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jmarco2000
06-04-2008, 02:13 PM
Hello.

In a near future we are going to work with redone 4k material.

I have a question about the workflow. Here, we work the postproduction with DPX. I will have a EDL to conform the movie in 4K. However, I will need that DPX files got Frame code in metadata or in file name, so I can conform in our color machine.

What will be the logical workflow in this situation?


Thanks!