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  1. REDrushes stablilty POLL
  2. Rendering Hardware
  3. AviSynth support for Redcode RAW now available
  4. RedALERT Requests
  5. Free R3d Transcode?
  6. how to make new r3d files?
  7. Workflow to Bluray (Encoder Issues)
  8. RED and Mac Pro workflow
  9. need to change RED file names...pleae help !
  10. Red Rushes feature request..
  11. What's your opinion on Sony's Trimaster?
  12. DPX workflow help
  13. Tell us your best Work Flow...Or experience.
  14. Specific Workflow Question
  15. FCP offline, Avid Symphony/DS online
  16. Clipfinder Valentine's Day Edition: taking the S&M out of L&T
  17. red down to SD DVD workflow
  18. *** Premier CS4 vs. FCP 6 ***
  19. Quicktime 7.6 + OSX 10.5.6 + new java/security updates
  20. A Laptop for Dumping
  21. Questions on Export [Web] - Color Grading ideas...
  22. Rugged Hard drive for feild use
  23. Question for Tim Jones or any other helpful types.
  24. Align r3d's or proxies to an Audio cut
  25. MAGIC BULLET / proxies
  26. Reconnecting Media in FCP, problem!!!
  27. why is SHAKE so slow?
  28. Basic DPX workflow questions
  29. Basic DPX workflow questions
  30. 10TB SAS back-up storage device :D
  31. 2000asa neatimage
  32. Clipfinder crashes fixed
  33. EDL from Premiere to Final Cut
  34. strange sync issues
  35. RAID solutions using Red
  36. Apple Color Render
  37. What should I know as a DIT for Red?
  38. Are you ready for Red? - Red worflow with Avid NYC
  39. How to export cut from premier for grade in REDCine?
  40. Dreamcolor / grading questions
  41. White silvery wisps
  42. Cost effective post set up for indie feature?
  43. BRU Producer's Edition Available, Special for RED Forum Members
  44. Any Good Discovery about How Downconvert to SD?
  45. R3D Data Manager vs. Shotput RED
  46. BT-LH1710 worth a little extra?
  47. Best output / screening method for student production?
  48. Any PC users using LTO4 successfully
  49. quicktime proxies
  50. White Lines at borders of renders
  51. set the right image size (2,35 or 1,85)
  52. problem rendering at 1896x1024
  53. Apple QMaster, Redline and Render Farm
  54. Free Blu-Ray authoring in west hollywood
  55. Dreamcolor Setup
  56. Onlining questions: Resize, Color Correct
  57. iPhone dailies.......
  58. Quantel Pablo, Scratch or just wait until Nab?
  59. MTI Control dailies - seeking info.
  60. Rename folders?
  61. Metadata editing
  62. Remote reviewing tool
  63. The "RED ROOM" now available on location....
  64. Color Grading and Correction - Learning resources
  65. 8 Core 2.26 Mac Pro R3D processing
  66. 24p vs. 23.98p
  67. De-Noise of RED footage - Discussion
  68. New audio feature in cineform!!!
  69. RAM 2GB vs. 16GB
  70. Simple Post Production Options for RED ONE
  71. Problem in FCP 6 Log and Transfer
  72. Questions about building a system and harddrives
  73. What's wrong with iSee4K?
  74. CC problematic and filmout
  75. Trying To Test Red Workflow...
  76. CPU Minimum for 1080p edit from 4K footage.
  77. Primer for HDD speeds?
  78. How LUTs work...
  79. Workflow Setup : What resolution to work on?
  80. Storage Solution for RED
  81. new davinci and red raw files
  82. Anamorphic Workflow help
  83. Best DVD Authoring quality
  84. Frantic Films Deadline Render management
  85. Looking to acheive 1970's reversal look
  86. System Purchase
  87. typically slow rendering jobs
  88. Wanted: REDspace LUT
  89. Graphic card for RED workflow
  90. Developing Workflow for Sitcom
  91. Premiere to FCP
  92. Quicktime renders look flat - why?
  93. Backup files differ in size...any idea?
  94. Urgent compression disaster
  95. Color correction metadata?
  96. How important is onset DIT if I'm shooting 2k?
  97. advice on workflow options
  98. advice on PC render farm for RED/After Effects project
  99. Good article from Pro Video coalition
  100. Need editing help!!
  101. Final configuration any last ideas or input?
  102. Recommended Mac-Compatible SCSI and SAS Tape HBA solutions
  103. Monkey Extract Questions
  104. FCP Multiclip Collapse
  105. Can't Import r3d into AE CS4
  106. What is DVCPro 720 exactly?
  107. Disabling Time Machine
  108. Red Raw to ProRes Render farm?
  109. 24 to 30 fps jerky pans
  110. Red Rushes to Avid (SD Option)
  111. Help Exporting Mixed Media Sequence with ProRes and Quicktime Proxies
  112. Multiple R3D files in the clip folder?!
  113. Cheapest way to reach 500MB/s
  114. 25 to 24 Fps conform
  115. RED Rushes vs. Quicktime Quality
  116. How many DIT's?
  117. 4K Forum
  118. Vista Readyboost
  119. 4K video board
  120. Odd system, sortof...
  121. r3datamanger checksums really that important?
