PDA

View Full Version : DaVinci Resolve 8.0 details



Peter Chamberlain
04-11-2011, 10:54 PM
(NAB 2011 Booth SL220--April 11, 2011) Blackmagic Design today announced DaVinci Resolve 8, a major new update to the world's most advanced color correction tool. DaVinci Resolve 8 includes new extremely powerful features and will be available to all DaVinci Resolve users free of charge!

DaVinci Resolve 8 will be demonstrated on the Blackmagic Design NAB 2011 booth at #SL220.

DaVinci Resolve is the world's most advanced color correction tool and is used on more Hollywood feature films, commercials and television shows than any other system. This new update adds multiple features that our customers have requested, combined with innovative new image processing technology developed by Blackmagic Design.

New features in DaVinci Resolve 8 include multi layer timeline support with editing, and XML import and export with Apple Final Cut Pro™. The new DaVinci Resolve 8 now includes OpenCL processing to allow use on Apple iMac and MacBook Pro computers. New advanced processing tools have been added for real time noise reduction, curve grading, advanced multi point stabilization as well as automatic stereoscopic 3D image alignment. DaVinci Resolve 8 also supports the Avid™ Artist Color™ control panel and also offers ALE export to relink graded DNxHD files back into Avid editors. For Epic users DaVinci Resolve also supports HDRx.

Customers will love the new XML import and export combined with the multi layer timeline in DaVinci Resolve 8, because it lets complex sequences from Final Cut Pro to be imported, color graded and then exported directly back into Final Cut Pro, with all the new graded shots, and the layer structure, intact. If the Final Cut Pro edit is changed, DaVinci Resolve 8 will automatically relink all the clips so the grades are preserved. Editing can also be performed inside DaVinci Resolve 8, and clips adjusted and relocated.

Advanced OpenCL image processing has been incorporated into DaVinci Resolve 8, and this allows a broader range of GPUs to be used for real time processing up to 1080 HD resolutions. OpenCL based processing, while not as powerful as CUDA™ processing also used on DaVinci Resolve, does allow a much wider range of computers that can be used for color grading. Now Apple iMac™ and MacBook Pro™ series computers can be used for real time grading, allowing customers to use the computer hardware they already have. DaVinci Resolve 8 running on a MacBook Pro is a perfect on set color grading tool.

Often digital cameras when shooting in low light conditions will suffer from electrical noise in blacks, and film originated shots often include film grain and electronic noise from the film scanner. DaVinci Resolve 8 includes a new high quality CUDA noise reducer which eliminates noise and helps make images perfectly clean. Unlike any other solution, the DaVinci Resolve 8 noise reduction is incorporated into the color correctors, so it can be used in any corrector node and limited to inside or outside windows or by color qualifiers, so noise reduction can be used creatively by the colorist.

For handling shots that suffer from movement of the camera, DaVinci Resolve 8 includes a new multi point advanced stabilizer, which fixes unstable shots. The stabilizer is intelligent, and uses dozens of stabilization points to totally lock every part of the image. This results in incredibly stable images, even from poor quality sources such as unstable hand held cameras.

For colorists who are new to DaVinci Resolve, there is now a new Curve Grading feature that works exactly the same way as low end editing software grading, which greatly helps new users get up and running quickly with an interface they are familiar with. DaVinci Resolve 8 Curve Grading takes this interface much further because colorists can customize the curves and they get greater control with hue vs hue, hue vs sat, hue vs lum and lum vs sat controls. For fastest grading speed, curves can be adjusted from the mouse as well as the control panel.

For colorists working on stereoscopic 3D work, DaVinci Resolve 8 includes a powerful new automatic image alignment tool that automatically aligns images between cameras to produce an a perfect 3D image. 3D materiel is shot using two cameras combined with optics, and this causes problems with alignment because it's impossible to perfectly align down to the pixel level two cameras mechanically. Until now, users had to accept some misalignment, however this is very fatiguing for viewers of 3D materiel, and has led to negative reviews of some 3D feature films. When working in higher resolutions such as 4K the problem is worse, because the mechanical tolerances are even tighter.

With the new DaVinci Resolve 8 automatic stereoscopic 3D image alignment, hundreds of individual image points are analyzed and the image is perfectly aligned between eyes. This produces an incredibly sharp and vibrant 3D image. Alignment is fast, only takes seconds per shot and it's completely automatic so no settings are required by the colorist. This new 3D alignment uses advanced image processing developed by the Blackmagic Design advanced algorithm team, and will revolutionize 3D post production.

