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i remember talking about dynamic link in adobe and fcp to motion, didn't compare ae to motion.
sending a reference is not the same as rendering a self contained mov file.
if you want to justify to...

you started the 12 bit rgb not me, we might get to somewhere fun where you find out that adobe 4k is not of the best interest to the image quality compared to 2k,

maybe we can get somewhere...

okay, show me one test in low light against any other camera, where red footage is better as you say.

not liking what i say doesn't dispute the fact that it is real.

that's only in a precise light condition, cuz of the fixed iso.
it has to be in a controlled environment.

still taking in the 4by where red is not.okay dude whatever,
one color in 12bit doesn't...

what it actually is and what it was designed for are different subjects, this camera doesn't have an iso range(or whatever you would call it, luminous or light change), it's a couple of steps darker...

dude please, any color assumption is not real color, that means it's not really 4:4:4 that the first fact.
dont argue with it, if it's made up it means it's not there that's what less than 4:4:4...

it's doing half the bits in the two channels.
10rgb that's 30 bit total for the slow people makes better colors specially in low light and bright situations, where the lack of color even compare to...

if you dont know what your talking about stop reciting the technical information on the boxes, it doesnt make you look smart, it makes it worse

wow, it doesnt matter where you put it, the camera is not doing 12bit in every channel, if you have an 8 bit image and you put it in a 16 bit file, it's still an 8bit image, if it was 4:2:2 or 4:2:0...

not sure you understand what nle does exactly, so you dont get the requirements needed.

also it's not 12bit rgb, 12bit rgb means 12bit in every channel, that's not the case.
also exporting 2k...

biased pc guys, okay:

dynamic link is the sad attempt to try to link premiere with ae or any sad attempt to link different adobe products that where not even adobe products from the start and not...

u dont have to render in ae?how would u check what u have done inside ae, even then, if u dont save and render u will have to keep the ae open the entire time to the finished product, if u use ae in...

fcp cuts at least 3x faster than any other nle,
going to ae u can use a reference file, or just send the portion that u want as a mov file or a tiff or png sequence for photoshop and ae, and bring...

lol:biggrin:

final cut is much more reliable than premiere, also fcs2 comes with color which is worth the price alone, and can be a time saver in some sitiuations.
but you probably need photoshop and after...

since he will be editing, that would mean he has not made a cut as of yet.

if you want feedback, don't go too cold or too warm on the colors, and ease on the sharpness, it might be a low jpg...

before u read, different software can have different ideas or ways to how a filter work or use them slightly different, testing a very smalll file that would have alot of resize problem helps...

safe bet would be to transcode. if u use xml and edl, u can transcode to something easy on our machine and then swap when finished with uncompressed.

i'm making a reel as an editor,
if u have good red footage of short films, ads or music videos, not through post yet, i can edit them with editor credit and help u out on ur project with video...

surprised??, redcine is filled with weird annoying things, jpeg quality adjustment is far from being in the top 10 missing options.is someone making a list for red guys?

can't u tiff out then convert in any photo app, pref to png for better quality.

screen adaptation Michael Almereyda

u call that a good script?!!!!

u have to understand that any dvd footage full screened to 1920 wont look amazing, u can check the actual size instead.
u can rar archive and split the r3d file and upload to rapidshare.