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- LTO4 - BruPe for Mac and for Windows?
- Davinci for Mac Configuration Guide
- Dropped Frames Problem
- Cheapest raid setup options
- Is cineX debayer different to cs5 debayer?
- Best way to archive?
- Burning Blu-Rays
- GPU-Xpander Pro 2
- Best choice for FCP - RedCine Workflow
- RED ROCKET travel
- Recommended HD or 2K projectors for DCI P3 work.
- Recording from HDSDI out on Camera
- RED Workshop on eDIT Filmmakers Festival in Frankfurt/Germany
- The adobe vs fcp workflow pro and con thread
- Overseeing color grading on iPad
- New Kona card details
- 2k 23.976 to SD 29.97 output / conversion suggestions
- Color correcting to get the CHE look
- color correction preview HDTV
- Transfering 2048x1024 (2:1) to 4:3 Dbeta through Kona & Preserve Aspect Ratio
- Colorfront On-Set Dailies...
- Nice Shoes R3D form
- No love with firewire 800 > express card PC
- One-Tracked projects in FCP
- Red on-set DIT workflow
- Da Vinci Resolve MAC (in London), first impressions...
- *** Finally Jumping in to Video/Editing Please assist W/SW selections ***
- Hard Drive Arrangement Advice
- Can't export Avid MXF for 1080p 29.97
- Really bad artifacting HELP
- Clipfinder + REDCINE-X for the win!
- eQ question
- Some storage questions
- Full res debayer
- Help/suggestions on workflow.
- RED CF Reader Recommendations
- Anyone using LTFS with LTO-5?
- what competitors exist for FCP smoothcam? (shake doesn't count))
- Backup on a mac formatted Hardrive via Windows?
- Mac with 48GB RAM, 8 cores, 48TB storage
- Possible implications of HDRx for CGI/VFX work...
- Red Conform
- CDL Informatio into an ALE?
- Transcoding
- Adding RSX Files To 2nd Copy Of Data?
- monkey extract crapping out on some shots
- Log/Lin TIFF/DPX
- Q.Cing Frame Rates? (Not Base Rates)
- NO SOUND!!?
- Conforming High Frame Rate To Look Like 25fps
- Mobile Rocket and Samsung SyncMaster???
- Conforming Sped Up High Frame Rate Clips To Look Like 25fps
- MBP Unibody and MAc Pro on STEROIDS
- Isee4K - something is wrong ?
- RAID talk
- No More Quicktime Plugin?
- Track files on external drives?
- Iso Box
- An LTO Thank You gift to the REDUser members
- Big Problem with 4.5K Footage - Help needed!!!
- Mac set up
- Apple Cinema tools with Red Rushes????
- Working with RED footage on Windows - Help needed!
- A tool to kill AND re-generate QT proxies for full project
- Caldigit SuperShare
- New to RED - editing in FCP + After Effects?
- Share your RredLogFilm experiences -:)
- Monitor Brightness for Grading P3 vs Rec 709?
- Can i rename a ".RDM" folder ?
- Hitachi 3 TB 7200rpm drives - RAID results?
- RedcineX 351 Saving Looks
- Anyone with solid experience using the AJA KI PRO and RED?
- Color Issues
- Panasonic Viera TC-P50VT25 Settings
- Dropped frames in FCP when playing back Prores proxies of 4K rushes...
- Q.Cing Rendered DPX Files?
- Explanation of some DI terms
- Getting access to the 4K footage in FCP
- REDCODE Native
- Copying R3D's over to a drive questions
- Working on the Cheap - Dreamcolor/P3
- Speedgrade and Gamma Density
- Dual monitor HDMI with Redcine-X
- Need Help - Tons of motion blur on very minimal movement Red MX footage
- RD3 files not transcoding! Need help!
- Clearing in&out points in RedcineX351
- Expresscard
- Red Station Mounting Multiple Copies of Cards
- Looking for freelance Baselight colorists
- External drives
- Correct Redgamma to Lin conversion?
- RMD Editor/Manager SW ?
- Pro Res Proxy rendertime
- POSTED: RED Rocket (v1.3.5) and FCS 3 (v30.3.0) Installers
- The Other Big Mistake
- Data Managment Logs
- Recommended 23 or 24" Monitors
- Redcine X 356 Freezing when exporting to quicktime
- RAID question.
- IT infrastructure: getting started
- How much Hard Drive Space?
- Corrupt R3D-Files - How to fix?
- Shooting fireworks with Red One
- Our experience with corrupt R3D files
- R3D Data Manager or ShotPut Pro?
- Difference between a Intel 2.8GHZ Core i7 & 1.86GHz Core i7-840QM Quad Core?
- Small Facility Setup - help / advice
- Monitor Calibration
- Digital Cinema Package from FCP
- Caldigit Supershare - anyone try this?
- blue HELP!!! random pixels in my footage showed up instantly
- Exporting for print
- USB 3.0 + eSATA/USB combo or ExpressCard/34 and ExpressCard/54?
- 5400rpm?
- [Help]Timebase 24fps, Transcoding to 25fps, is it OK ?
- iPad app for creating routing diagrams?
- OT for experienced Mac users
- DNxHD vs Pro Res HQ
- ProRes HQ 422 conversion to Windows compatible codec?
- MediaSilo hosting MetaData Event at Oasis Imagery in Hollywood on January 27th
- Cineform, DNxHD or Lagarith?
- Newbie questions regarding on set equipment
- Any idea about MSU Lossless Video Codec and FFV1?
- R3D visible in Premiere but not in DaVinci and Redcine-X
- Colorfront On-Set Dailies
- Post workflow for filmout?
- OFFLOAD SSD MEDIA in the WILDERNESS?