  122. Some questions
  123. Premiere Pro CS(4) to Final Cut Pro
  124. Post FCS to RedCine
  125. DI Process of Knowing and CHE ?
  126. G-Tech Hard Drive Question
  127. Processing a still frame
  128. ProResHQ Files 8KB Big?
  129. Sending Proxy from FC to Color . Is it right workflow .
  130. Can someone recommend a good computer monitor model?
  131. Split R3Ds not working in Color
  132. QuickTakeHD launch - DailesSystem
  133. Gamma & Density's 3cP (On Set Color & RED Workflow Solution) Unveiled @ NAB2009
  134. exr or linear workflow
  135. RED Nehalem benchmarking into DNxHD & ProRes using 5 different encoding solutions
  136. True 2k Computer Monitor for Post
  137. Daisy Chain Extremes
  138. DVS Unveils Hardware Accellerated Red Workflows
  139. RELEASED: RED QT CODEC (v3.8.0)
  140. creating RSX file from REDline
  141. Data Management and Dailies
  142. Crimson proxie VS whitepaper...
  143. Stuttering RED QuickTimes - please take a look
  144. New Mac Pro and REDRushes
  145. Wanted Post Guru extrodinaire Blogger for www.finnerknowsbest.com
  146. Problems with Apple Color and noise...need help
  147. Clipfinder 2.1.15 updates render options
  148. Network rendering Final Cut Pro Projects.
  149. No Crimson/IBloom at NAB
  150. Log and Transfer files greyed out
  151. 4KHD or 4K16.9
  152. EFiX Anyone?
  153. WTF! Vegas pro 9 Supports RED
  154. BMD's DVI Extender
  155. Why can't RED Cine support/create RSX files?
  156. Blackmagic UltraScope
  157. Sample Red Footage Available?
  158. Build 16 & Build 17 postproduction mix
  159. Test Footage
  160. REDrushes error
  161. Log and Transfer Plug-In
  162. Cropping from 4k to 2k
  163. Help, R3D Data manager Checksum Error
  164. on the field storage
  165. how should I add a pan to a shot?
  166. 8Core Nehalem / Red Rushes madness - absolute madness!!! HELP
  167. Editing card...
  168. da Vinci now grades native R3D
  169. Emergency Question
  170. Hard Drive Array Question
  171. Help: Native Log and Transfer eating up hard drive space?
  172. 3K People in the House?
  173. Advice on Hard Drive Selection for Hour length Documentary
  174. Clipfinder 2.2 public beta available now
  175. Tape Drives at the NAB
  176. Need RedCine urgently
  177. Cineform problem with Cs4
  178. location editor
  179. Sync issue over frame rate
  180. Pro Plasma... something or other
  181. HELP: psychedelic artifacts
  182. Suggestion:Can RED provide reference charts in R3D format?
  183. Next iteration of Clipfinder 2.2 beta available
  184. (crimson) Final cut XML exports wrong IN n OUT
  185. Qmaster & Compressor Troubleshooting Tips
  186. Active Storage XRAID ES
  187. OSX 10.5.7 Released
  188. How to salvage really noisy footage
  189. Vegas Pro 9 versus Adobe CS4 Premium?
  190. Best Calibration Tool For Mac Book Pro
  191. R3D Data Manager 4k Output
  192. R3Ds & StorNext (XSAN) Any gotchas?
  193. R3d - dv ?
  194. 23.98 Project to 25 Frame Conversion
  195. problems importing red in final cut
  196. da Vinci Systems: RED Raw Color Grading
  197. r3d processing, 25fps to 24fps conversion
  198. The Monolith - kick arse Red rendering PC!
  199. 2K / Video workflow question
  200. OMG - hit render - Color ignored grades and reset all rooms - HELP!!!
  201. 50% discount of the 3cP - 3.1 (RED version) Software at CINEGEAR!
  202. REDCine vs. Red Rushes for processing....
  203. Monkey Extract Update - All Redline variables now available
  204. Convert native R3D frame rate?
  205. LTO-4 Software Recommendations for PC
  206. NEC introduces first USB 3.0 controller
  207. How do I look at r3d metadata?
  208. The Best 50 Bucks
  209. Red camera reports by Fotokem
  210. Clipfinder 2.2 beta - round 3
  211. Workflow roundup
  212. 64 bit codecs
  213. New Quad-core mac OK with Red
  214. 50% discount of the 3cP - 3.1 (RED version) Software on June 7th for anyone!
  215. Problems with Final Cut Studio 2 and Red Quicktime Codec installations
  216. mac pro quad core
  217. Timecode Burn-in Options
  218. 12 bit RED RAW - 12 bit DPX ?
  219. VR mini makes LaCie LBD obsolete
  220. Organizing backup - FCS vs Apache vs Cat DV
  221. Can you render R3D's to ProResHQ with a G5 Tower?
  222. Why Red Rocket? Why not Cineform?
  223. Speed up Monkey Extract
  224. What codec should I use for Windows playback?
  225. How to format CF cardthrough mac?
  226. How Will Red Rocket really affect FCP Session Work?
  227. Half Debayer vs Full Debayer
  228. Help! DOP shot at wrong frame rate!
  229. Is it possible to export as redcode
  230. Lustre's Lut?
  231. Google Wave for Filmmakers: A Concept that pertains to RED
  232. Clip Finder Beta XML
  233. DCP Creation
  234. 23.98p to 1080i frame rate conversion
  235. Questions about film outs and editing.
  236. Processing to ProRes....question about framing....
  237. Documentary aspect
  238. Best DIT / Digital Loader / Media Management Training?
  239. Creating SD ProRes Files...HELP
  240. problems with download from red drive.
  241. FCP Log & Transfer disgards Red's metadata
  242. Proxies needing rendering in FCP
  243. RED Rushes stability issues
  244. Ok, now what do I do?
  245. Resizing clips shot in 4k - HELP
  246. Sharpest 1080 from 4k/5k
  247. Potential problem with generated quicktime proxies?
  248. Red Rushes Very Slow
  249. Best Process DVD - Rushes, Dailies with sound and onelight
  250. Red Download times