Sven Seynaeve
04-02-2008, 08:06 AM
Hi,
I want to take postpro serious, but haven't been able to work on more systems then avid, fcp, premiere, afx, edius, combustion and some more....
What would be the benefit for featurefilms, commercials , corporate and musicvideos owning a flame and lustre system when shooting red in the first place????
From the specs , I can't get a clear idea what's the big difference in the future going the indie way (prem and fcp in combination with scratch) or owning such a system.
Let's say you don't have to care about the money it costs (because after all when leasing it doesn't cost that much more if it's really worth what it's doing for a certain time, but still don't want to throw away if it's not that great.
What are these serious really more capable of to get the final product really high end looking??? Is the grading in lustre so much better (trackers, options, ..)then scratch , and are the editing , titling , fx tools so much more worth then doing projects on a mac or pc????
I know it all depends on the artist, but being an audio guru, and finding myself quiet spoiled in this area lately (it seems everything that should be there , you can find in the software applications) , but in video there seems to be so much missing , effects are poor , plugins are not to clear about functionality (imho),
so has a flame system much more value on the fx side of things that you could create projects, you could never do on a mac or pc???
Or would software like eyeon fusion bring up the tricks in the final stage.
Furter, if discreet wouldn't support the r3d files in the near future, i would definetaly get that scratch license; in this case what could be a killer workflow???
Please, if you've got any experience could someone please chop in???
I want to take postpro serious, but haven't been able to work on more systems then avid, fcp, premiere, afx, edius, combustion and some more....
What would be the benefit for featurefilms, commercials , corporate and musicvideos owning a flame and lustre system when shooting red in the first place????
From the specs , I can't get a clear idea what's the big difference in the future going the indie way (prem and fcp in combination with scratch) or owning such a system.
Let's say you don't have to care about the money it costs (because after all when leasing it doesn't cost that much more if it's really worth what it's doing for a certain time, but still don't want to throw away if it's not that great.
What are these serious really more capable of to get the final product really high end looking??? Is the grading in lustre so much better (trackers, options, ..)then scratch , and are the editing , titling , fx tools so much more worth then doing projects on a mac or pc????
I know it all depends on the artist, but being an audio guru, and finding myself quiet spoiled in this area lately (it seems everything that should be there , you can find in the software applications) , but in video there seems to be so much missing , effects are poor , plugins are not to clear about functionality (imho),
so has a flame system much more value on the fx side of things that you could create projects, you could never do on a mac or pc???
Or would software like eyeon fusion bring up the tricks in the final stage.
Furter, if discreet wouldn't support the r3d files in the near future, i would definetaly get that scratch license; in this case what could be a killer workflow???
Please, if you've got any experience could someone please chop in???