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In order of importance

A good set of ears which can't be bought - it takes many hours of working with audio however anybody can attain these with effort
A room treated to give as close to flat...

Not true Jack
You can do a 5.1 cinema surround mix in the most basic of protools systems as long as you have an interface with 6 simultaneous outputs. Any version from 7 will work.
From 9 on there...

Standard Protools is fine for any surround cinema mix
Everything you need is there. Dont worry about HD.
Make sure you have the best audio monitors you can afford and reasonably "dead" mixing...

All depends on condition. How many miles has your card done?

Rick

Anyone have a 64GIG Redmag for sale in Melbourne?

Thanks
Rick

G'day Ric
Would you consider selling a 64G Redmag separately? I'm in Melbourne

The way I'm working at the moment is
Set look in RCX
Save RMD Files
Import into FCPX with all audio tracks
Name each video and audio file depending on camera, angle, recorder etc using as much...

Did the project originally have proxy files rendered? This would explain the upscale. If it is proxy files you can delete them from the project folder in users and re render in the 4k timeline.

Hello Derek
Can you duplicate the project and change it to 4k using the wrench icon in the info window?

G'day Ben
I think Sam has one of the best sets of tutorials out there

http://themovieswemake.com/?s=red+workflow

Rick

Hey Terry you might be interested in this too
http://www.oscars.org/science-technology/council/projects/ssl/

I have used Mac since the 80's for the same reason i shoot on RED.

Technology changes but both companies have a can do attitude and continue to push new ideas even if these ideas may be...

As far as I understand the FCPX Optical flow tool is the best option. The projects I worked on used old stock footage of various frame rates and sizes and seemed to worked best staying in FCPX. ...

Hello Sergio
I've worked with a bit of SD PAL footage in FCPX

To De-Interlace
select the file in the timeline
click the info tab
select "extended view" from the pull down in the bottom left...

Hello Dominik
Do you have any title generators? Theres a known issue with a couple of complex title generators in 10.0.6/10.0.7 that freezes renders at the same spot all the time and eventually...

Love your work Sam


Rick

G'day Guys
Make sure both your Events and Projects are saved on your external storage or working drives otherwise FCPX will save all renders to your startup disk and fill it.
Rick

G'day Josh
these might be an option within your budget

http://www.tripodmarket.com/camera-support/tripod-systems/secced.html


Rick

Love that Melbourne morning light.
Close up flame shot is my favourite

Thanks

http://www.moviemaker.com/diy/movies-better-fcp-x-red-feature-film-workflow-part-1/

This one has some powerful design information re materials and construction techniques.

http://www.acoustics101.com/

Heres a couple of links:

http://www.dolby.com/DocLibTechLanding.aspx?taxid=584

http://pacificav.com/library/Dolby%2051%20productions%20guidelines.pdf


I've got more archived as well.

G'day brad
The Dolby site has some excellent white papers on room design, construction and calibration. I used these and made contact with the Australian Dolby rep before setting up my sound mixing...

Thats the one. Awesome place.

Looks like Shallow Inlet