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  1. We are on a distinguished road...
  2. Your 4k Workflow Specs...
  3. confussed still...
  4. Which monitor will you use for RED post production?
  5. Red One Pipeline Diagram v1.0
  6. Is RedCine the only way possible to convert Red Raw media?
  7. Why 4k
  8. From REDCODE RAW to DNG?
  9. Timecode & Metadata
  10. Speaking of metadata!
  11. DATA CENTRIC VISION - part 1
  12. Adobe Premiere now on Mac
  13. How much horsepower needed to edit 4k?
  14. Down rez
  15. what about avid and the red camera?
  16. Virtual zoom in redcode or redcine
  17. What are the options in REDCINE as of now?
  18. workflow alleviator
  19. Exr B44
  20. Buffered Video
  21. 1000MB/s on MacPro
  22. Film Workflow and Red Workflow Comparison
  23. holographic solution
  24. Reframing 4k footage
  25. Slightly OT, is there any wavelet delivery codecs?
  26. What about Mac Pro Quad Core upgrade by yourself?
  27. SAN-Specs
  28. Stuart, how about sharpening to REDCINE?
  29. Best Quality workflow 1080p 30fps on blu-ray.
  30. Windows Home Server
  31. Max 2K at the outset.
  32. Colour grade DLP ?
  33. Data workflow for high-end online (broadcast/TV)?
  34. Hard drive for 4K workflow?
  35. Building the Ideal Studio for RED
  36. Could REDCine output to REDCode
  37. Simple cuestion abour RED capacity sense
  38. About RED capacity sense
  39. Pull List / Conform / Batch Scale/Crop
  40. NAB Final Cut/Motion Seminars
  41. Steve Jobs holding a RED ONE camera?
  42. Certification
  43. Redcine Process Times
  44. Colour Management
  45. Aha says the tick tock man, time to deliver to the client!
  46. Youtube ad revenue
  47. RED-DRIVE dock
  48. Just Hit Delete
  49. kicking HD out of my computer
  50. RED based 2k/4k film scan
  51. How to Shoot my Segment.
  52. Red and Linux
  53. RED Format Resolutions
  54. Redcine and Highlights/superwhites/HDR
  55. CA channel offset control in Redcine...
  56. RED One SDK?
  57. 4k 2k SCALED?
  58. Redcine DX API level?
  59. Windows workflow
  60. 3rd Party Display Support for REDCINE?
  61. HDR imaging
  62. Camera Acting as HDD Host?
  63. Tone-Mapping images in Shake from REDCODE output
  64. Imax?
  65. How RED is RAW
  66. World fastest 4T hd raid?
  67. RAW to REDCODE
  68. Combined exposures
  69. Umm Apple a little help please!
  70. RGB Compression
  71. New VTR to archive up to 2k
  72. DIGITAL DAILIES for clients?
  73. Two questions about downscaling 4K
  74. Apple/FCP6/4K workflow at NAB?
  75. Network Redcine Capabilities
  76. Cheap eSATA RAID solution
  77. 802.11n Transmitter -> Wireless Recorder?
  78. 4K for filmout
  79. RED Bundles or Recommendations
  80. Windows NLE Systems
  81. How will workflow go from Red to Avid HD?
  82. Will it work with Avid.
  83. RECODE and Sony Vegas?
  84. LTO-2 Good Enough for Storing RedCode
  85. Build your own HD workstation
  86. NAB - Apple announces Special Event
  87. 4K Finishing Folly
  88. Redcine idea- speculative debayer?
  89. Linux Video Editing
  90. NVIDIA announces new card...Apple "excited"!
  91. NLE choices
  92. How fast do you expect REDCINE to be?
  93. RED "Spike" Photos?
  94. Talk’n ‘bout a…...Workflow Revolution
  95. DCS 4K Seminar
  96. New Sony LUMA LCD 1080/60P
  97. MXF -- will RED support this?
  98. color correction?
  99. Cinespace a new color management system
  100. 4k 2k 1080 24p 1080i 720p
  101. RED Footage
  102. Redcode and Macbook Pro?
  103. Look, Mom, my First 4K Redcode Project!
  104. Redcine on Windows and SLI?
  105. Tomorow's world
  106. RedCine Licenses?
  107. Standard Def. Definition. SD 480I
  108. REDCINE and GPU = co-work?
  109. Further increasing dynamic range, but for real.
  110. Cf Raid
  111. The Sony 4k projector...opinions?
  112. Overview Diagram
  113. converter HDSDI DVI etc.
  114. RAID I/O questions
  115. redcine PAL and NTSC output
  116. Graeme ? on Broadcast Deliverables
  117. REDCINE video output?
  118. Multi genertion redcode?
  119. "Look" Files...
  120. Rental setup
  121. LTO tape drives for MacPro?
  122. DIY Raid along with Fibre Channel network
  123. dp and post guys wanted for projects in Shanghai
  124. 4K (or 2K ?) post purposes?
