size of monitor and render speed?
  46. Red work-flow and Final Cut Server
  47. SDK Roadmap ? Any chance Red will let the debayering do others ?
  48. Never ever...
  49. Adobe Plugin?
  50. How to avoid banding????
  51. Ron Brinkman interview on FXguide
  52. THANKS RED TEAM and another issue!!
  53. Surprising Amount of Noise
  54. What's the No.1 missing piece in the RED post software puzzle?
  55. SD PAL land significant alaising.
  56. Crimson Christmas!!
  57. Stop The Press!! Nvidia Quadro CX !!
  58. Gluetools + compressor (partly individual) issues....
  59. Question about aspect ratios...
  60. Filmouts issue
  61. Final Cut crashing with QT component 3.5
  62. RED HD Workflow Guide - Need Contributors
  63. Crimson and FCP multiclip issues
  64. 2K Projection for our Red Footage
  65. Video: Editing RED on the new MacBook
  66. Anybody heard about a new Kona 4 Card ?
  67. Looking for advice/input on blending to 1080i - thanks
  68. Older Macbook Pro GeForce 8600 problems sorted?
  69. Case Study 1 - Shoot 2K Mode, Quick Turnaround
  70. Optimizing Mac Configurations
  71. How to get Red footage into something DCI-compliant for 2K projection?
  72. On-Set Workflow (LTO, Cards, and Drives, oh my!)
  73. My MBP doesn't have FW800...what's my best on-set CF backup config?
  74. Extracting audio from multimple R3Ds
  75. Red Alert Quicktime proxies darker than original
  76. Creating R3D files from RGB images - when?
  77. 2K Full Res DPXs 75:1???
  78. Is there a general FAQ anywhere for 4K workflow?
  79. on location monitorting and playback
  80. RedSDK
  81. Clipfinder 2.1 final version released
  82. classic film techniques with red
  83. Audio going out of sync after ProRes transfer
  84. HP Dreamcolor & multi monitor setup
  85. HDMI mini converters???
  86. I need an r3d file with embedded audio
  87. A little grading advice (Banding in build 15 footage)
  88. Mill > DataLab
  89. 4K HD debayer/filter settings
  90. Apple Snow Leopard to use 2.2 gamma
  91. Hard drives
  92. AE batch renders for a folder of clips
  93. Autodesk RED Workflow Whitepaper
  94. Redspace or REC709 ?
  95. Shooting a Project on Red soon...
  96. SDK - that's not hype...
  97. Edgecode v TOD code
  98. RED Rushes Resample Filters Comparison
  99. Problems with Quantum LTO4 & Retrospect 6.1 on OS X
  100. Work flow for feature films
  101. Por Que 4K? Join DCS to Explore 4K at DV EXPO
  102. Best Transcoding/Converter 30p to 24p Option?
  103. Problems With Graiding . Need Assistance with Calibration for Broadcast
  104. Problems converting big files in Redrushes ??
  105. Smoothing motion in post
  106. Monkey Extract EDL
  107. 4k 16:9
  108. November 13 speculation
  109. After Effects vs. Shake
  110. On Set Processes
  111. COLOR and AJA KONA 3 +TV logic problem
  112. SDK: Function List?
  113. Quicktime Reference movies bit depth question
  114. Batch IMPORTING proxies
  115. Mac apps for copy/checksum?
  116. Quick notes/tips on Red Alert/Redcine DRX
  117. Red rushes problems
  118. Proxie Editing & ONLINE
  119. Timecode and Filename overlays
  120. ADOBE Stepped up....who's next?
  121. Hate to keep beating a dead horse here.
  122. Still images
  123. Multiple R3D files | different sizes but same footage
  124. Newbie questions!
  125. Monkey extract users
  126. Nvidia to launch Tesla Personal Supercomputer
  127. Intel's new Core-i7, big impacts on performance
  128. The mother of all download stations
  129. Batch Capture
  130. H264 Encoder
  131. Ian - I know what Crimson could do :)
  132. Clipfinder workflow for "wrapped R3D"
  133. no audio from R3D qt ref in quicktime
  134. RED "Media Manager"
  135. Camera won't read Upgrade file
  136. 1080p dailies!! Western Digital TV WDTV
  137. Multiple Camera Build Workflow
  138. Did I miss the release of the Adobe plugin?
  139. FCP Settings with New FCS Plugin
  140. NEW WORKFLOW FOR EASY 2K MASTER from "M" proxies - THE ROWLAND WORKFLOW
  141. Clipfinder 2.1.6: transcoded QT -> Reference Files (Proxies)
  142. Onlining for THEATRICAL, Sundance 2009
  143. Monkey Extract 2.0 - Rename Red Reels
  144. Can't copy R3D locally
  145. advise plz........
