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I'm performing an R3D trim from an EDL in RedCineX build 506. I've done this workflow before with no problems.

However, I have Epic & Scarlet footage this time (not sure if that's the cause) and...

I've been searching through the forums and don't know if there is a proper answer out there on how to online the RED footage that was edited using multiclips in FCP.

My first attempt at this on...

I've been doing some experimenting on batching dailies with REDline and the render time jumps exponentially when I select "full render resolution" vs "half render resolution"

Can anyone point me...

I agree that the people using the equipment must have knowledge of what they are using, but aside from being with the camera every waking moment, it's reassuring to see that other people acknowledge...

Does anyone else have difficulty disconnecting the LEMO cable from the back of the LCD screen? One of our cameras just came back from its first show and the back port on the LCD was loose because the...

Sorry to mislead...

The test I ran involving the roundtrip.xml directly to COLOR involved rendered QT files, not DPX as I had thought. When I just tested this the DPX clips come up offline in the...

I was playing around with this idea as well. I did a test and the roundtrip.xml that Crimson puts out for the roundtrip back to FCP will open in COLOR, complete with dissolves, etc. Here's the catch....

If it is about the specific workflow for RED to FCP to RedCine, and back to FCP, Ian has it already broken down in a very detailed and easy to understand way at www.redhax.net

If the question...

Hey all just wanted to share some workarounds I've figured out in using Crimson and RedCine to online my RED footage.

The workflow is great, considering the very limited alternatives, but for...