  125. REDCINE to DNxHD
  126. REDDRIVE offload in the field - practical workflow?
  127. Post FX and 4k
  128. Adobe CS3
  129. Interesting article
  130. Check this 64GB flash SDD drive from Samsung
  131. Recording to Laptop = increased fps possibilities?
  132. De-Bayer question...for Graeme
  133. REDCINE - Reframe, Pan & Zoom - but Vertical?
  134. Tight on cash
  135. How do I get 4K to edit without breaking the bank?
  136. Digital Media Options for Dummies
  137. Tools/layout of REDCINE??? Graeme??
  138. Colour correcting and LUT's???
  139. RED CINE cut it out.
  140. Apple releases 8 core, 3GHz
  141. Question about RAW and color correction
  142. Quad-Channel 4GB fibre card
  143. Redcine + 8 Cores
  144. camera usb2 bus power
  145. express card memory prices
  146. digital film roll
  147. 2K Scan Going Rate?
  148. P2 price drop
  149. workflow option?
  150. E2E Production workflow diagram
  151. So I have to process through REDCINE?
  152. Who is competing with RED?
  153. REDCine Wishlist
  154. Rendering?
  155. RECine Release
  156. Final Cut Pro can manipulate 4k files!!!
  157. Redcode vs. ProRes
  158. Red One wins engadget baking contest!
  159. AJA Io HD
  160. REDCODE on MacBook Pro
  161. RedCine details?
  162. Windows Intigration
  163. REDCINE at NAB.
  164. Red 4k Display?
  165. ProRes vs. REDCODE at AppleInsider
  166. Poll: Will you use Final Cut Studio with Red?
  167. 4K Projector?
  168. Data demands for each format
  169. Cineform response to Final Cut Studio?
  170. 8 Core Bliss!!!!!
  171. Is RED something for us?
  172. question about workflow
  173. How I would have colour graded the footage
  174. Is this fast enough?Raw port speed required?
  175. FCP redcode and ProRES 422 questions
  176. What About Red and Black & White Photography?
  177. i want to know about REDCODE DATA RATES
  178. Mac Pro Workflow
  179. Anyone visit AJA at NAB.. Q's
  180. A new way of shooting coverage with the RED?
  181. Aja Io
  182. Monitoring Red for Edit.
  183. which monitor to use on the field?
  184. So do I still need an INtel Mac?
  185. Interesting blog about 'Color'
  186. SONY 4K projector May 1st Redcode vs JPEG2000?
  187. Red camera without Mac and FCP
  188. REDCODE and Adobe After Effects
  189. 4K REDCODE original downsampled Vs 1080p original but never compressed?
  190. Computer Specs For Red Post-Production
  191. Is there a way to get the red codec for testing?
  192. Color Compression with Redcode Raw
  193. What is what for digital media options
  194. Is it 4K pixels or 4K samples?
  195. Looking For a Brief Explanation
  196. Duel Systems Adaptor for Recording onto P2
  197. Re-Framing 4K for 720 HD and SD
  198. Redcode transcodes..
  199. Keying, those tiff stills.. LUTs?
  200. RED - Quicktime/crossplatform?
  201. REDCINE export question
  202. Red Reality - 4k Editing systems
  203. Red & Adobe
  204. storage math
  205. A Barry Green DvD Tutorial for this beast????
  206. What do all the different symbols on the forum mean?
  207. Some Reasons Why 8core Isn't Going To Make You Workflow Faster!
  208. 2K + 4K in the same FCP timeline
  209. Request for Jim and team
  210. Get a QUAD MAC PRO for $3299 same price as a Dual 3ghz Mac PRO!
  211. RED DISTRIBUTION Quvis
  212. capture
  213. Red and Flame
  214. QuickTime REDCODE support explained (maybe)
  215. 4K Projection - What's Out There?
  216. Building a post production workflow
  217. material conversion
  218. Cheapest way to HDCAM deliverable?
  219. Camera basics.....
  220. Datarate question
  221. AJA IO HD Box and Macbook Pro
  222. Digital Film recording expense
  223. REDCODE RAW to REDCODE RAW?
  224. Playback and archive
  225. Redcine feature request
  226. Anyone figure out what big news was?
  227. 4K REDCODE™ RAW + Final Cut Studio 2 red.com announcement
  228. Red Final Cut workflow
  229. iQ Pablo and RedCode
  230. Final exposure AFTER shooting
  231. Redcine Monitor Out
  232. Non-Intel Macs?
  233. ProRes422, no 1080p???
  234. 4k Redcode vs Prores 422 vs 2k Redcode?
  235. Will the Red interface with Codec Digital
  236. Workflow for EFP
  237. Coloring Question
  238. Final cut studion 2 shipping.
  239. Adobe
  240. Robot raid
  241. REDCODE is 10:1 and visually lossless?
  242. Red Drive
  243. FCS2 on G5
  244. Color Space Transformation
  245. Why Fat 32?
  246. Fitting RGB into the workflow
  247. Dell 4K Displays
  248. practical tapeless workflow
  249. Thoughts on IOMEGA REV as location backup solution
  250. AJA io HD?