"Colorists today face many image enhancement and workflow challenges that are not purely color correction issues. DaVinci Resolve 8 provides the tools colorists need to solve these problems quickly and the advanced grading features to create any visual feeling from the enhanced image", said Grant Petty, CEO, Blackmagic Design, "It's also important for the workflow between DaVinci Resolve and edit system to be as smooth as possible so colorists can focus on the images they are working with and not waste time."

About DaVinci Resolve
Blackmagic Design's DaVinci Resolve is the world's highest performance color correction solution for Mac OS X and Linux computers. DaVinci Resolve supports more real time color correction than any other system because it's not limited by the performance of the computer it's running on. DaVinci Resolve eliminates this performance barrier because its based on a cluster of high performance GPU cards, so all processing is always real time. DaVinci Resolve has the power of a true real time performance solution so handles complex color grades even when using dozens of primaries, secondaries, Power Windows™, multi point tracking, blurs, and more. DaVinci Resolve provides incredible performance in a low cost solution can then easily upgrade by adding extra GPU's for supercomputer power to handle 4K resolutions, stereoscopic 3D and real time grading direct from raw camera files such as ARRI raw and RED raw R3D files including 5K Epic can be handled with ease.

Availability and Price
DaVinci Resolve 8 will be available in June starting at US$995 from Blackmagic Design resellers worldwide. All Blackmagic Design DaVinci Resolve customers will be able to download this update free of charge.

About Blackmagic Design
Blackmagic Design creates the world's highest quality video editing products, color correctors, video converters, video monitoring, routers, live production switchers, disk recorders, waveform monitors and film restoration software for the feature film, post-production and television broadcast industries. Blackmagic Design's DeckLink capture cards launched a revolution in quality and affordability, while the company's DaVinci Emmy™ award winning color correction products have dominated the television and film industry since 1984. Blackmagic Design continues ground breaking innovations including stereoscopic 3D and 4K workflows. Founded by world leading post production editors and engineers, Blackmagic Design has offices in the USA, UK, Japan, Singapore, and Australia. For more information, please check http://www.blackmagic-design.com.


come say hello, SL220, and catch the demos every 15 mins, or on the 15 systems spread across NAB.
Peter

Robert Frank
04-11-2011, 11:01 PM
Hey Peter, thanks for posting here.

When I wanted to learn about Resolve I scoured the net for any real demos or tutorial video and only found news release type clips from NAB 2010 talking about the new price.

For those of us who can't be there at NAB is there a chance you can have someone film one of the demonstrations and upload it to vimeo, or youtube?

Peter Chamberlain
04-11-2011, 11:24 PM
Demo video

http://www.blackmagic-design.com/media/891676/davinciresolvedemo.mov

its a big file.

enjoy,
Peter

shashbugu
04-12-2011, 12:42 AM
Demo video

http://www.blackmagic-design.com/media/891676/davinciresolvedemo.mov

its a big file.

enjoy,
Peter

there we go

Robert Frank
04-12-2011, 12:45 AM
Demo video

http://www.blackmagic-design.com/media/891676/davinciresolvedemo.mov

its a big file.

enjoy,
Peter

Thanks, I should have mentioned that I had viewed this already and was hoping to see a more in depth demo from the NAB floor.

But I have to say, Resolve 8 is looking good in this demo!

shashbugu
04-12-2011, 01:05 AM
That Xml roundtrip just does it for me, very sexy. I do hope it takes Adobe's FCP/XML flavor. A few products don't ingest it directly, you have to go through FCP.

Marc Berger
04-12-2011, 01:47 PM
Hi Peter,
thanks for posting. Great news, and one of the best demo videos I´ve seen so far to get a overview.

Marc

Paul Nordin
04-13-2011, 08:36 AM
That Xml roundtrip just does it for me, very sexy. I do hope it takes Adobe's FCP/XML flavor. A few products don't ingest it directly, you have to go through FCP.

I hope it doesn't get completely broken by the new FCP X. Saw the presentation last night. Very cool but no mention of XML I/O

Chris Kenny
04-13-2011, 03:38 PM
I hope it doesn't get completely broken by the new FCP X. Saw the presentation last night. Very cool but no mention of XML I/O

Wouldn't really have expected one in a presentation about flashy new stuff. I am very curious what implications all the new timeline features have for the structure of FCP XML files, though. Is that all just happening at the view level, or does the "no rigid tracks" thing mean they've radically changed the way FCP represents sequences internally?

shashbugu
04-13-2011, 03:44 PM
I really think this version of Resolve is really what I have been waiting for. It adresses a few concerns I had with the first one. I'm certainly glad the upgrade is free.