- Almost finished new build. Advice please:)
- Mac OS X 10.6 Snow Leopard in Windows
- IPAD LUT for Color or Scratch
- Saving RED-One video on discs ??
- GROUP BUY 4 "MAXX DIGITAL built BigFoot DIT Carts"
- Shooting 4k - Rookie
- Interesting article on IIF ACES workflow being used on "Justified"
- FCP to RCX to Flame
- Avid MC5 > Monkey Extract > Premiere Pro/After Effects
- Help needed from colourist/avid experts...
- RED STATION Interface
- REDONE MX For Print_best REDCINE-X output settings...
- HP dreamcolor calibration solution on Snow Leopard
- newbie to RED, could use confirmation/advice
- LETS TALK ABOUT WHITE BALANCE AND RED
- What GPU assisted workflow solutions are there out there for Red?
- R3D Corruption? Audio pop?
- Color Temperature confusion
- Color Correction Film Vs TV vs WEB
- Shot slow-mo at wrong timebase
- Alpha testers wanted - for a new software product from Rubber Monkey
- GXF file wrapper
- TIFF header editor ?
- Converting footage on set??
- CF Module
- Need to connect B+W FCP sequence w/ orig R3D color files?
- Film transfer using H proxy
- r3d in CS5 and the importer
- Mac Pro Desktop 2011?
- Mystery of R3D files...
- Logging essentials?
- What RED article would you like to see?
- RedlogFilm LUT in current Baselight 8 ?
- Export RED ONE footage
- Consolidating R3D after edit?
- Finishing out to 4k
- R3D data manager and .RMD files
- Using sharpness on 2K footages
- Tonight 7:pm PST FCP Supermeet- Switchers or Quitters
- BBC approved cameras
- setting up red one for 120fps
- ColorFront : On-Set Dailies
- Best tool to convert to Quicktime in 4K
- Data Manager
- New editing bay
- editing on mac
- Editing Raw Files
- SONNET QIO - real world useage?
- Smoke doesn't support HDRx, I think...
- OCZ Vertex 3 + mid-2009 Macbook Pro 17"
- Consulting and custom LUT’s, workflow’s, for Filmout, DCP etc…
- 3d Editing with red files
- Light Iron Outpost
- RED 4.5K and 35mm 4 perf Anamorphic Film out
- December Resolve configuration guide ????
- RED WORKFLOW WITH ADOBE 5.5 VIDEO
- Would Someone share a recent HDRx Clip? p l e a s e ?
- 5-BAY eSATA ENCLOSURE w/HITACHI 2TB HDs to Store/Edit RED-One footage ???
- Mobile Rocket with MacBookPro & MacPro
- WHY USE CineForm in Windows7 Professional PC ???
- Help needed !! Red Final cut pro Installer
- Color Correct Comp elements seperately? HELP!
- FW hack converts '09 Mac Pro use faster RAM, CPUs
- Samsung Demos 2560x1600 10.1" Tablet. iPad 3 Retina Next?
- Data Managing on MacBookPro
- Editing red footage with interlaced for broadcast television
- Blu-ray compliant x264 straight out of Avid?
- Anamorphic in RedCineX
- looking for ideas for BACK UP WORKFLOW
- Aces/Academy IFF signal workflow
- Cinegrain Releases Indie Collection
- Disk offload script to LTFS Archive and SAN workflow
- World's First 8K Ultra High Definition Display
- What colour Grading system should I upgrade to?
- G-Tech HD ARRAY for RED-One Footage ??
- HD ARRAY & SAS vs. eSATA Speed for a Windows7 PC ??
- Preview Footage Being Used in Composite
- Computer Parts List, Input Appreciated
- 16 Bay Sas enclosure, any thoughts or advice?
- Suggested Laptop to Edit R3d?
- Audio Reconform
- Basic Setup for editing RED footage
- Constrained Supplies Suggest... Mac Pro... Headed for Refresh
- What Replaces the 11 series Panny
- Exporting to 4K R3D from Quicktime, DPX etc... Possible?
- Trouble Exporting Anamorphic Clips to ProRes
- Looking for DCP training
- Volumes Not Available?
- DVD auto chapters?
- Hey guys, how do transcode/sync audio
- Red Rocket & AJA Kona 3 still gives me dropped frames in FCP
- QuickTime & Red Files ??
- Does this need to be done in the SDK?
- RAID setup - 5 / 50 / 6 / 10 ?
- Adobe's Roadmap for the Future
- Transfer rate of RED drive via firewire 800 ?
- Lightworks on the Mac - Some information for Mac users looking for a new NLE
- BASIC FCP WORKFLOW
- Advice please where can I get R3D files?
- Atto H680, esata fan out cable, port multiplier enclosures
- TeraDek streaming through Wowza
- Which projector?
- Promise Pegasus R6, Thunderbolt & Fibre Channel
- HELP!! RedCine / FCP (3K to 2K)
- Recommendations for mailing / fedex hard drives with footage
- Edit 4k in real time for $1200 complete system
- Editng
- In Whic programm Kodak 60, 120 etc?
- How get "folm look" with RED ONE!
- Final Cut Pro X Workflow
- File copy problem Mac
- Anyone want to test some film stock emulation software for RED?
- 4.5K WS in Apple Color for 2.35 Aspect Ratio
- Gamma shift from After Effects - PLEASE HELP!
- Ask Mike Most Anything
- exporting anamorphic 2X footage from redcine X
- Quad HD trough DVI on a Mac?
- 4K Online in New York City ... WITHOUT Color Correct
- Formatting RED CF for HDSLRs
- ADDING VIVIDNESS "INSTANTLY" TO RED FOOTAGE ???
- Portable SSD Reader & workstation - Options?
- Foundry Storm vs REDCine-X render speeds
- New DaVinci setup : urgent help required -