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I think Scratch Lab would be a good way of doing this. You output the R3Ds in realtime to tape and then you export an ALE that reference both the tape and the original R3Ds.

You record the LTC as audio on the Epic. Then you use a software in post to convert it to TC for your clips.

On Avid Media Composer it's built in and it's called Read Audio Timecode....

I think you're making it more complicated than it is.
Both the record flag and the r3d filename are embedded as SDI metadata so you could extract the information directly from the feed.

@Paul:
I get realtime playback with my 8 core in v6 if I set the Playback Quality to Draft (Yellow/Green)
Put the transcoded MXFs in a new numbered folder inside Avid MediaFiles/MXF. Let MC index...

So, who will post the A011_C011_111111_011.R3D? With TC 11:11:11:11 of course...

It's a silly comparison. But even more so when it's wrong:

Alexa is 1920 pixels wide via SxS or SDI. 1920 pixels on a 4096 pixel wide canvas is 46.875% of the 4K width.
Your canvas is 1920x810...

I answered your question that was posted on another forum:

http://www.coloruser.net/forums/3/topics/514

Here's a quick grade of the jpeg:
...

Take the XML and use Run Conform on FCP XML File... in Clipfinder. Then load the resulting XML in DaVinci Resolve.

As soon as the image ends up on the HDCAM tape it will be compressed and in 8 bit 3:1:1 colorspace.
Using uncompressed 4:2:2 instead of ProRes444 makes no sense.

ProRes is smaller, has better...

But isn't this a contradiction?
270 degrees on 48 fps would give the converted 24 fps a 135 degree shutter "look" - which is more stroby than regular 24 fps/180 degree shutter.

For example: If...

http://cdn.pinnaclesys.com/SupportFiles/attach/Symphony_Editing_Guide_v5.5.pdf

Pages 1446-1452

You write "Avid Nitris".
Since the Avid Marketing Dept. is nuts, could you please clarify if it's an Avid DS Nitris, Avid Symphony Nitris DX or an Avid Media Composer Nitris DX.
Because if it's an...

Well - that's the bug that they fixed with the update. So I think you'll be fine.

This is a case where you need 10 bit Quicktime support inside the apps. There's an update for Shake that will address this particular problem.
You can find a solution for Shake here:...

Try downgrading to Redcine 3.1.5. The main differences between 3.1.5 and 3.1.8 is audio support and the new xml structure...

In the Output tab - Click the filename box and select Input File Number

Please do.

And feel free to contact me if you run into any problems.
Remember that the new trial version of cineXML needs the latest Redcine (v3.1.8) for the XML to work.

How did you create the dailies for the offline?
cineXML doesn't support the MetaFuze workflow for the moment because of difference in the tracking of r3d filenames.
REDrushes ALE, Metacheater ALE...

Mac v1.0.1 and Vista v1.0.2


Added support for the latest version of Redcine (v3.1.8)
Added support for REDrushes CamRoll column


This is a free update for anyone who purchased cineXML....

Racketeer

Try the freeware NameChanger.

There's another app called A Better Finder Renamer which is a more versatile tool.
But for this particular action the freeware should be enough for you needs.
...

I guess you're using cineXML between Avid and Redcine.
cineXML creates symlinks with the extra E001, E002 etc. to be able to generate multiple instances of the same clip in Redcine. Otherwise the...

Scale to 1152x576 as Sandeep suggests. But the cropping is incorrect.

For 4:3 PAL you crop to 768 px and scale to 720 px horizontally
For 16:9 PAL you crop to 1024 px and scale to 720 px...

Increase the number for Depth to 10 in Library

Redcine v3.12 is required for the cineXML workflow because of an new XML structure in Redcine v3.18.