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I'll add my support for variable anamorphic desqeeze, I have a 1.5x Aviascope coming and would love to not have to have a 3rd part monitor.

Price reduced to $4000!

I'm fairly certain they were all using Std. OLPFs.

Fixed, no password needed now

Here you go Martin... https://vimeo.com/396206307

If you guys want some more insight here’s a podcast with filmmaker Noam Kroll where we discuss the test......

I've used this Benro 100mm High hat with Woods suction cups with great results for hood mounting...
http://evingrant.com/pics/HoodHat.JPG

Benro 100mm Hi-Hat......

I trimmed my nose hairs just for you!

I'm doing some testing for a feature coming next month and the director really wanted to see how the new Sony FX9 stacked up to the Gemini we are planning on shooting.
The answer is pretty good, but...

Make an offer!

Sold

For sale is a one owner set of Xeens bought originally from Duclos lenses they are in perfect optical and mechanical condition with just a little bit of anodizing loss on the gears except the 85...

I updated the original post.

The Gemini and FX9 were set to the "high" Base value ISOs for the night shots only.

All I did was increase exposure in the RAW controls in Resolve, I think the higher key of the studio test masked the noise a little. Also this being the LF the magnifications is a bit lower compared...

Probably not a big surprise but here's the order, I'll have a labeled video up in a few days, just go booked for the weekend though.
1. Arri Alexa Mini LF
2. Canon Eos C500mII
3. Red Monstro
4....

The Sigma was included for two reasons...
1. We had one on hand
2. It records a full frame 4K 12bit RAW file directly to a USB-C SSD without the need of an external recorder.

After spending some...

The Monstro was exposed properly based on a waveform at 800 ISO which is it's recommended base/native starting point. This test makes no conclusion about actual DR, Phil Holland and many others have...

As these things go we were running out of time and the decision was made to let the steadicam op go and just do #4 handheld, not my preference but that camera required the most amount of "rigging"...

Jeff, here's a vimeo link with a Prores 10bit 422 dowload... https://vimeo.com/388805758

ISO with a little bit of fine tuning with exposure.

I did but I didn't have access to one and couldn't find one available within the timeframe of the test.

Here you go Jarred...
Reds iPP2 w/LI_Color2 709
Sony FX9- Slog3+Allister Chapman's FX9 LUT
Sony FX9- S-Cinetone/No LUT
Sony Venice Slog3Sgamut3.CineTolC-709
Arri Mini LF- K1S1
Sigma FP-...

This has been fixed in the latest firmware apparently. We didn't have that when we were shooting.

They absolutely can be graded together but each camera still has a signature I find comes through, any one shot or set up might hive slightly different tonal or color differences that might make you...