Jeff Kilgroe
04-13-2011, 04:03 PM
Saw it briefly as I cruised through the BMD booth. It looks like an awesome upgrade and I can't wait. The new timeline is great. So is having support for OpenCL now as that will help increase our GPU selection and not lock us into only nVidia.

Florian Stadler
04-13-2011, 04:09 PM
Sounds Great. What about the most important feature upgrade I have been waiting for for dailies creation? SOUND passthrough...

Jean Déraps
04-13-2011, 04:41 PM
I'd love to know the hardware requirements for the new Resolve....

Stephen Gentle
04-13-2011, 08:57 PM
I'd love to know the hardware requirements for the new Resolve....

It's shown running on a 15 inch MacBook Pro, so I'd say any recent MacBook Pro, iMac or Mac Pro should be fine. The graphics card will probably be limiting factor for most people, as well as storage for the MacBooks and iMac.

Jeff Kilgroe
04-13-2011, 09:26 PM
Running on a new MBP and using their new Thunderbolt-based I/O system, you could conceivably work that way. It could be handy for doing quick color work on set or at a client location. Realistically, you're still going to want something with a lot more power under the hood and fast storage if you want to grade 1080p and up. With OpenCL support, we can now utilize ATI GPUs as well. With the GTX285 being hard to find and Quadro4000 cards being expensive for approximately the same performance, it really makes the OpenCL support attractive. One could put 2 x ATI 5870 cards in a CUBIX expander instead of two Quaadro4000 cards. That would be like getting the Cubix box for free, compared to what I just paid for my Quadros/Cubix combo. :/

Version 8 is going to rock. I'm still hoping for a Mac Pro later this year that gives us more slots....

Steve Sherrick
04-13-2011, 09:30 PM
Sold!

Stephen Gentle
04-13-2011, 09:40 PM
Running on a new MBP and using their new Thunderbolt-based I/O system, you could conceivably work that way. It could be handy for doing quick color work on set or at a client location.

Definitely. That little port on the side of my laptop is just begging for a Thunderbolt storage solution to actually be released! Even just a little box with an Esata port or two...

Chris Kenny
04-13-2011, 10:10 PM
I wonder how much bandwidth the card Resolve uses for processing really requires. If it's basically just an uncompressed video stream in each direction, Thunderbolt should have more than enough bandwidth for that, opening up the possibility of putting a high-end GPU in an external enclosure and getting some pretty serious performance out of Resolve on a laptop.

jake blackstone
04-14-2011, 01:55 AM
Running on a new MBP and using their new Thunderbolt-based I/O system, you could conceivably work that way. It could be handy for doing quick color work on set or at a client location. Realistically, you're still going to want something with a lot more power under the hood and fast storage if you want to grade 1080p and up. With OpenCL support, we can now utilize ATI GPUs as well. With the GTX285 being hard to find and Quadro4000 cards being expensive for approximately the same performance, it really makes the OpenCL support attractive. One could put 2 x ATI 5870 cards in a CUBIX expander instead of two Quaadro4000 cards. That would be like getting the Cubix box for free, compared to what I just paid for my Quadros/Cubix combo. :/

Version 8 is going to rock. I'm still hoping for a Mac Pro later this year that gives us more slots....

Not if you want to utilize the new noise reducer. It's CUDA only...
Nevertheless, the new update is very compelling. XML, FCP roundtrip, multilayered timeline, noise reduction and new HLS curves are huge. Artist series panel support is finally here too.

Jeff Kilgroe
04-14-2011, 04:43 PM
Definitely. That little port on the side of my laptop is just begging for a Thunderbolt storage solution to actually be released! Even just a little box with an Esata port or two...

Soon. I was hoping to see some more Thunderbolt hardware at the show from various storage companies, but that didn't happen. Someone told me that G-Tech was talking about Thunderbolt, but I forgot to stop by their booth on the show floor and then foolishly skipped them at the SuperMeet, so I don't know. The Promise RAID boxes look good and are probably 6~8 weeks or so away. They were running a demo from them at the show, but the speed meters were phony and the guys admitted they're only now just working and they still have a lot of tweaking and debugging to do. So not quite ready. Bytecc (not at the show) has Thunderbolt HDD enclosures in the works. Intel is releasing developer kits for Thunderbolt within the next 2~3 weeks to help jump-start some more development. Right now there hasn't been a massive rush to embrace TB because the only systems that have it are the new Macbook Pro. As we see the new iMac with TB and as PC's start to release with it, there will be a rush of TB devices to the market.


