RED #31 - Venice, CA

[dino g]

We are very experienced at being on multi-million dollar sets/locations (20+ years)

We have already done many many high-end productions with RED (over 100 person crew, 2 camera) & low budget production (6 person crew) and everything in between.

Our work was seen by 144 million people on Superbowl Sunday right after the 1st quarter, the Kina Grannis Video.

We have worked with the top DP's in features, commercials and Music Videos.

We have a strong relationship with RED Corporate as we are helping to establish a presence for RED here in So. California & beyond.

We have strong relationships with the Post Production Community in LA & NY (Riot, Company 3, Plastercity, Nomad, Precision Post, The Room, Molecule) and can help get your project finished at whatever resolution you need.

We have strong relationships with Rental Houses here in LA, (Birns & Sawyer, Cam Tec, The Camera House, Keslow..) we can help get your lenses, matte box, filters, follow focus, FIZ...

As Producers we have access to all above and below the line crew including Sound, Lighting & Grip, Steadicam (Paul Taylor), Gaffers, Directors, DPs...

our package includes:

REDONE #0031x
RED EVF
Element EVF Holder
Element Breakout box (BNC FUll Size)
18-50mm RED Zoom
Production pack +
12", 18", & 24" Steel Rods, 12 & 18" Carbon Rods
15mm Rod Adaptor
Arri 15mm Baseplate
Red Handle Mount, Handles, top Handle + Extension
Universal Mounts x 4
Top Mounts x 4 (can handle two cameras)
Side Handles x 4
Red Cheese Plate
Focus Hook set
2 x Red Charger + 4x Red Brick
Red LCD
Red CF X 15
RED DRIVE x 2
Red Laser Cut Pelican Case
Pelican 1510 for body only - flight case

Cabling
hd-sdi adapter x 5
xlr adapter x 5
5 pin lemo to 5 pin lemo (for timecode jam sync for clockit and deneke)
5 pin lemo to dual xlr (for timecode jam sync)
5 pin lemo to dual bnc (for timecode jam sync)
HD-sdi BNC cables
HMDI Splitter
HMDI Cables
HDMI to DVI cables and adapters
pTAP to hiroshi
pTap to AJA

Ingest
Imac 24" 2.8Ghz 4gig Ram for ingest
2 x mac mini
1 x powerbook g4 17"
10 x Gtec 1 terabyte 800 fw Drives for backup
2 x san disk 800 CF readers

AUDIO
2 x mk66
2 x g1 wireless
4 channel field mixer in portabrace
1 x electrosonic wireless



Audio
complete audio package for sound (3 wireless mics, 2 booms mics + carbon fibre boom, 2 stick mics, 3 channel field mixer - all high end)

Lighting and Grip
aRRI SOFTBANK 650 K X 3 WITH SCRIMS, CHIMERA, GELS
72mm filters to screw on Red Zoom - for run and gun lightweight package set-up
manfrotto grip equipment for close-in rigging (super clamps, arms, suction cups...)

Extra Camera
Complete Z1U package with 2 x HC3 for b-roll or behind the scenes


Red #31 is currently being offered for rent to qualified productions.

we have already rented to over 50 productions including some very high profile clients that we will be sharing with the group once the content is on the air. (a few weeks).

we can make the RED experience painless for you with our on-set experience, for instance one promo shoot we did for E! Entertainment went through 88 CF cards in 2, 16 hour days using two Red One cameras.

we have 3 mac intel/redAlert ingest stations with HD Monitors, multiple 800 drives

we have an hdmi splitter that allows for dual monitor viewing (camera ops & client video village)

we have 5 in-house RED Techs that will assist you on set so all you have to do is point and shoot, we will make sure your data gets downloaded to your drives and we also supply 4.5 terabytes of storage for back-up on set.

also we have a separate business renting projectors and playback devices to exhibitors, movie theatres and film festivals so we can also bring 4k, 2k and 1.5k projectors to set and set up portable screening rooms.

more info at: http://redone4rent.com

or
http://red31.com

dino

[Stephen Williams]

Hi,

Out of interest how many days / weeks / months have you sold today at your advertised prices?

I would expect a better fluid head at those rates.

Stephen

[dino g]

we have been out for many days since taking delivery and in every case the DP/Director had their own tripod. other with packages in this area charge 1500-1800 per day with a better head, ff and matte box; but those are rentals that are less than $200 total which still makes our package more cost effective. moreover, advertised rates are just that and everyone knows that card rates are not always final negotiated rates.

we want to help you shoot with red. if you are interested in shooting with red send us an email and we will try and work something out. i have been on about ten show and tells since getting the camera and i have not been paid a dime for those. we are interested in promoting the platform and developing long term relationships. we have 20+ years in the industry and another 80+ years in other retail/customer service focused industries. as the third generation here in america providing a product or service to customers; we have always clung to the notion of "the customer is always right".

so if you want to shoot red and understand the limitations of doing so at this date, but also factor in the advantages of shooting RAW, then let us know and we will be happy to help you complete your project in the RED format.

