Graeme on Digital Production Buzz

[IAN SUN]

Just heard that Graeme Will be on the
digital Production Buzz podcast next week discussing CMOS vs CCD.

What else will you be chatting about Graeme? ;)

[Graeme Nattress]

Just that, unless Phil throughs a googly. And I'm not talking about RED. Just the difference between the two in general. I guess I'd better brush up, as it's not really my traditional sphere of expertise, but I've got a pretty good knowledge.

Graeme

[REDHKSC]

Just that, unless Phil throughs a googly. And I'm not talking about RED. Just the difference between the two in general. I guess I'd better brush up, as it's not really my traditional sphere of expertise, but I've got a pretty good knowledge.

Graeme

I have read this whitepaper and look forward to having newer technologies and development for a larger CMOS ( 65mm ).

Stewart Chong
Founder

[Graeme Nattress]

Which white paper - link please?

[IAN SUN]

At a party at my house on New Year's Eve (we have one every year, its my son's birthday, he was born on the last day of the 20th century),
I was chatting with a chip designer from England who is the friend of one of my DOPs.

This fellow worked on a co-processor used in Bluefish 444 among other things.
I sat him down at the G5 and showed him my RED obsession. In return he gave me a bit of a backgrounder on CMOS architecture, fascinating stuff.

I'll be listening to the show, to hear more about it from you Graeme.

[Graeme Nattress]

I think it's more beginners guide stuff, what the differences mean for the end user / camera buyer, rather than hardcore stuff.

In the end, it's not what the chip is made from, but what the image looks like that counts.

Graeme

[Jarred Land]

In the end, it's not what the chip is made from, but what the image looks like that counts.

Graeme

Amen Graeme, Amen.

[Júlio Taubkin]

Amen Graeme, Amen.

Or simply: Graemen.

[Graeme Nattress]

Te he. Now I've just got to figure out how to say that and avoid any techie questions :-)

Graeme

[IAN SUN]

Thanks Graeme.

But sneak in a RED big up :D

[IAN SUN]

Heard that interview on Digital Production Buzz with Philip Hodgetts. They actually prompted a pretty good exchange about RED ONE.
Co-host Rick Young actually stated that he is now a RED believer after seeing the images at IBC.
Good one Graeme.:)

[Graeme Nattress]

Thanks Bro! It's always fun to do a show with Phil. I was lucky enough to have met Rick at IBC and spent a bit of time chatting to him about stuff.

Graeme

[Andrew Benz]

Hello Bro and Graeme, I would enjoy a link to the podcast. As a healthy by prodouct of the development of RED, I really dig learning the technological tangents that accompany a tool for creation like the R1,REDCINE, REDCODE RAW,etc... It all helps feed the need to think, create and output.

Cheers,

Mark

[Graeme Nattress]

http://www.digitalproductionbuzz.com/Archives/ShowNotes.php?date=2007-01-11

Graeme

[Andrew Benz]

http://www.digitalproductionbuzz.com/Archives/ShowNotes.php?date=2007-01-11

Graeme

Thanks.

[Thom Steinhoff]

http://www.digitalproductionbuzz.com/Archives/ShowNotes.php?date=2007-01-11

Graeme

Just listened, great stuff--very well spoken.

When you spoke about reading fewer lines to get faster framerates, does this mean we could one day hope for an anamorphic widescreen (2.4:1) window mode on the RED that makes use of the full pixel width of the 4k but crops it down to size that could actually jack up our frame rates using Recode?

I remember a conversation on this back in DVXUser where you didn't think we could squeeze any additional framerate, and I know Red.com doesn't say anything about this format option, but has your position changed as you've had more time to work with it?

Could we have this as a valid output to save black bars and disk space and hopefully jack up the framerate potential?

[Graeme Nattress]

I know the Mysterium sensor can do that, but the sensor is not the camera. We've still yet to fully explore the limits of the surrounding hardware platform.

Graeme

[Thom Steinhoff]

It really would be amazing as, from what I can tell, most everyone will be using Redcode and it only makes sense to have a cinema mode rather than paying the price for full frame in size and framerate.

Let's hope your exploration of the outer limits is as fruitful as your early explorations have been!

[IAN SUN]

Check out this in-depth discussion on This Week In Media about RED, the SI cam and Colorista. All this in a conversation about a new book on "Rebel Filmmaking"

Couple of these guys have reservations.
Mmmm one of them even thinks they have RED OE "1072 or 1073" ...um, check my sig.

here's the link
http://thisweekinmedia.libsyn.com/index.php?post_id=170045