RED FOOTAGE THREAD (inscriptions)

[Roberto B]

it does mean after next friday we'll have new footage at last, so..

here we go guys..

who's the 1st?.. 1st inscription_s?

[Roberto B]

shawn, you only on september 8 but we'll wait..

[Roberto B]

jarred?.. only non-official footage.. ehehehehe

[Roberto B]

gibby?

[Roberto B]

blair?

[Roberto B]

jim?.. http://clicksmilies.com/s1106/verkleidung/costumed-smiley-045.gif

[Rick Darge]

haha, go to bed man..

[Simon Smith]

I second the motion.

[Michele Gavazzeni]

where you'll post your footage?

[Gabriel Beaudry]

I'm sure they will put up a whole new section for footage.

[Roberto B]

where you'll post your footage?in the film festival next to you.. is it ok for you?..

edit
but if you'll pay the marketing, i can make an effort towards the movie theatre next to you..


I'm sure they will put up a whole new section for footage.

that's the idea.. though i hope to watch something truly new after next friday..

[Álex Montoya]

Wasn't there a site where they wanted to post RED footage and inform about the details of filming and workflow?

[Mark Thorpe]

Its gonna be sweet to see a flood of first hand info coming through these threads in a few days!

Waiting.......

[Karl H]

yeh, just please dont post at 1K ;-)

[Michael Schrengohst]

And someone will need to encode some clips to WMV for the windows
people so they can see what they are missing.

[Blair S. Paulsen]

I have a couple of options tracking for getting RED footage out quickly after I get the camera. I will certainly post to the forum as soon as I have a URL.

[Emanuel A.]

yeh, just please dont post at 1K ;-)

There are a lot of members here with slow computers.


And someone will need to encode some clips to WMV for the windows
people so they can see what they are missing.

Ditto.

[Jack Wester]

I hope someone will post some semi-fast panning footage during their first days with the camera so that get an idea on how much skewing has been reduced since 'crossing the line'.

[Curran Giddens]

eeeeww.... skew. skewing makes me sick....:sick:

[Roberto B]

I have a couple of options tracking for getting RED footage out quickly after I get the camera. I will certainly post to the forum as soon as I have a URL.so, can i admit you'll be the 1st ever to post it?.. :matrix:

[Simon Smith]

I knew it!

http://www.reduser.net/forum/showthread.php?t=3977&page=2

Ah Ah Ah


Wasn't there a site where they wanted to post RED footage and inform about the details of filming and workflow?

[jbeale]

I hope someone will post some semi-fast panning footage during their first days with the camera so that get an idea on how much skewing has been reduced since 'crossing the line'.

Semi-off-topic, but... I just got back from watching "Bourne Ultimatum" the second time. Obviously, it's a movie that's done well at the box office. But if you want to look problems with camera motion, wow. If that film had been shot on red, I think many people would be complaining because it doesn't "look right", it has jittery strobing frames, and so forth.

Everyone is entitled to their opinions of course, I'm just wondering if people actually like the way 24fps film looks when there is fast or jerky camera motion?

[Kyle Mallory]

Everyone is entitled to their opinions of course, I'm just wondering if people actually like the way 24fps film looks when there is fast or jerky camera motion?

That is part of the astetic of 24p and/or the mechanical shutter process... If the director and/or DP didn't like it, or felt it didn't lend to the story... they wouldn't shoot it that way.

Everyone and their dog thought it was cool in Gladiator (the strobing, fast motion, quick cuts). In the second Bourne movie, I thought the use of camera movement was a little overused, but, in scenes like the car chase, the director was leaving the audience as confused, dazed, and nauseated as Bourne was at that same moment... As much as I didn't appreciate getting motion sickness while at the movies, I can't fault him for it, and think the application of the technique was dead on.

[Blair S. Paulsen]

For fast action 24fps has some significant issues. It is often stated, and I believe correctly, that through conditioning we have learned to appreciate the look of 24fps material - so much so that shooting 24 fps video for display at 30fps is rather popular :whistling: .

I sat front row center for the 4K showing of CTL at NAB and the first thing I said to Graeme was how noticeable the motion blur was. Its my theory that all the years I've been watching film presentations the gate weave, registration, grain structure, cheapo release prints, etc have hidden a lot of motion blur. I then blurted out that I expected 60P to become the new frame rate standard once people saw 24fps and 60fps material side by side. If I am right then its a good thing the RedOne can be rated at 500ASA because there goes a stop and a half - of course we might be able to go to a 270 degree shutter and get some of it back.

Bottom line - IMHO the RED footage is so clean it reveals aspects that have been ignored in the past - get ready.

[Jeff Brue]

Uh huh and then you have to spend 5 mil on production design because the styrofoam cave doesn't hold up anymore.