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Try calibrating the camera to 1/100 or 1/150 instead of 1/48 (or 1/50, or 1/60), it'll give you more even space among the cal to change between slow-mo and real-time.

For an owner-op I'd rather look into DSMC2 Gemini. It has a smaller footprint, and literally - you can put it in a photo bag, or something like Sachtler Dr.Bag. It's lighter also, while you're...

Just run it prior the shoot. I don't know about DSMC2, but on DSMC1 you can't set the target temperature lower than 45C. So basically I just run it in the same conditions (say outside temp is -20C,...

Nope, don't expect it to run at decent speed you're used to on a PC. 13" M1 = MacBook 15 2019 in optimized Apps. Also, you can run into support issues with various plug-ins.

I'm not trying to say...

They last long, like 10000 hours long. Likely, you can kill your camera by switching on and off all the time, but not with running it to infinity. Also you'll probably mess up your black shading by...

You can cure most of them if you apply "flashing pixel adjust" setting in high mode in your raw settings. Available in Resolve and RCP, dunno about Premiere and FCPX.

What was the color or the T/E letters on the monitor? Usually you can find some hot pixels due to the E indicator going from yellow to orange. If the E indicator is red - you'll find a plenty of dots...

Sorry, if you find my reply arrogant, I didn't mean that. The problem of the web is you can't transfer the intonation that was meant. Cheers

I suppose rating a camera to a 60% in LOG is wrong as a starting point. It’s 60% in REC 709 profiles, be it RG RC4, IPP2 BT1886 etc.

For the vertical orientation you can simply mount the camera on it's ribs, if you have ones in your cage. If you want a rotating shot with centered optical axis, the proper way to do it is to use the...

When I've messed up a little bit with RS2 and Sony A7R III - the Raven Eye was very sensitive to the cable. You have to use the exact cable for the connection, otherwise it's not going to work at...

You can use counterweights also, this can shift the balance and the camera might not need to be this far back to center the weight distribution.

Example

literally, you can use any device, that converts SDI to HDMI. Then, it's much cheaper to feed into the computer.

If you're into snowboarding - I bet you've seen/heard of Korua Shapes. Keep up with awesome! The videos are top-notch!

You can stream out of Hollyland Mars series of recievers. Look for it on youtube, it's the easiest/cheapest way that I've found for my Scarlet MX, and they have an SDI solution (mars 400s). The...

Actually there's a problem with Zeiss lenses for Canon when used with adapters. It's known that you can't use Zeiss lenses through e>ef smart (i.e. with pins) adapter on Sony mirrorless (a7sII,...

But how are you going to make it work just with a 45deg mirror? Does the Komodo have a built-in LCD flip function? Because, otherwise, it's going to have a flipped image in the result (you can...

I bet it's going to come up some time in the FW upgrade. The time-lapse features on any RED, except for Komodo (for now), are one of the best ones I've met. Frame averaging, frame summing, taking...

I’ve put a RED Scarlet MX with 16-35 and a 145wH v-mount on rs2 yesterday, works like a breeze. Had to strip the camera down, but a 4500g setup is a breeze for rs2. Thus, see no problem to put a...

awesome!

Install previous version of the driver.

Are you sure it's fried? Actually, it's a common problem - when on startup the screen is black. You can try re-plug a monitor cable, or restart the camera. Usually second start-up is ok.

The same...

Have to say though, it’s pretty much the same on BM Ursa Mini pro G2. When set to highest FPS in 2k it has similar response in quality of the image.

You can think of it this way - it’s the same...

Yes, it’s normal. First of, you’re magnifying the lens rather heavily, thus you see how your lens resolve in a 200% magnified way. Also, it’s a bayer pattern sensor, which means you loose about 30%...

Ohhh-kay, how about speeding up car chases - some are shot using 20-22 fps timebase. Or stop-motion effect, usually shot at 3-5 fps. Or falling in a dream/coma shot at 15-18fps with wide-open...