Not if you want to utilize the new noise reducer. It's CUDA only...
Nevertheless, the new update is very compelling. XML, FCP roundtrip, multilayered timeline, noise reduction and new HLS curves are huge. Artist series panel support is finally here too.

And little things like that will probably be released CUDA-first for a while. CUDA is still a more powerful library and most developers are more comfortable with it. I really didn't expect to see the transition to OpenCL with Resolve at this stage and it's a great surprise. We're finally seeing a shift to OpenCL now with various software vendors as it's finally becoming apparent that nVidia is never going to open up or license CUDA to others. Even in the Windows world -- ATI/AMD GPUs still command a significant portion of the market and software developers are restricting their own market share by not embracing OpenCL. Eventually it will replace CUDA, but it still has a ways to evolve before it's just as capable.

Anyway, can't wait for 8.0! They had me hooked with the timeline alone.

Michael McLaughlin
04-15-2011, 02:38 PM
Word

Arjun Kumar
06-16-2011, 03:16 AM
do anyone know when 8.0 will be released .....? I see it as June in http://www.blackmagic-design.com/ website,But no specific date :)

Alexis Vanier
06-16-2011, 11:52 PM
Come on Resolve 8! Come out already! We all think you'll be awesome!

jake blackstone
06-17-2011, 01:18 AM
Next month.

Tom.Wong
06-17-2011, 09:21 AM
they're laaaaaaaaate. could have used it like... last week. maybe there will be some extra surprises up their sleeves for the extra wait time... like basic compositing options :D

Eric Santiago
06-17-2011, 11:24 AM
Hmmm maybe the delay is that Apple and BMD merged FCPX and Resolve :)

Tom.Wong
06-17-2011, 11:32 AM
FAT
CHANCE

ha :p

Eric Santiago
06-17-2011, 11:34 AM
FAT
CHANCE

ha :phaha it was a joke ;) were all waiting for the shoe to drop for both apps :)

Peter Chamberlain
06-18-2011, 12:39 AM
We did say June.
It's still June.
Prepare to be amazed.

Peter

Daniel Leite
06-18-2011, 12:58 PM
this is torture

Eric Santiago
06-18-2011, 01:05 PM
Just got our Euphonix MC Color. All we need is Resolve 8 :)

Sid Idris
06-18-2011, 02:21 PM
Does the $995 version allow for outputing to greater than HD?

Eric Santiago
06-18-2011, 03:16 PM
Does the $995 version allow for outputing to greater than HD?
I believe it does.

Alexis Vanier
06-19-2011, 10:04 PM
This is indeed torture...

Come out already, ô wonderful piece of software!

Jeetu Chawla
06-20-2011, 12:24 AM
:violin:

waitin............

OlaHaldor
06-21-2011, 03:04 AM
Does the $995 version allow for outputing to greater than HD?

Yes. The paid version will allow you to output any resolution. SD to 4K, and possibly higher if possible/necessary, whatever fits the X and Y.. Haven't really tried exporting more than 4K... Time to go testing I guess. :coolgleamA:


The Lite version will be restricted to HD and two nodes though.

Eric Santiago
06-21-2011, 04:26 AM
Ola such a tease :)

Jay A. Kelley
06-21-2011, 10:00 AM
Just saw the new FCPx... These guys really need to start supporting Premiere

Eric Santiago
06-21-2011, 10:04 AM
Just saw the new FCPx... These guys really need to start supporting PremiereIn what way does Resolve have to support Premiere? Cant you just bring files back and forth like REDCineX? Were picking up Resolve 8 as soon as it drops.

Bruce Allen
06-21-2011, 10:23 AM
Just saw the new FCPx... These guys really need to start supporting Premiere

To clarify - you're talking about import and export of multi-layer timelines natively from Premiere, right?

Because Resolve works well with EDLs from Premiere already. We mostly do Avid <-> Resolve, but Premiere <-> Resolve projects have gone extremely well so far.


We did say June.
It's still June.
Prepare to be amazed.

Peter

Peter - just release it :P

Since we're now allowed to talk about it now... I can disclose that we're using a beta of Resolve 8.

Incredibly stable.

I'd venture to say more stable than the *release version* of any Adobe, Apple, Autodesk, Avid or Foundry product!

