View Full Version : RED DIRT RISING - Official stills part II - Feature shot on RED.
Tonaci Tran
11-13-2007, 12:07 AM
4 spanking new 1k stills (ungraded) are up. Check them out! (http://redcameranetwork.com/blog/red-dirt-rising-4-new-stills-posted/)
http://redcameranetwork.com/blog/red-dirt-rising-4-new-stills-posted/
Directors: Kathleen Bobak & James Suttles
Director of Photography: James Suttles
Gaffer: Andy Howell of APPLEBOX (http://www.applebox.net/)
Cam Operator Greg Krauss
1st AC: Stephen Cook
REDninja DITs (http://www.redninjas.net/): Blair S. Paulsen & Tonaci Tran
http://redcameranetwork.com/blog/wp-content/gallery/red-dirt-rising/IMG_6057.JPG
Jess Matney (Video Assist), Greg Krauss (Cam Op), Steven Cook (1st AC), Red (Opus), Blair S. Paulsen (REDninja), James Suttles (Director) and Tonaci (REDninja)
Álex Montoya
11-13-2007, 12:49 AM
Very nice pics. I'll post about them in my blog in short. Would love a bigger version if possible.
Peter McCully
11-13-2007, 01:20 AM
Well, I don't know about anybody else but I think that the camera really lends itself to a period look. Obviously the work is in the art direction, lighting and the preliminary grade but the silky smooth response in the images in these stills is palpable and obvious. I look forward to seeing this on screen someday.
Justin O'Neill
11-13-2007, 09:36 AM
Concrete, if you click on the images the hi rez version pops up.
Thanks for posting these Tony!
Jeff Kilgroe
11-13-2007, 09:55 AM
Great images!
Kinda weird, but I like the look of these shots in their un-graded form, the muted tones seem to just fit with the period represented.
Álex Montoya
11-13-2007, 10:01 AM
Concrete, if you click on the images the hi rez version pops up.
Yeah, but just the first three of them.
gregkraus
11-13-2007, 06:16 PM
Blair & Tonaci - It was a pleasure working with both of you on the film. Hopefully we can do it again in the future.
Noah Kadner
11-13-2007, 06:28 PM
Which lenses?
-Noah
Tonaci Tran
11-14-2007, 06:32 AM
Hi Noah,
I'll ask the 1st ac to ID the lenses used. Burgess1 is likely the 85mm prime standard prime which was the go to lens for all the closeup shots. We did end up getting the zeiss super speeds towards the end of the shoot but i think those were used primarily at night when the fast lens was needed. The zeiss standard primes were the workhorse of the movie. They did use the Red compact zoom quite a bit, especially during the scenes where lens changes would have been too much of a hassle.
Tonaci Tran
11-14-2007, 06:35 AM
Blair & Tonaci - It was a pleasure working with both of you on the film. Hopefully we can do it again in the future.
What about Thuy? haha j/k. It was definitely a great experience working with ya'll. I can't wait to see this movie!
Tonaci Tran
11-14-2007, 09:59 AM
Yeah, but just the first three of them.
Hi there, thanks for the post in your blog. As for the stills I can only do 1ks for now.