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Type: Posts; User: Julius Jockusch

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  1. So a DPX sequence works better then a tiff...

    So a DPX sequence works better then a tiff sequence for visual quality. The playback still needs to be 23.976 to work which can look a little jittery when coming form a 29.97 sequence, but it does...
  2. So after some reading I found that you can do a...

    So after some reading I found that you can do a tiff seq, but when I've tried to do it weird things happen. In redcine-x the timeline frame rate flips out if I add a tiff seq to it, it seems to...
  3. Adding effects shots into the redcinex timeline to encode to .red

    Hey Everyone,

    I'm working on a 4k project for playback on the redray. My client sent me a redray but conveniently forgot the manual that accompanies it. I've got the RRencoder plugin in redcine-x...
  4. Hey Phil! Tank you very much, It there a...

    Hey Phil!

    Tank you very much, It there a digital manual somewhere that I missed on the site? The actual redray player I have is on lone so we can produce some content for it and they didn't send...
  5. How do you get content onto the redray?

    I have tried every way I can think of. I've made a .RED file and put it onto a fat32 sd card as well as flash drive and powered usb drive, but none of them show up in the redray menus.
  6. Would you be willing to sell in parts? There are...

    Would you be willing to sell in parts? There are a few things on the list I would love to have!
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    I'll take the quadro 4000. Need it for a davinci...

    I'll take the quadro 4000. Need it for a davinci lite suite. PM me details.
  8. This is a little hard to understand. So are you...

    This is a little hard to understand. So are you trying to playback 4k full proxies? or just 4k proxies in general? From our tests 4k proxies are less reliable then 2k proxies, and generally even on a...
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    If all your footage is proress 422 now you...

    If all your footage is proress 422 now you shouldn't be having the problem at all. Generally this issue is in regard to using proxies / r3d files. Though at our shop we fixed the problem by adding a...
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    There are many ways you can handle this! The way...

    There are many ways you can handle this! The way I would go about it is setting the output in color to 1920x1080 and adjusting the shots to look good in color, then exporting to proress hq again....
  11. Interesting problem with Redcode installers

    Hey all,

    So I recently upgraded a g5 power PC to an Intel mac for red use, and to save some trouble I just pulled the hard drive form my g5 and put it into the Intel. Well that all seems to work...
  12. After Effects and XML importing

    Woot! After some tests it looks like if I export an XML of the sequence I want out of FCP, put it through clip finder to change the .mov proxies into .R3D, I can import it into After Effects using...
  13. Thank you very much! ~Julius

    Thank you very much!

    ~Julius
  14. Back to the .mov Proxies, Q's about 4k/AfterEffects workflow.

    Hello all!

    Specs:

    8 core - 8gig's+ - mac pros
    Newest version of pro apps
    Newest version of the red codex for quicktime / final cut / After Effects
    Quicktime 7.5.5

    So after a little...
  15. Thanks Tim, Well that helped a little, but not...

    Thanks Tim,

    Well that helped a little, but not quite a solve. With the red folder structure intact FCP can Log and Transpher the 4k footage with ease in redcode (native). But Color still gives...
  16. Failing at Apple workflow...Help please

    Help,

    So Iíve been reading through the forums for the last few weeks and as of yet I havenít had one successful attempt at editing or grading the footage that I have without converting &...
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