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exactly - thats the way the decoding process is working... in easyDCP Player + this works flawless can switch back to 2K 1K... perfect image quality...

Hi,

why not just master a 4K DCP version?

I don't know of any problems with playing back 4K Interop DCP's on 2K DCinema systems. The picture quality was fine on screen all the time for me....

thats the way the trouble typically start's...

1. Subtitling company doesn't deliver a propper Interop DCinema XML v1.0 (Why??! It's their business or not?)
2. 3.5 min for conversion and quality...

If you don't want to invest in expensive thrird party software but only get your movie "right" out of Premiere....

Install the free JPEG2000 export Plugin from fnordware and set to SRGB LUT and...

-> Do you really need AF for grading? It's more about compositing and slow in rendering - Speedgrade or Davinci will be more productive I think...
-> DPX is a good option (but keep in mind you need...

regarding white point:

"...the white point in the DCI spec was designed to favor lumens by using a color temp closer to the natural Xenon spectrum. I think it's somewhere around 5500K..."
...

Be super careful of using color management in every application where you have to deal with source profiles, working space profiles, display profiles and output profiles - it becomes complex some...

Hi Phil,

If you have to stay with AE then ensure that you don't have to wait for your HDD and use a fast SSD as AE temp drive - as long as your CPU usage is near 100% all you can do is to get even...

Hi Bryce,

good question about the white point - the X'Y'Z' profile is used in AE to do a DCI compliant color space transformation.
In combination with the free Fnord J2C plugin for AF and...

Hi,

AVC-1 or H.264 is more efficient but takes much longer to encode...

--> High quality final Bluray: use two pass HQ H.264 codec
--> Daily footage preview 4x realtime encoding: use MPEG-2...

Hi Phil,

the bottleneck is AE itself - it's a motion graphics and compositing app dev. to render 100 frames here and 200 frames there but not to process large sets of clips. Of course it could be...

Hi Marc,

people work on diffent levels in the real world - not every small documentary will be shot in 5K graded on a Baselight and mixed in 7.1 with Pro Tools... ;-)

You are absolutely right...

Hi Mondo,

"...The rest of the interface is excruciatingly slow..."

The Speedgrade UI is one of the most responsive I've ever seen - it's completely OpenGL driven and super fluid on my...

thanks for the video - just got some impressions of the AVID workflow...

I have a GTX570 2GB propperly running with Premiere CS6 (only had to unlock the card in teh config file - as ever with officially non supported cards...)

As you can read in the Adobe forums others...

Hi Marc,

for sure Pro Tools is a good solution for professional 5.1 mixing - but as ever it depends on your needs...

1. If you are a cutter and work image centric in your NLE and just have to...

ah - have an idea...

1. Check if you can play a 5.1 audio - import a 5.1 AC3 or 5.1 Quicktime file or something place in in a 5.1 master sequence and check if the channels are played back...

"...destroying markets..." Why do you think so?? I see Adobe & BlackMagic successfully bringing CC to the desktop lowering the barriers for talented artists and making advanst CC a fundamental part...

Hi,

you will find snapping points at the left, right, center, left surround and right surround position in the premiere mixer.

If you dragg the puck into one of these snapping positions you...

Hi Stuart,

Data rates about 15-25 Mb/s for 4K delivery are "unbelivable". If you wheren't RED I would say it sounds like my TV station telling me that 3,5Mb/s 1080i transmission will bring me...