  146. Best software
  147. Samsung's 256GB SSD hits mass production
  148. video card advice
  149. Red Rushes
  150. redcode28 or 36
  151. Can a colorist explain highlight recovery to me?
  152. These settings crash RedRushes EVERY TIME
  153. Anamorphic Red Rushes
  154. Blue Ray as storage for R3D's??
  155. Color workflow / Corrupt files
  156. Scale and Debayer settings - some examples
  157. RedOne File Management / Color Management / Workflow solution Seminar
  158. RED ONE footage transfer to 35 mm...
  159. fcp to dvd question
  160. Upcoming 1080p options from Red....
  161. No Workflow News?
  162. Mixing Ex-1 and RED
  163. How do I get good SD quality?
  164. Anyone burned Blu-Ray yet?
  165. Matching Build 16 and Build 18 Anamorphic...
  166. Whats the fastest route to 1080p ProRes ?
  167. RED Team: What's up with Cross-Platform command-line RED tools?
  168. 3k > 2k > 1080p (the basics)
  169. Windows based workflow
  170. Primary grading with a color chart a la Adobe DNG profiler?
  171. System requirement and offline and online
  172. Dailies stamper?
  173. Strange Problem With Final Cut
  174. Tiny potential problem with redline...?
  175. batch "apply look" to proxies?
  176. Color grading for finishing in film NOW?
  177. Workflow...? Fcp-scratch-flame
  178. from FCP to AE for 4K out - a workflow!
  179. Red Post IRC chat
  180. Edit in Avid finish in Premiere Pro/AE?
  181. Whats the score with 8 core mac?
  182. FCP multicam issue
  183. Adobe Bridge Anyone?
  184. Corrupt R3D File
  185. Wraptor crashes after FCP/Compressor update?
  186. Weird shift in colorspace after export in FCP
  187. Preferred Field Storage and Backup
  188. Multiple R3D-Files with Pre-Record-Function
  189. am I misunderstanding something
  190. Crimson + Monkey Extract
  191. NIOSE in Blacks and Shadows
  192. R3D Raw file colour correction and After Effects workflow
  193. Faster than realtime full-debayer transcoding to DPX, QT, etc
  194. Anamorphic Workflows
  195. Audio syncing issues when going from 29.97 to 24 fps
  196. Re-link FCP clips based on "com.red.clip.originalSourcePath"
  197. A Crimson Valentines Day ...
  198. Does Anyone know about HD-SDi - HDV conversion from a RedOne?
  199. RED Workshops/Seminars at NAB this year?
  200. Attention European RED Users!!
  201. Keeping track of takes
  202. Can You Do It This Way??
  203. Newbie needs helps with the 4K workflow
  204. 4k workflow and workstation
  205. Gamma & Density's 3cP / RED Workflow Solutions Seminar - January 17th!
  206. VirtualDub meets Redcode RAW
  207. DPX to ProRes
  208. Open Source DCP tools...
  209. genral color space/gamma space question
  210. quicktime to r3d
  211. Takes at different frame rate in post !
  212. Workflow newbie questions
  213. Help with LTO-3 hardware
  214. Best method for 2:1 - 16:9 Conversion?
  215. A crude R3D cropping tool, freeware 4 windows
  216. HP DAT as a backup alternative to LTO
  217. SDK and realtime debayern
  218. Duplicate R3D files and Audio Fault error
  219. Metacheater - MC - Filmscribe - CineXML - Redcine... Non-working workflow
  220. Backup and Tape device answers
  221. r3d-redrushes-avid-xml-cinexml-redcine, does it work?
  222. Shot a film on the RED and burned it to Blu-Ray
  223. Really puzzling ghost R3d's...
  224. New Panasonic Monitor...
  225. The worker title
  226. QuickTime 7.6?
  227. 3cP / 3.1 (RED version / On-set Color + Workflow) DEMO now available!
  228. Basic RedRushes Qs
  229. RedCine will not let me access xml. please help
  230. RED post-prod - color correct, DI, Transfer
  231. 2GB Nework File Limitations
  232. xml in Redcine has different cut points from FCP
  233. Final Cut Pro Native Workflow Tested
  234. RubberMonkey & Baselight settings?
  235. Footage appears green and split down the middle
  236. Viewing lens metadata
  237. smoothing out skin tones and blemishes
  238. Flow Public Beta Available February 18th
  239. NEED help with this DIY 16TB RAID
  240. RED - Eyeon Fusion Workflow
  241. Time Base for Feature??
  242. MacRumors Predicting New Mac Pros Maybe April...
  243. Wasn't Ian working on something big?
  244. Backup and Tape Device Answers - part 2
  245. proper system setup
  246. spanned r3d files
  247. Sharpening
  248. How do I get Lens metadata from R3D for VFX
  249. Stornext
  250. REDrushes stablilty survey