Filmout companies

[Jim McKinney]

Anyone out there have recent experience and/or recommendations for companies that would do filmouts. This would be a pretty low budget feature (about $300-400K). Possibly Avid workflow. Just trying to get a handle on what file format we would present to them, as well as grading (by them or us), and a budget.

Pretty simple question, really. :blink:

[MichaelP]

You could start locally with places like Lab601 in Atlanta for online and color correction and they can work with labs for the filmout. My last feature was done at CineWorks in Miami for color grading and film out prep - they have both the digital and chemical knowledge under one room and is not too far away. They did a great job - make sure you have good communication with them and the colorist for all your deliverables.

If geography is not an issue, do a Google search, there are plenty of places that procide this service, and many of them are members of this forum.

Michael

[Mark L. Pederson]

Anyone out there have recent experience and/or recommendations for companies that would do filmouts. This would be a pretty low budget feature (about $300-400K). Possibly Avid workflow. Just trying to get a handle on what file format we would present to them, as well as grading (by them or us), and a budget.

Pretty simple question, really. :blink:

So far, the best film out print from Red shot material I have seen was done recently at FOTOKEM in LA. Tom Vice, formerly at Plaster City is there now - they are currently Offhollywood's first choice for film record out.

[Jaime Vallés]

Not sure about how they deal with RED footage, but I was very pleased with the folks over at www.DVFilm.com for a transfer we did from MiniDV to film. Professional, helpful, and inexpensive.

[Evangelos Achillopoulos]

We do offer film out service through our partners that are calibrated with us.

In New York our partner is Contact-DI http://www.contact-di.com/

Recently we finished a feature from our Israeli partner Ido karilla, we print the zero copy (straight print with no color timing in the Lab) the director and the producer ware amazed that was exactly as they see it in Israel at editstudios...

These is from the producer Haim Mecklberg:

"Many many thanks for a job extremely well done and for the wonderful hospitality. Looking forward to working with you again in the near future.
I will be screening the print to a bunch of the top Israeli film producers and I will gladly recommend working with you.

Best,
Haim"

Or if you want to be calibrated and be a partner with us check the thread on my signature...

We handle 2k and 4K jobs with our ARRIlaser and Lasergraphics film recorders and we work together with Kodak Cinelab's Greece for the chemical process and prints.

[Michael Cioni]

PlasterCITY does offer film-record services for Red projects. We have filmed out 5 feature films shot on Red through our Kodak partner, Laser Pacific and our color science accuracy between the DCP and 35mm is extremely accurate and fast. We have the ability to preview the print emulation during the DI grading, insuring clients are going to experience the same thing on a print that they would in a DCP.
Lower budget films can take advantage of a unique workflow at PlasterCITY where they can monitor boy the DCP and Film Record concurrently -saving money in the elimination of separate deliverable trim-passes.
michael

[Igor Ridanovic]

EFilm in Los Angeles did a good job for us recently. They specialize in material delivered in Rec.709.

I have also worked with Lab601 in Atlanta on a recent feature film that was shot in RED. They know what they're doing. Speak to Dave Ballard.

[Jim McKinney]

EFilm in Los Angeles did a good job for us recently. They specialize in material delivered in Rec.709.

I have also worked with Lab601 in Atlanta on a recent feature film that was shot in RED. They know what they're doing. Speak to Dave Ballard.

Did you do the Lena Baker Story?

[Jim McKinney]

btw, I want to thank everyone for their response. Even though most of these are the "usual suspects," it's nice to hear good feedback. fwiw, I also got good recs on Alpha Cine in Seattle. I had used them before for transfer, but wasn't aware they did film outs.

[Seán_T]

I had a few jobs filmed out at CineByte in Toronto and the results were great. They also have a nice Rec709 pipeline that some of my clients have loved. And the exchange rate is very favorable to US clients. Theres also Digital Film Central in Vancouver

[Daniel Dávila]

Great conversation here.
I´m from Chile and in South America we have Cinecolor, a large postproduction company in several countries. ¿does anybody know any other film recording company in Latin America?