Maybe it's just luck but I have to say our experience has been total awesomeness - and the new features are great. Noise reduction in realtime... MC Color working beautifully... major improvements to the whole edit interface... multi-layer timeline just makes sense... more color curves options - in short, just sweet post heaven. Can't believe it's a free upgrade.

Bruce Allen
www.boacinema.com

Eric Santiago
06-21-2011, 10:51 AM
... MC Color working beautifully...
Bruce Allen
www.boacinema.comExactly what I want to hear ;)

Bruce Allen
06-21-2011, 10:55 AM
Exactly what I want to hear ;)

Though the Resolve panel still kicks its ass.

That's the only caveat - this isn't a "mini Resolve panel". Maybe I was getting my hopes up a little too much.

So if you're budgeting for a MC Color vs the full Resolve panel, I say you definitely want to give the full Resolve panel a look because it is more streamlined.

Bruce Allen
www.boacinema.com

Eric Santiago
06-21-2011, 10:57 AM
Though the Resolve panel still kicks its ass.

That's the only caveat - this isn't a "mini Resolve panel". Maybe I was getting my hopes up a little too much.

So if you're budgeting for a MC Color vs the full Resolve panel, I say you definitely want to give the full Resolve panel a look because it is more streamlined.

Bruce Allen
www.boacinema.comFor what we need it for the MC Color is perfect. Im already using it with REDCineX :) Some quirks here and there but it works.

Sam Taylor
06-22-2011, 04:14 PM
Has any one tried using Resolve with FCP X? If so what is your current work around to get around FCP X's lack of XML? Thanks!

Bruce Allen
06-22-2011, 05:37 PM
Has any one tried using Resolve with FCP X? If so what is your current work around to get around FCP X's lack of XML? Thanks!

I am currently trying this out.

AFAIK there is no workaround at the moment - BUT Resolve has excellent edit detection if you just feed it a ProRes file.

If you avoid projects with dissolves on every edit you're OK :P

You can animate your grades in Resolve to match dissolves if you have to.

I'm sure the moment that Apple lets in 3rd parties, folks will figure out something more robust.

Bruce Allen
www.boacinema.com

jake blackstone
06-22-2011, 06:22 PM
AFAIK there is no workaround at the moment - BUT Resolve has excellent edit detection if you just feed it a ProRes file.



Automatic Duck works with FCPX, creating AAF, which Resolve 8 understands. Problem solved... at $495:-)

Bruce Allen
06-22-2011, 06:25 PM
Automatic Duck works with FCPX, creating AAF, which Resolve 8 understands. Problem solved... at $495:-)

I'm a little leery of spending $495 for an add-on to a $299 program I'm thinking of getting a refund on.

They advertise it only for audio...

EDIT: ah - it seems to have an option to "reference video files" ?
http://www.automaticduck.com/user_guides/PEFCP5UserGuide/SettingsX.html

Looking better...

Bruce Allen
www.boacinema.com

Paul Nordin
06-22-2011, 06:50 PM
I'm a little leery of spending $495 for an add-on to a $299 program I'm thinking of getting a refund on.

They advertise it only for audio...

EDIT: ah - it seems to have an option to "reference video files" ?
http://www.automaticduck.com/user_guides/PEFCP5UserGuide/SettingsX.html


Dont get too excited. Its still AAF and/or OMF. Which are audio centric interchange formats. Any associated video is not relevent from anthing other than being used as a visual reference in Protools/etc.

jake blackstone
06-22-2011, 07:28 PM
Dont get too excited. Its still AAF and/or OMF. Which are audio centric interchange formats. Any associated video is not relevent from anthing other than being used as a visual reference in Protools/etc.

Your, shall we say, uninformed statement on AAF would come as a great surprise to all Avid users. Please do your research before posting...

Paul Nordin
06-22-2011, 07:30 PM
Right you are. I stand corrected on AAF. Not on OMF

jake blackstone
06-22-2011, 10:01 PM
Right you are. I stand corrected on AAF. Not on OMF

Actually you're wrong again:-)
From Automatic Duck page:
The OMF (Open Media Framework) file format was once promoted by Avid as a format to replace EDLs as a way to interchange media and edit information between digital video and audio editing systems. OMF gained acceptance amond Digital Audio Workstation (DAW) manufacturers like DigiDesign, Fairlight, MOTU and Steinberg but somehow didn't see the same level of adoption between video editor developers. Probably because of this history many editors equate OMF with audio, but the OMF file format was also capable of transerring picture edit information as well.

