DaVinci ,RED, & HDRx: Workflow Tutorial

[Patrick O'Sullivan]

Recently got a few messages asking for a clip on handling HDRx footage inside of DaVinci Resolve.

Threw this little clip together. Hope it sets a few people down the right path.




http://vimeo.com/37368357

[Marc Wielage]

Nice job! Well done. http://i207.photobucket.com/albums/bb212/DJoe_01/thumbs-up.gif

[Jaakko Rinne]

A useful tutorial for sure, but wouldn't keying out the over-exposed highlights and replacing them with the HDRx-track be a more practical way to do this?

[Patrick O'Sullivan]

A useful tutorial for sure, but wouldn't keying out the over-exposed highlights and replacing them with the HDRx-track be a more practical way to do this?

Yes Jaako. In the video I mention you can do that or use the window depending on the degree of accuracy you need.

Sometimes with a key inside Resolve it can be tough to nail it quickly. If it is just a dirty grade a window will work all the same if you've got the blending skills.

[Alexey Milokost]

Thanks a lot!

[rod otaviano]

Excellent, thanks !!!

[Ido Karilla]

Take a look here, this is how it is done in Scratch:

http://www2.assimilateinc.com/l/5312/2012-01-05/356PM

[Petri Teittinen]

Thank you very much, Patrick!

[Dave Blackham]

Thanks for this, very useful. So can you show workflow to get a cut sequence in to Resolve with HDR.

[Luca Immesi]

In Resolve you don't need to create the second node. If you create a second source and add the layer node to that, it creates automatically the second node.

[Joe Bruncsak]

Patrick, thanks for your generosity in creating these workflow videos. I'm
finding them very helpful!
Cheers,
--Joe

[Patrick O'Sullivan]

Thanks for this, very useful. So can you show workflow to get a cut sequence in to Resolve with HDR.

Getting a cut sequence into Resolve is the same as getting a non HDR sequence into Resolve.

For our current RED Workflow video check out the video:


http://vimeo.com/36953792

[peter semmi]

Thanxx!!

[Dave Blackham]

Getting a cut sequence into Resolve is the same as getting a non HDR sequence into Resolve.

For our current RED Workflow video check out the video:


http://vimeo.com/36953792

Cool, thanks. So for each shot in the timeline we have to add each second layer manualy. ?

[Patrick O'Sullivan]

Cool, thanks. So for each shot in the timeline we have to add each second layer manualy. ?


Yes. Unless it is the same shot cut twice inside a sequence. Then it should carry over.

[Andy Roberts]

Patrick, others have said it, but I'll say it again... Thanks for your tutorials... your client work looks great... and I'm jealous over the cool jobs you're getting. Keep up the good work.

[Warren Eagles]

Nice Movie Patrick, if you need any Resolve help give me a shout, not in the same timezone, but at least we are in the same country.

Warren

[Ivan G]

Thanks Patrick this was very helpful.

[Bernhard Krapp]

Thanks for the interesting & helpful online tutorial films

[Patrick O'Sullivan]

Thanks for all the feedback guys. If you have any other tutorials you want to see just let me know and I will throw them up if I get a second.

Im uploading a tracker tutorial at the moment.

Should be up shortly.

[brandon thomas]

Yes. Unless it is the same shot cut twice inside a sequence. Then it should carry over.


I believe you can save a grade or a memory with the second source and layer mixer set up, and then just have a one click set up.

[Stefan Scherperel]

Hi Patrick, I've been enjoying your tutorials, nice work. I have a similar workflow that you are using, and am trying to work resolve into the mix, coming from premiere cs5.5. Have you found a way to incorporate time remaping from premiere into resolve. On the white sheet of resolve it says that it supports speed changes from FCP, but I don't know that that transfers over to resolve from Premiere. Anyone had any luck with this?

[Erzen Pashaj]

Thank you very much. Nice tutorial.