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View Full Version : EFP / ENG and RED


  1. Cooke 9-50mm T2.5
  2. Welcome
  3. Compact 1080p EFP cam
  4. RED LCD for other cameras
  5. What types of EFP/ENG will you do?
  6. Lenses?
  7. Can we ENG at 480?
  8. Tridods?
  9. RED Cine. in ENG?
  10. B4 mount lenses would need correction?
  11. EFP & ENG Definitions and Explanations
  12. Shoulder tripod shoulder tripod shoulder tripod etc etc etc.
  13. B4 lens options
  14. RED triples income! More customers, more sales.
  15. O'Connor 2060 Kit -US Agents
  16. Cinema Lens Servo?
  17. That 60i look?!
  18. The little filter dial....OR
  19. EFP back up preferences?
  20. RED Flypack?!?
  21. 2/3 HD lens for single CMOS
  22. EFP/ENG PL mount 35mm motorized zoom lenses
  23. Dalsa goes wide with 4K
  24. ISO rating
  25. ActionCam and Red
  26. red and mulitcam switching
  27. ENG/EFP Package
  28. What about docs?
  29. Abolish this Forum Thread?
  30. RED BELT CLIP for RED DRIVE and RED BRICK
  31. Weather Proof Red!
  32. O'connor 1030HDS (Studio)
  33. Matte boxes and FF
  34. Automatic controls
  35. Ok, so here's my setup, what do you think Gibby?
  36. Audio spikes on a Varicam
  37. DC Power Output
  38. Hey Nikon Mounters...
  39. For those looking for a good tripod...
  40. Stock Footage Question for Gibby
  41. LCD recommendation
  42. Are any of the major news or Broadcast Production facilities looking at the RED
  43. Solid State DTE and RED
  44. Eng?
  45. Steadicam
  46. Tips on Negotiating a Broadcast Deal
  47. Thoughts on OConnor 35 L quick deployment CF tripod
  48. Newsworthy shot but no REDCINE...
  49. Equipment discussions?
  50. EFP Scenario
  51. Using ND filters for EFP
  52. Using ND filters for EFP
  53. Headphones
  54. My JVC HD250 with 35mm or a Red camera... ?
  55. Changing PL mount to B4
  56. 2k shooting w/ super16 glass, anyone done it?
  57. Quick release plate for Red?
  58. viewfinder position.
  59. B4 to PL mount
  60. Curious about adding a new feature to CF Module...
  61. The Efp Market
  62. snow/desert shooting
  63. OConnor 35L vs Sachtler Speed Lock CF HD?
  64. DvRigPro for Red
  65. B4 HD 2/3 lens test
  66. Pushing the EFP envelope...
  67. Lighting for EFP (web resource)
  68. Fujinon group purchase
  69. Shotgun mike mount
  70. Wireless Mic's
  71. Investment in RED compare to other Camera systems
  72. Red connectors for ENG lens
  73. Has anyone tried the SLIK DAIWA 15 Fluid Head?
  74. B4 Red zoom/power handle?
  75. Long Lens EFP Wildlife shooting... best lens for RED?
  76. Anton/Bauer Gold Mount bracket
  77. Slightly OT, but relates to EFP
  78. Batteries...Who said Lithium Ion is safe?
  79. Red and P2 cards
  80. Converting signal to SD?
  81. Picture of rear of RED camera?
  82. Most widely use camera
  83. Red Handheld
  84. Du-All Camera's Handheld Configuration for Red One
  85. EFP and Field Audio?
  86. Can I make a broadcast wildlife doc with Red?
  87. True Resolution of Mysterium difficult to determine.
  88. Location Back Up - Doco. Small Crew
  89. Backup in the field
  90. Addonics Snap in 2.5" SATA enclosure
  91. Red Batts on SDX900??
  92. Eng And Backups
  93. Thinking about the Red for an Outdoor/Lifestyle show
  94. Hardlined EFP
  95. Anyone put a light on you're Cam??
  96. Anyone put a light on their Cam??
  97. Quicktime reference Movies for Web work
  98. Red one and wildlife cinematography thread?
  99. Broadcast?
  100. How to keep Red operating at -40C
  101. Legs for quick setup
  102. Satchler Head Question
  103. Red as HD Player
  104. Combat/Reality Frame Rate
  105. Green Or Blue Screen
  106. Longer form docos and red workflow
  107. New audio and i/pins!
  108. RED and welding flash
  109. B4 Mount and HD Lenses
  110. Lens dilemma - which way would you go for documentary work?
  111. .R3D naming system
  112. Connecting EXT Timecode
  113. 744T and Red One FW 17
  114. Changing from B4 to Cine to Nikon
  115. If i have to choose... RED-EVF or LCD ?
  116. Perfect EFP/ENG lens
  117. HD-SDI transmission distance question
  118. Sports footage
  119. ENG & TV work
  120. Scarlet/Epic EFP Setup
  121. Finally a great mic for wildlife shooting
  122. Run & Gun with RED1 at 4K
  123. EFP Setup for Scarlet using HD-SDI