Adam Glick
08-19-2008, 03:48 PM
So, I'm a little confused.
I was originally told that RAW data contains neither color information nor resolution information nor framerate data - just "raw" data (and metadata in the header).
I now read that the RED ONE's native color space is 12 bit.
So here's the question?
Does RAW data collected and recorded using the Mysterium sensor actually posses anything like a native "bit depth" ?
Or is the "bit depth" of the image actually determined when the RAW data is transformed/processed (demoaic'd) and written to some other rasterized file format?
Can someone smarter than me explain this without getting all "mathy" ?
Secondly, if the RED ONE "native color space" is truly 12 bit (as is indicated on the literature) then any 16bit images (such as a 16bbp TIFF file) derived from r3d clips would be interpolated from the 12bit color? yes?
In this case, at what point (what type of footage/shot) would begin to show posterization or a loss of "latitude" after having gone through this process? In practice, is there ANY VFX shot or display technology that can make use of (or resolve) the extended gamut in a 16bit RGB image? Even HDRI doesn't really need a 16bit colorspace does it?
Thanks,
Adam
BOXXlabs
I was originally told that RAW data contains neither color information nor resolution information nor framerate data - just "raw" data (and metadata in the header).
I now read that the RED ONE's native color space is 12 bit.
So here's the question?
Does RAW data collected and recorded using the Mysterium sensor actually posses anything like a native "bit depth" ?
Or is the "bit depth" of the image actually determined when the RAW data is transformed/processed (demoaic'd) and written to some other rasterized file format?
Can someone smarter than me explain this without getting all "mathy" ?
Secondly, if the RED ONE "native color space" is truly 12 bit (as is indicated on the literature) then any 16bit images (such as a 16bbp TIFF file) derived from r3d clips would be interpolated from the 12bit color? yes?
In this case, at what point (what type of footage/shot) would begin to show posterization or a loss of "latitude" after having gone through this process? In practice, is there ANY VFX shot or display technology that can make use of (or resolve) the extended gamut in a 16bit RGB image? Even HDRI doesn't really need a 16bit colorspace does it?
Thanks,
Adam
BOXXlabs