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On Red One MX, you should be able to record all supported resolutions / compression on a 64GB SSD. The limitations are only on the Epic, I believe. REDCODE 42 is roughly RC 7:1, which records fine on...

My understanding is that the Epic was used only for cloud plates, which were used in the projected images he's talking about.

The non-studio film reel was all 4K footage, I believe. It was by far the best looking thing I saw at NAB.

I will say that I've seen upscaled 1080 material, as well as 4K material, screened on...

Haha, not mad, just trying to help him get the type of responses he's looking for.

This should really be in the "RED Stuff for Sale" sub forum.

I'll be there, tweeting away about random bits I find on the floor: https://twitter.com/robbinsej

Hey John,

I was a graduate student at USC's film school, and we recently worked Resolve into one of our classes. If you're interested, the syllabus for the class this semester is here.

Hope...

Another minor issue I've discovered is if you have the status tab open when errors start, you cannot get back to the export tab to cancel the job. You'll see the other tab for a quick flash and then...

What version of OS X are you on? I was running a similar setup on Snow Leopard, and I found that drives connected through an expresscard eSATA were performing worse than my expresscard Firewire 800...

I've been experiencing a strange error today when transcoding Red One MX footage to 2K ProRes QT files. Eventually the transcodes slow to a crawl and start throwing errors claiming the system is "Out...

I've had a few weird bugs here and there when working with the Epic, but nothing that prevented shooting.

I suspect the times will all be comparable, especially since the Thunderbolt spec limits us to x4 lanes anyway. It would be a fun test though, and I don't mind posting my times for an uploaded R3D on...

You're definitely going to want additional equipment. For one, the Redvolts just don't cut it on set; I would recommend alternate power methods, such as a V-Mount or AB setup at the very least....

As much as I love my Scarlet, I would recommend you do extensive research before buying one. Be honest about the equipment you'll need to do the work you want to do. Make a detailed list with the...

This process works nicely, because you don't have to move the MXF files yourself. I work a lot with students, so sometimes this is much easier for them to understand if they're unfamiliar with Avid....

I would recommend a transcode based workflow when working with Red and Avid. AMA support is very cool, but it does have limitations. Depending on your system, the media drives, the amount of footage...

Thanks for the correction, Jarred. Still, very cool and I am looking forward to seeing it in action.

Phil,

You left out one of the best tidbits of the laser projector. It uses enclosed water cooling to keep the noise down. According to Ted, it should sound like just a few small fans.

EDIT:...

I just got back from Red Studios, where I was fortunate enough to see a demo of REDRay. The content we saw was a mixture of 1080P content uprezzed to 4K, as well as "Loom" (which finished at 4K)....

I've heard similar complaints about the earlier Teradek Cubes, but my hands on time with their new unit (Brik) was pretty impressive. Unfortunately, that hands on was relatively brief, so I'm...

My on set system was my Hackintosh, running a dual boot of Windows 7 and OS X 10.6.8 (Snow Leopard). No Light Iron equipment on set, just their apps. The station I'm using at the moment has a Red...

No, just filtration to cause the flares. I want to say we used the Zeiss Super Speeds, but I can't remember 100%.

What I do remember was that we shot in 4K HD, RC 6:1, RedGamma 3, RedColor 3,...

Last month I was fortunate enough to work on a shoot for Jim Henson studios, serving as DIT. Having grown up with both the Muppets and the Fraggles, it was a very surreal (and amazing) experience!
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I would imagine that resolution independence is coming in MC 7, along with non-standard time bases, such as 48FPS. If it doesn't, Avid is just throwing away the golden opportunity that came their...

EPIC wasn't released when "Dredd" started production (November 2010). The film has been sitting on the shelf for a little while and is just now seeing a release, which explains the use of the MX.