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I've been told today that we aren't doing a filmout now, but rather just 1080 SR tape, oh well, anyway, am i missing something that when i select dpx output i don't get any options for lin or log, it...

Hey guys, we're having an issue with final effects and grading.
We are grading native R3d's in Color, some shots are going to combustion for vfx, the rest just straight back into fcp for hd & film...

We had 3 cameras per show but there were 4 or 5 shows that were then included in the multiclips. Yeah rendering multiclips from Color is terrible, which is why we:
1. did all of our editing with...

Hey Jim,
We're just wrapping color on a musical feature that was shot multicam with long takes (20-40 min). Our approach was to redrush quicktimes with camera grading applied, edit with multiclip;...

I didn't shoot it, i'm just trying to color it lol!

Luca, am i missing something that my clipfinder doesn't have a tools menu?

***UPDATE***
So it looks like the quickest way around this is to...

So here's a head scratcher for you:

when using clipfinder to roundtrip an fcp xml everything works fine,
we're replacing the offline qt's with r3d's, coloring and rendering nicely, everything...

um, also, color supports LUTs

If anyone has any ties to apple could you maybe send this request along, or maybe could answer if there's any plans for this functionality in the near future:

One of my favorite features of the...

the ramp feature under the motion tab? that has the same limitations as speed changes within the timeline, the only difference is that you can keyframe time, in effect building your own motion curve...

...as does after effects, frame interpolation thru weighted blending that has almost always yielded a satisfactory result

We're doing the same thing right now. Our workflow is as follows:

1. Conform with Clipfinder to 2k using whatever aspect ratio you want (16x9, 2:1, etc)
2. Color off of the proxies and output to...

http://www.red.com/support

white paper= 4th row, 2nd column

Click Here

happy reading!
~T

thanks,

i know they don't carry over to color, just wanted to know if anything has problems thru clipfinder, any known issues etc that i might run into just in generating the xml back to final...

Hans,

Thanks for a great product, my small scale tests seemed to work fine, my only other question is: is there any need to media manage the project before going thru Clipfinder?
Any problems...

UPDATE
Scratch that, no pun intended, RA regenerates proxies, I knew there was still a reason to have that program installed!


I think i've got it workingm just bring in the xml and reconform...

Thanks Hans,

I just gave the help section a quick once over and just wanted some verification on how to accomplish what i described above, replacing quicktimes with R3d for color. Should i follow...

The advantage we're looking for is that we quick digitized our dailies thru RR so that we had the stability in editing of quicktime files in prores (rather than proxies) as we needed to do feature...

Also you previously mentioned full res to you =1080 and any deck that you are going to output to for pro deliverables is going to either be an HDCam deck (starting at $20k used) or more realistically...

Clipfinder, taht was it, thanks a mil!
~T

It's been awhile since doing a red shoot; probably since the L&T plug-in came out!

Anyway i remember reading about a workflow that you could edit with your generated QT's from...

there's a couple plugins floating around out there that do the same as the AE denoise, try searching for 'smart denoise' filter, that's one we have on our systems can't remember who makes it...

the clipfinder workflow looks awesome i can't wait for my next project to try it out, not only can you work natively in color off of proxies, but what i'm excited about is having full editing...

I've never had to wait for tech support whenever i've called their direct number. It's always the same guy, so i don't know if it's just one dude in his basement tackling tech support; but they've...

We have both That card as well as a Kona3, some clients prefer one, some the other, we can get identical results (as far as monitoring goes) from both, for layoff and capture the kona seems more...