Eric Santiago
06-22-2011, 10:16 PM
Actually you're wrong again:-)
Jake Ive been meaning to ask you, have you ever worked with a Flanders? Im sure your used higher end (and cost) ones but I had to ask. Sorry for the off-topic.
To stay on topic, when is version 8 coming out? I have an MC Color feeling lonely here :) Its okay since RCX seems to get some time in ;)

Sam Taylor
06-23-2011, 07:02 AM
Thanks guys! Good to know about Resolve's edit detection. Thanks Bruce!

So there are ways of using FCP X with resolve, even if they are not ideal. Hopefully third party applications will soon be working with apple to develop XML equivalents. If not then I can jump ship to a better editing application.

Paul Nordin
06-23-2011, 09:54 AM
Actually you're wrong again:-)
From Automatic Duck page:
The OMF (Open Media Framework) file format was once promoted by Avid as a format to replace EDLs as a way to interchange media and edit information between digital video and audio editing systems. OMF gained acceptance amond Digital Audio Workstation (DAW) manufacturers like DigiDesign, Fairlight, MOTU and Steinberg but somehow didn't see the same level of adoption between video editor developers. Probably because of this history many editors equate OMF with audio, but the OMF file format was also capable of transerring picture edit information as well.

Having fun Jake? :smile5: That may be so, but in practice, not theory, OMFs are not generally used to move picture edit info between apps (say FCP and DaVinci Resolve for example). There are many reasons for this. And the use of OMFs are almost exclusively used today to move audio from NLEs to ProTools (or other DAWs) in 2gb chunks. This includes Automatic Duck.

jake blackstone
06-23-2011, 10:10 AM
Having fun Jake? :smile5: That may be so, but in practice, not theory, OMFs are not generally used to move picture edit info between apps (say FCP and DaVinci Resolve for example). There are many reasons for this. And the use of OMFs are almost exclusively used today to move audio from NLEs to ProTools (or other DAWs) in 2gb chunks. This includes Automatic Duck.

I am:smile5:

jake blackstone
06-23-2011, 10:11 AM
Jake Ive been meaning to ask you, have you ever worked with a Flanders? Im sure your used higher end (and cost) ones but I had to ask. Sorry for the off-topic.
To stay on topic, when is version 8 coming out? I have an MC Color feeling lonely here :) Its okay since RCX seems to get some time in ;)

No, sorry, I haven't.

Antony
06-23-2011, 12:58 PM
Now! Release it now.

Tom.Wong
06-23-2011, 01:04 PM
maybe they are trying to figure out some new amazing way to dynamically link with your FCP X timeline!


or not... :P

Bruce Allen
06-23-2011, 01:14 PM
Jake Ive been meaning to ask you, have you ever worked with a Flanders? Im sure your used higher end (and cost) ones but I had to ask. Sorry for the off-topic.
To stay on topic, when is version 8 coming out? I have an MC Color feeling lonely here :) Its okay since RCX seems to get some time in ;)

We have a Flanders 2461W at work hooked up to Resolve. I have a Dreamcolor at home (calibrated).

Flanders has some really nice features - for example it shows interlacing properly. Handy that. Also scopes etc.

That said, it's not so mind-numbingly much better than my Dreamcolor + HDLink that I feel the urge to spend the cash upgrade my home system. Black levels are still in the LCD range, for example.

I should probably bring in my Dreamcolor and put it next to the Flanders - but I just hit 239 hours of overtime for the year so am more interested in getting sleep and cleaning my apartment at the moment to be quite honest :)

Apologies for the OT. Anyway, the Flanders monitors plus Resolve 8 makes a lovely combination.

Bruce Allen
www.boacinema.com

Jeff Kilgroe
06-24-2011, 10:02 PM
Should be getting close guys. Us beta testers got the first release candidate today (hope I don't get in trouble for saying that). I plan to push a bunch of EPIC footage I've been shooting through it this weekend! I haven't worked with the betas as much as I would've liked, just bad timing for me. Been doing a lot more shooting and other tasks besides editing and color work. Anyway, 8.0 is looking great.

Uli Plank
06-25-2011, 03:03 AM
Thanks for the info, Jeff.
And if you get into trouble, I'll write a bad review (just kidding). I appreciate the open information policy I see on this forum from Dave (Adobe) and I hope for the same from BM.

Tim Sutherland
06-28-2011, 08:54 PM
We did say June.
It's still June.
Prepare to be amazed.

Peter

Is this still the case? I'm more or less counting the hours at this point. My MC Color and Cubix expander are dying for more attention.

Tim