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Not sure I understand, Peter. The filenames are the same, except for the "_p" or "_M" appended on the end for the proxies, and they're in the same folder as the R3D file, as per RED's file...

Folks,

We've had to go back and make some changes to some older projects that used RED footage. The original projects were cut in FCP and used the proxies. We've now imported an xml from that...

We're regularly asked to produce spec ads by agencies using licensed music - from full live action to simple animated pre-viz. They do this to convey a "feeling" to the end client and help sell the...

We ordered an Atomos Samurai for our Scarlet, and the performance was great for the first six hours on set. Footage played back flawlessly. We were on setup #9, our AC was setting up the rig, and...

Granted, they're lossless, but arent they huge files per frame? Seem to remember them being massive back in my Sculpt 3D days. I shudder at the thought of archiving then sending over the internet...

Folks,

We have a TV spot we shot with our new Scarlet. The 60 sec. spot is finished in Premiere, with a little polishing in Davinci. The client has asked for the spot to be delivered as a Targa...

+1 here.. two bags for us, so 4 reflectors

vfxwolf@gmail.com

Brilliant explanation, Alexander... explains alot of what I've been experiencing in our tests with our new Canon Mount.

Jarred,

Would love some info on when the new RED ROCKET card, if any, will be coming out. I've been holding on purchasing just in case you guys were going to announce a refresh at NAB.. so far,...

Wow.. really??!! Afro-Americans, Mexicans who cant afford the gear? I had to re-read that post a few times....

Dana, this is absolutely gorgeous work! I'll have to experiment with ISO 800. One question though, in the Southland footage, at 1:26, am I seeing some blackpoint clipping in the flare? I didnt...

Newest update adds Epic-X and Scarlet-X support!

I suspect the black bars are due to the fact you didnt shoot 4KHD, but 4k, which is slightly different rez.. just guessing. Looks good though...

Absolutely PRIME!! Love the grading too ;) Very nice, Chad! So you didnt go into RCX at all? When you say you were working with 2 exposures.. you talking HDRx?

Where do all those LUTs come from? My Davinci Lite only has one ARRI LUT.

Bjorn,

I'm assuming this would also work for Davinci?

Adrian

What about clip replacment? Right now, the Samurai doesnt record the same clipnames from the Scarlet, but someone had posted a workflow with the Samurai, allowing for easy clip replacment with the...

Certainly starting to feel like it. I'd love to see how a redlogfilm prores clip grades compared to the r3D original. Did you ever post those images, Matthew?

I've been reading about the Sony F3 and the their slog upgrade that outputs to ProRes. I'm also hearing about Alexa users outputting to Prores and never using RAW. My question is, does the Samurai...

Thought I'd share this.. not sure if its been posted before...

https://vimeo.com/24345144

Alonzo,

It seems we come from very similar backgrounds, illustrating your point perfectly. We're primarily a VFX house, and we got the Scarlet so we can shoot cleaner plates for greenscreen and...

Folks,

We're seriously considering purchasing a RED ROCKET card now that we have our own Scarlet. How does the card coexist with other monitoring solutions? We currently have an AJA solution in...

Many thanks for this, Nick. Got me started in the right direction. Be nice if RED just posted this stuff for reference though.

Adrian

Folks,

We do quite a bit of VFX work working with live plates. Various software packages will need to know specifics about the camera to properly match the footage - whether it be for matchmoving...

Thanks for that, Sam.. Certainly outlined the issue. I'll have to run some bokeh tests on our canon lenses as soon as our mount gets here. Dont seem to recall it happening with those lenses on...