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AKA "Hollywood"-ing a flag.
but yeah, having a grip dept with large tools is at least a quarter of what you do on an actual project with an actual budget. Art dept is another quarter. That Cabin...

just visit a camera store with your lens, ask if you can test one of their cameras with your lens.. take some shots with it in full auto..
bright and dark..... even better, visit a camera store with...

did you test the lens on a still camera yet?

Sammy's is a little like B&H..

I own the Tascam products, but have used the Zoom H4 and H4N..
I use the Tascam dr-05 in a bag as a transcription recorder, and it is smaller and lighter than the Zoom, and will do the .bwf files...

Right. Or, in some cases, feeding the dr40 and the camera in parallel from a mixer.

Very sharp "contemporary realistic look" I like them for some projects, not for others.
I find that the control rings get loose on them pretty easily...
And the focus markings are not really what...

DR40 is your primary recorder. Red cameras are less capable audio recorders than every offboard option, including sub $100 2 track .wav recorders
the A-box lets you simply match pro audio cables to...

Bluntly, I can't watch 3D films without developing a major migraine. Literally, not figuratively. I wear corrective lenses due to having radically different vision acuity in each eye. ...

I stand corrected

like these
http://www.ebay.com/itm/Lowel-K5BR-5-Light-Sockets-5-Barn-Doors-NEW-/200889578644?pt=LH_DefaultDomain_0&hash=item2ec5f3b494
they are basically ceramic sockets, to use "mushroom" shaped...

Hollywood is not using cameras to make movies, they are using money! (kidding, sort of)

point one: Agree that a team is a sound dept and a camera dept, at its core..
that can be two people.. but you physically can not do a good job of both by yourself.

Point 2.. a 664 is far above...

Correct me if i am wrong, but are not the core components for most electronics built where they are because the manufacturing processes for ASICs, circuit boards, etc considered too toxic to the...

yes, you're doing it wrong.
Record to the sound recorder, then use the recorder outputs to put a scratch track or 2 on the camera.
the cameras have less good preamps than the recorders, and even...

Humberto, (and everyone else).
All of the projects I have personally seen get financing fall into four categories:
A) A brave or crazy entity had the money on hand, and had already decided to make...

Oh.. I agree with Ryan that it is a risk that the DoP on many 'real' projects will be pushed out of the coloring workflow. and the non raw cameras enable you to combat that.

Ryan chose to own what gives him ROI. If that's a C100, then so be it. I have used one and a C300 in the last month. I have also used my F3, my R1, and on bigger projects Epic and Alexas.
The R1,...

So.. I also would like to know if I should sync my non timecode audio to my clips in RedCine, and then open the clips in PP, or what?

Humberto,
If you are worried about being wrong on your budget, you have skipped something very important, which is something I sell as a service: Planning and Budgeting.
You just can't afford to...

Used them both.. they do different things
But, for my needs, I purchased the Red.
Why? I don't need the ultra high speed very often in my work.
I also did not want to use an external 4K...

you could work with one box and a 702t

Actually, it would cover even 6k..
it was used with 120 roll film.
now the bad news..
You need serious engineering work to take a multi cell shutter mounted lens and make a plate for an...

Well said Humberto!
BTW.. if the film maker does sign their project with the unions in the USA, and makes sure that their own tasks as writer and director are covered by the agreement, it will make...

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