Search:

Thanks Pawel for a couple of fun days in Tasmania! Really happy to see the rig finally coming together and it performed so well on the first dive!

Would putting a lens array in front of the sensor work?

Really looking forward to your test results, Mark! I'm sure they'll be great!

What about Red Ray? How does Red Rocket compare to Red Ray?

http://www.fxguide.com/article520.html

Things to be aware of: right turning cars! The traffic rule is that cars can always turn right, even if the light is red (unless it's a red right arrow). :)

Get in touch with Noah at Sim Video in Beijing. he speaks perfect mandarin.

SSD makes sense. It's fast, it's small and the capacity is getting bigger and bigger. Toshiba just announced a 512Gb SSD. http://tinyurl.com/4goft7

Contratulations Red!
Here's a look back in time: :w00t:
http://web.archive.org/web/20060126230517/http://www.red.com/
http://web.archive.org/web/*/http://www.red.com

It should be like this. :tongue:

Anyone tried playing out from the camera into an AJA ioHD box and capturing ProRes in realtime?

180-degree shutter angle, in shutter speed terms:
25fps: 1/50sec
50fps: 1/100sec
75fps: 1/150sec
100fps: 1/200sec
120fps: 1/240sec

Looks like it's stereoscopic capable too :-)

Do a normal speed pass for the main actor, the other passes at a slower speed but on the same path.

Probably because there are no multipass for the same element in the shot, syncing issues won't...

So to get 1000fps at 2K on the Red, we need a faster scanning (and more light sensitive) CMOS + a built-in buffer then post transfering data to current recording media, id CF card & Red Raid?

An interesting round table discussion RE Rian Johnson's article.
http://www.fxguide.com/qt/469/red-hype-red-bull-round-table

Try Andrew Cheng in Hangzhou, SIMVIDEO in Beijing (maybe) and Digitaltiger in Shenzhen/Beijing...

We brought one into Beijing just before the Olympics with no problem. It was checked in as fragile/over-weight luggage in the Red pelican case. No one asked any questions.

In the PAL world, 16:9 SD square-pixel is 1024 wide. 2:1, vertical is 512 pixels. So (576-512)/2=32 pixels, that's the padding to be added top and bottom.

Yes, 4:4:4 dual link is enabled.

I experienced it a few times on Build 15. I find holding the power button for half a second when turning on the camera seemed to get rid of the problem.

Apart from the Sony mentioned above, another one would be the Cine-tal Cinemage, full HD, has built-in waveform monitor and vector scope, LUTs and can do 4:2:2 and 4:4:4, and it takes 24V DC. It was...

There is no logic to have a 4:4:4 output that's not clean.

Which build?

From what I can understand, if you over-rate the sensor, ie to say 1000 iso, you're using the lower end of the whole dynamic range, you'll get a lower signal-to-noise ratio, thus more noise, but less...