[Jarred Land]

wow thats a pretty good blurb dino..

[dino g]

the camera is bullet proof. as yet another example, we shot 8 spots for a local (so cal) toyota dealer this weekend and went through over 60 CF cards in two days. the director/dp was stoked on the workflow and the client, agency and crew could not believe the pictures coming out of the camera.

with each job we learn a little more about streamlining the process of; extracting and replicating data, of setting up the camera for optimal performance and fine tuning the imagery using the current toolset (redAlert et. al.). the clients have all been very pleased with the end product so you will be very happy to have us on your set.

renting red is a bit more than just having a body, some CF cards and a computer. the product differentiation is our experience, our contacts and our ability to work in the conditions of a high performance environment, your set.

we have continued to build upon our relationships not only in the production community (Wexler, VER, CAMTEC, Birns & Sawyer) but also in the post production community. kosmos innertainment group, inc, the owner of red31, has joined with RED to help the Los Angeles and NY post production communities come up to speed with the RED Post Workflow tools. Company 3, Riot, Encore, Acsend Media, PlasterCity, Molecule, Precision Post, Nomad, The Room and Technicolor are now our collaborators in spreading the RED gospel.

RED31 is at your disposal, and KOSMOS is here to service you. Please feel free to email us with your project dates, details and any questions, so that we can help you experience the revolution brought on by RED. RED makes you look good, kosmos makes you feel good about going RED.


here are some photos of the camera working...i have had to blur out some of the talent and crew for legal reasons.

note some of the shots have two reds in them...
http://red31.com/shoots/redinaction.html

[dino g]

more pics

[dino g]

my 100th post want to see if i change to senior member...

YES YES >>>SENIOR DINO

[Jerry Caloroso]

Aloha,
I have a one day shoot here on the December 16th...I may be able to book a few more days...are you available? I had a Red camera in mind to come out to shoot a music video here...

I noticed your reel..very impressive!!!

Let me know what you think.

Jerry

[dino g]

we continue to offer our services and are certain that we are among the most experienced users of the red camera. we have shot over 25 professional shoots since september and our footage is 40% of the current plaster city RED REEL, made of RED material for demos.

[Jarred Land]

and our footage is 40% of the current RED REEL, made by RED to replace the peter jackson footage for demos.

? RED REEL ?... are you talking about the Plaster City Reel? That REEL is not made by RED or for RED.. that is something Plaster City made ( and they did one hell of a job )

[dino g]

you're right, i meant the plastercity reel with red material from the first 100 days of RED.

[dino g]

RED31 shoots Superbowl Commercial!

144 million see Red#0031 originated footage at the end of the first quarter on 2/3/08/

The Kina Grannis Video shot by Damian Acevedo.

[dino g]

We have added an EVF to our package....

[dino g]

we have added the 7" pro red lcd

our package now includes...

Camera
• red one camera serial # 0031.

RED Accessories for Camera
• red raid drive x 3
• 2 red lcd monitors (standard size 5" and pro size 7")
• red EVF w ET braket
• ET Breakout box
• 4 red batteries
• 3 red battery chargers
• red 19mm support including hand held rig and carbon fibre rods (8 x 12", 2 x 18", 2 x 24" + same rods in steel)
• 2 red battery belts and 2 x 6' red drive cables (for off camera hand held rig)
• quick plate

Preston Cables
• red microforce cable ( allows run stop and power for zoom monitor from red body (not from p-tap))
• 1 x run-stop MDR1- to red rs232 port
• 2 x run stop MDR2- to red rs232 port
• 2 x run stop MDR3- to red rs232 port

power for MDR
• p-tap to mdr1,2,3
• 4 pin to mdr1,2,3
• ptap to 4-pin
• ptap to 3 pin break out box (power multiple 3 pin AKS (cine tape, modulus 3000....))

Computers
• 3 computer cpu systems for backup, replication and down conversion

• 1 - Imac 24" w/ 4 gigs ram with 23" cinema display
• 1 - 8 core mac pro with 10 gigs of ram for redrush prores creation
• 1 - g4 powerbook for replication

AJA hd-sdi to dvi converter for me to monitor camera signal at my desk.

Gtech Graid 2 1tb drives for backup and replication (5 tb)

Additional
• 24" hot swap cable to keep camera running during battery changes
• Sensor scope cleaner for sensor

[dino g]

got the new audio board and smart lens adapter installed today...#0031 is back in action and ready to go!

dino

[dino g]

RED#0031 is MX Enabled and Red Rocket Powered in Post. ready to be on your set with the latest and great RED tool.