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Type: Posts; User: Hrvoje Simic

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    We have the exact assessment. :) I'll put it...

    We have the exact assessment. :)

    I'll put it like this...

    If we take Arri's approach to quantifying DR out of a cinema camera, which is more in the context of cinematographic usability, rather...
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    This is a common notion. Pushed into community's...

    This is a common notion. Pushed into community's mind through many misconceptions.

    Few things, some of which I've been stressing before:


    - When you push the image (pull the shadows up) and...
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    No, it evolved exactly based on Sun light...

    No, it evolved exactly based on Sun light reflected off the surroundings. In space.

    So naturally you focus on one spot on one distance while other, much more luminous one is on a different...
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    Evolved within millions of yeras based on...

    Evolved within millions of yeras based on reflected, diffused and dispersed light.
    Seen within the matching environment and variable distances, knowingly, gradually.


    NOT EMITTED light, coming...
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    1) What motivates this desire ? 2) Which...

    1) What motivates this desire ?


    2) Which possibilities in post are you missing today which prevent you from expressing yourself and making a work of value which will move and inspire others for...
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    With a ~2 stop light loss and no motion blur for...

    With a ~2 stop light loss and no motion blur for 24p. :)
  7. Sampling typically refers to bit depth (or...

    Sampling typically refers to bit depth (or frequency), scaling to pixel count.

    Overscaling - recording a larger frame than you will be using
    Oversampling - signal quantization at higher bit...
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    If we had 100Mp 25 stop 18 bit imagery some folks...

    If we had 100Mp 25 stop 18 bit imagery some folks would fantasize about 200Mp 30 stop 20 bit imagery just because.

    Unsatisfied with 100MP 25 stop 18 bit imagery.
    While cinema dominates with 6MP...
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    2 stops more into the shadows does nothing to...

    2 stops more into the shadows does nothing to real world scenario unless you shoot in the dark with no lights or intend to push the shadows up, in which case bye bye shadow richness and 16 bit...
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    Your impression is related to standard...

    Your impression is related to standard transformation colour science.

    FS7 has an excellent sensor.
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    With Primers, colour wise they should be...

    With Primers, colour wise they should be indistinguishable.
    Properly exposed.

    DR, signal extreme handling, texture and accuity differ.
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    Nowhere did I suggest otherwise (bolded part) nor...

    Nowhere did I suggest otherwise (bolded part) nor undervalue the potential or usefuless of it.

    That being (unnecessarily) stressed...having shot, tested, throughly analysed multiple aspects of...
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    No it doesn't work that way. If you reduce...

    No it doesn't work that way.

    If you reduce signal noise in shadow extremes with any of the techniques you don't gain any DR. What. So. Ever.
    Poing of clipping and sensitivity stay the same....
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    No, that's not dynamic range, no it doesn't get...

    No, that's not dynamic range, no it doesn't get increased whatsoever by scaling down and it is still nonsense.
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    Complete nonsense. Resolution factor on Alexa...

    Complete nonsense.

    Resolution factor on Alexa doesn't change anything in that context.




    It matters the next day.
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    Venice is larger and has room for a different ND...

    Venice is larger and has room for a different ND implemenation.
    FS7 and F series have S35 sensors. And a different camera body design compared to C100/200/300/500 which get more narrow on the front....
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    The comment was related to built in NDs for RF...

    The comment was related to built in NDs for RF mount. For full frame sensor.
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    Internal NDs ?

    Internal NDs ?
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    Well...they make OLED ones now. And still know...

    Well...they make OLED ones now.
    And still know their stuff.
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    Priceless.

    Priceless.
  21. Depends on the content type. Fiction yes,...

    Depends on the content type.
    Fiction yes, nature no.



    Because the framerate is insufficient.
    And depends on FOV and display media.
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    And if they don't then nothing. :) WHY in...

    And if they don't then nothing. :)



    WHY in the world would any camera maker want to a) replace/hand over their existing RAW pipeline to someone else and bury themselves in this kind of...
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    None of which take into account image properties...

    None of which take into account image properties of an input material originating from a digital camera.



    No, it doesn't work that way.
    That's only a part and if taken as all-encompassing...
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    Going from what log from which camera to which...

    Going from what log from which camera to which output, mimicing to what exent, which parameters and at what cost ?

    :)
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    And counterproductive to propagate the illusion...

    And counterproductive to propagate the illusion of accomplishment to the inexperienced, devalue a creative domain through oversimplification and motivate misconceptions, growing through wishful...
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