Daniel Browning
10-20-2008, 02:19 PM
This discussion about diffraction has been moved from the original thread because it didn't really relate to the topic.
Diffraction limit is diffraction limit - there is basically insignificant or no improvement in MTF by reducing pixel size below 6 microns when shooting at f/5.6 and beyond. Laws of physics are unavoidable.
Diffraction is a physical law, but it's not a brick wall; the effect is gradual. Again, even after diffraction has started to affect the image, further MTF improvement is possible. You don't have to take my word for it, since diffraction is something we can measure. I'll volunteer to take the burden of proof (you can go first next time).
For proof, the easiest comparison would be the 50D at f/5.6 (4.7 micron) with the 40D (5.7 micron), but, unfortunately, there are no suitable tests on the web yet. (By the way, I was mistaken about the 50D, it's only 4.6K, not 5K.)
So until then, we'll have to use test data for other cameras. The best I can find is only for full frame cameras, so we'll have to change the experiment to compensate. The area of Still35 is larger than Super35 (1.6X field of view), which is about one and 1/3 stop, so an equivalent test would be f/9 instead of your f/5.6. We'll test a variety of focal ratios from f/5.6 to f/16.
I'll use the data from Bryan Carnathan's the-digital-picture.com (http://www.the-digital-picture.com/Reviews/ISO-12233-Sample-Crops.aspx?Lens=245&Camera=453&Sample=0&FLI=0&API=6&LensComp=245&CameraComp=356&SampleComp=0&FLIComp=0&APIComp=6). This comparison is the 5D (12 MP) with the 1Ds Mark 3 (21 MP) using the EF 200mm f/2.8. The 5D has a much weaker AA filter, relative to the pixel size, than the 40D, so that will skew the results in favor of your position. Furthermore, although the same raw conversion software (DPP) and settings were used for each camera, Canon might be using a different debayer algorithm behind the scenes for different camera models (I don't know). That factor could be isolated with dcraw.c, if desired.
I've taken the center crops, converted them for the same output size (i.e. so the crop would look the same as if you printed them both at the same size). Click on the thumbnails below to see the image (the thumbnails themselves, of course, are not intended for comparison, they're just links).
Below: The 5D and 1Ds Mark III at f/5.6. There is no effect at all from diffraction in either camera. The debayer artifacts (green and color patterns) are a natural result of the weakness of the anti-alias filter. As expected, the 1Ds Mark III, with over 50% more pixels, has higher resolution. I'm only including the f/5.6 focal ratio to establish a baseline of how much improvement is possible when there is no diffraction at all. Be sure that you can see the difference at f/5.6 before commenting on the other focal ratios.
http://thebrownings.name/photo/diffraction/65-5d-f5.6.jpg (http://thebrownings.name/photo/diffraction/500-5d-f5.6.jpg)
http://thebrownings.name/photo/diffraction/65-1dsm3-f5.6.jpg (http://thebrownings.name/photo/diffraction/500-1dsm3-f5.6.jpg)
Below: The 5D and 1Ds Mark III at f/8.0. Diffraction is beginning to have a very slight effect here, which is noticeable on the 1Ds because the 5D's 8.2 micron pixels add too much of their own blur for the diffraction to be visible. It is softening the very highest frequency of detail.
http://thebrownings.name/photo/diffraction/65-5d-f8.0.jpg (http://thebrownings.name/photo/diffraction/500-5d-f8.0.jpg)
http://thebrownings.name/photo/diffraction/65-1dsm3-f8.0.jpg (http://thebrownings.name/photo/diffraction/500-1dsm3-f8.0.jpg)
[reduser.net limits posts to only four pictures, so the rest of this post is continued below.]
Diffraction limit is diffraction limit - there is basically insignificant or no improvement in MTF by reducing pixel size below 6 microns when shooting at f/5.6 and beyond. Laws of physics are unavoidable.
Diffraction is a physical law, but it's not a brick wall; the effect is gradual. Again, even after diffraction has started to affect the image, further MTF improvement is possible. You don't have to take my word for it, since diffraction is something we can measure. I'll volunteer to take the burden of proof (you can go first next time).
For proof, the easiest comparison would be the 50D at f/5.6 (4.7 micron) with the 40D (5.7 micron), but, unfortunately, there are no suitable tests on the web yet. (By the way, I was mistaken about the 50D, it's only 4.6K, not 5K.)
So until then, we'll have to use test data for other cameras. The best I can find is only for full frame cameras, so we'll have to change the experiment to compensate. The area of Still35 is larger than Super35 (1.6X field of view), which is about one and 1/3 stop, so an equivalent test would be f/9 instead of your f/5.6. We'll test a variety of focal ratios from f/5.6 to f/16.
I'll use the data from Bryan Carnathan's the-digital-picture.com (http://www.the-digital-picture.com/Reviews/ISO-12233-Sample-Crops.aspx?Lens=245&Camera=453&Sample=0&FLI=0&API=6&LensComp=245&CameraComp=356&SampleComp=0&FLIComp=0&APIComp=6). This comparison is the 5D (12 MP) with the 1Ds Mark 3 (21 MP) using the EF 200mm f/2.8. The 5D has a much weaker AA filter, relative to the pixel size, than the 40D, so that will skew the results in favor of your position. Furthermore, although the same raw conversion software (DPP) and settings were used for each camera, Canon might be using a different debayer algorithm behind the scenes for different camera models (I don't know). That factor could be isolated with dcraw.c, if desired.
I've taken the center crops, converted them for the same output size (i.e. so the crop would look the same as if you printed them both at the same size). Click on the thumbnails below to see the image (the thumbnails themselves, of course, are not intended for comparison, they're just links).
Below: The 5D and 1Ds Mark III at f/5.6. There is no effect at all from diffraction in either camera. The debayer artifacts (green and color patterns) are a natural result of the weakness of the anti-alias filter. As expected, the 1Ds Mark III, with over 50% more pixels, has higher resolution. I'm only including the f/5.6 focal ratio to establish a baseline of how much improvement is possible when there is no diffraction at all. Be sure that you can see the difference at f/5.6 before commenting on the other focal ratios.
http://thebrownings.name/photo/diffraction/65-5d-f5.6.jpg (http://thebrownings.name/photo/diffraction/500-5d-f5.6.jpg)
http://thebrownings.name/photo/diffraction/65-1dsm3-f5.6.jpg (http://thebrownings.name/photo/diffraction/500-1dsm3-f5.6.jpg)
Below: The 5D and 1Ds Mark III at f/8.0. Diffraction is beginning to have a very slight effect here, which is noticeable on the 1Ds because the 5D's 8.2 micron pixels add too much of their own blur for the diffraction to be visible. It is softening the very highest frequency of detail.
http://thebrownings.name/photo/diffraction/65-5d-f8.0.jpg (http://thebrownings.name/photo/diffraction/500-5d-f8.0.jpg)
http://thebrownings.name/photo/diffraction/65-1dsm3-f8.0.jpg (http://thebrownings.name/photo/diffraction/500-1dsm3-f8.0.jpg)
[reduser.net limits posts to only four pictures, so the rest of this post is continued below.]