Originally Posted by
Evolve
Jay, from your own posts, where you were debating which ENG camera to get while waiting for the red, you were mentioning price as a main factor. You're telling me that if Red was double the price you'd buy it? If that's the case, you should buy #126 and get shooting.
And "I don't know how many times we have to go through this"? What is this, Jay A. Kelley School for the Informed? It's not kind to be snide dude.
The camera is a revolution MAINLY because of it's price point. It's not the first 4K camera. What makes it so great compared to Dalsa, Genesis, D20, and F23, other than compact size and weight, and compression rates for data? What's the first thing that people say. Is it, "wow incredible images from the Red Camera", or do they say, "wow incredible images from this camera for less than 30K!" That's what pulled you in the door isn't it? Or do you spend as much time online discussing Dalsa, Genesis, D20 and the F23 on their respective forums?
And frankly, if you think the machining of those arri parts for your new MB costs thousands of dollars, and the markup that Arri and Chrosziel apply are reasonable, I can tell you as the son of a master machinist and mechanical engineer who learned his craft in Germany, your dreaming, and it ain't in red 4k. Those prices are totally through the roof.
So those comments are right on the money. And yours aren't.
EDIT: and as far as the $1500 mattebox goes, design flaws are a totally different kettle of fish. Noone buys stuff that doesn't fit, regardless of the price.