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I can say that the set day in country A is never the same as in country B.
the main issue I have, and I travel and shoot worldwide, is that country A and country B have different talent...

I think it got leaked after, but not by the sound dept.......producers had it up their sleeve for insurance purposes...in case, Bale walked off the set at some point during principal.
Eric

I found some more cables packed away all these years..

21 inch 11 pin fischer Male to 4 pin XLR Female


56 inch coiled dual pin male/female Lemo....eyepiece heater cable ...

I was going thru my storage and found a bag of back up cables I used to carry with me everywhere.....here is a list of what I want to dump..

if anyone is interested....here is a link to a gallery...

sorry, I know. I just couldn't resist. I thought that there would be more posters saying he over-reacting...I am done posting this thread.
Eric

Those are my panties, they must have sent them to you by accident. Did anyone order a RED butt plug? I just got one but didn't order it. It's even has the machined black anodized carry handle.
...

I am soooooo pissed off....I bought a RED T shirt and I didn't get a free camera! I mean come on.

;)

Eric

nicely done....and worth the effort.
E

Guys, I have to say that at some point all the tech has to be put on the sidelines and as we learn how this system reacts, we go with our gut. I can honestly say that those of us who have shot film...

not anymore at least...hasn't been for 10 years maybe a bit less.

I love shooting music, just ain't any money in it, however I always tell clients that want to shoot music to let me say yes or no...

I am happy right where I am in New York City.

Eric

Zakaree...don't move away mad...just move away.

It ain't that bad in the US, but OC is another story

Eric ;)

Controversial is trashing that poor Bolex.
Eric

I use a combination of the following three..

Eye, Meter, Zebra.

I trust my eye enough to not worry about being under...the Zebra keeps it inside and the meter, looks good on the hip and is used...

so simple.

thanks,

Eric

Jarred, wow, really?

what camera body was the last to have them?

accidentally bumping the button? the buttons needed a bit of pressure to trigger the camera.

To me, running your hand over...

has anyone else cussed over this?

I have worked with RED ONE a bunch of times now and have to point out an issue with the REC button.....we were working with kids on my last shoot and as we all...

I won't go anywhere near the RED One for mounting on your platform...wait for Scarlet to released, 1/2 the weight with the same visual punch.
Eric

I pulled focus for Vilmos on 1/2 a dozen commercials back in the day....(New York and Florida). He is a great guy and open to passing his knowledge on. He really loves to shoot and you can see it...

Phill,
no solution with the proxies, seems that only thru the L&T window is it possible.
Eric

hello....
here are the details..

footage is being brought in from FILE.....IMPORT......Files...

the File is a proxy.......

after a render of some basic color correction in FCP when I render...

Mick, Pete...thanks for the reply. I have got as far as switching the display to read shutter angle...maybe I put the question too vaguely....
so.....why does the shutter angle or shutter speed...

I had a chat with my Focus Puller yesterday when I dropped in to the camera prep.....on the display you can show your frame rate and either shutter speed and shutter angle....I like to see it...

I will be on a 4 day shoot coming up.....anyone have any suggestions as to special concerns for RED ONE in a Cold/Wet environment? I have shot a bunch of Red projects already, but under more...

Jonas, with all due respect, I find your logic that sounds like....don't waste your time shooting film, a bit surprising. I mean, come on, this is all about the learning process for a film student....