tj williams
03-17-2007, 09:21 AM
Is that just too retro?
Is there a possibility that RED Cine can render out 480 24P, and 480I?
IMO, as a real "non" linier editor...(The last time I hands on edited several vtrs rolled each time we cut)... So if this seems like a trivial posting to the extremely computer literate please realize that everyone does not share your expertise. Strangely my search didn't get much about this?
It appears to me that in the current way of doing things I have to render out my 4K to 720P then down-convert that in the final cut. etc. Maybe this depends on what system? But having it directly available overcomes any systems limitations.
1. Shoot in 4K
2. Using an HD monitor extract the selects color correct them and render in 480I P either 3/4 or 16/9 or 16/9 letterbox
3. Offline the show in an older final cut etc box which is cheap. go quickly with all the layers etc. since the 480 is very small.
4. Using the list from the offline, extract the needed footage and render into
whatever for online on a more expensive computer.
On another front$$$$
Gibby's post about many new uses got me thinking of some days to be had here, if RED Cine extracted 480I
1. Shooting a business/gov conference. There are questions from the audience. you quickly pan the look back camera to pick them up. Of course it's difficult to get the first part of the question since you don't know who will speak next.
OR the RED solution you shoot back at the audience with a wide enough lens to see the group from side to side, in RED Cine you extract 480I close ups of each person as they speak.
2. You shoot footage for a local commercial. Like say an RV lot. Of course you totally spray the place because they will re-use different RVs/shots/etc. according to whats overstocked on sale etc etc. So you shoot it with red now
they have extractable closeups of every wide shot. ie many more usable shots for different purposes from one day of shooting.
3. current news/many reality shows are almost all SD. Even in the HD future SD will probably be the internet video, for quite a while. If we can render 480 we can get some of these days or place our camera with another operator into those days. Even better if we can make an
rgb 480 in the camera for quick delivery of time sensitive subjects. Kinda cool side light that we could make the kind of low dof shots on SD that a lot of folk are currently doing with the Red Rock, Technic, boxes.
Is there a possibility that RED Cine can render out 480 24P, and 480I?
IMO, as a real "non" linier editor...(The last time I hands on edited several vtrs rolled each time we cut)... So if this seems like a trivial posting to the extremely computer literate please realize that everyone does not share your expertise. Strangely my search didn't get much about this?
It appears to me that in the current way of doing things I have to render out my 4K to 720P then down-convert that in the final cut. etc. Maybe this depends on what system? But having it directly available overcomes any systems limitations.
1. Shoot in 4K
2. Using an HD monitor extract the selects color correct them and render in 480I P either 3/4 or 16/9 or 16/9 letterbox
3. Offline the show in an older final cut etc box which is cheap. go quickly with all the layers etc. since the 480 is very small.
4. Using the list from the offline, extract the needed footage and render into
whatever for online on a more expensive computer.
On another front$$$$
Gibby's post about many new uses got me thinking of some days to be had here, if RED Cine extracted 480I
1. Shooting a business/gov conference. There are questions from the audience. you quickly pan the look back camera to pick them up. Of course it's difficult to get the first part of the question since you don't know who will speak next.
OR the RED solution you shoot back at the audience with a wide enough lens to see the group from side to side, in RED Cine you extract 480I close ups of each person as they speak.
2. You shoot footage for a local commercial. Like say an RV lot. Of course you totally spray the place because they will re-use different RVs/shots/etc. according to whats overstocked on sale etc etc. So you shoot it with red now
they have extractable closeups of every wide shot. ie many more usable shots for different purposes from one day of shooting.
3. current news/many reality shows are almost all SD. Even in the HD future SD will probably be the internet video, for quite a while. If we can render 480 we can get some of these days or place our camera with another operator into those days. Even better if we can make an
rgb 480 in the camera for quick delivery of time sensitive subjects. Kinda cool side light that we could make the kind of low dof shots on SD that a lot of folk are currently doing with the Red Rock, Technic, boxes.