donatello b
01-07-2009, 09:17 PM
for your INFO ... the RED 18-85 will not mount on the sony F35..
the ears on the PL mount stick out forward a little ( toward lens ) and hit the F stop ring on the 18-85 so you can't seat lens back enough to lock it ( maybe 1/32" off) ...
and i do have to say the Red 18-50 looks excellent on the F35
on my RED when i frame a window i see CA ( lens wide open) around the window frame edges when i focus in/out ( green to purple edges) .. i also see CA using ultra primes, hi speed ziess, cooke 18-100 on same framing ... however when i use the Red 18-50 & other lens on the sony F35 i do NOT see any green/purple edges when i throw focus in/out
i'm not that technical so have no idea why it shows up on one camera ant the other ? maybe CCD vs. CMOS thing ?
has anybody used the 18-50 on the genesis or Arri D20/21 ?
was CA better or worse then when on RED?
any technical explainations why CA would be worse/better on one digital camera vs. another ???
the ears on the PL mount stick out forward a little ( toward lens ) and hit the F stop ring on the 18-85 so you can't seat lens back enough to lock it ( maybe 1/32" off) ...
and i do have to say the Red 18-50 looks excellent on the F35
on my RED when i frame a window i see CA ( lens wide open) around the window frame edges when i focus in/out ( green to purple edges) .. i also see CA using ultra primes, hi speed ziess, cooke 18-100 on same framing ... however when i use the Red 18-50 & other lens on the sony F35 i do NOT see any green/purple edges when i throw focus in/out
i'm not that technical so have no idea why it shows up on one camera ant the other ? maybe CCD vs. CMOS thing ?
has anybody used the 18-50 on the genesis or Arri D20/21 ?
was CA better or worse then when on RED?
any technical explainations why CA would be worse/better on one digital camera vs. another ???