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If the length between the base and the center of the lens is longer than the radius of the R90 I don't think that so much you can do... sadly...

I want to sell the following material:

Redrock Micro DSLR Cinema Studio Bundle (NO Follow Focus) - http://store.redrockmicro.com/Catalog/DSLR-Cinema-Studio-Rigs/DSLR-Cinema-Bundle
1600€
...

Nice post, i'm kinda new to color correction and I'm still trying to get all the ideas in the right place...
Is there some book/link that can explain more about this topic (LUT and why use them?)
...

sempre relativo all'argomento...

Ho notato che in questo post: http://www.reduser.net/forum/showthread.php?74616-REDgamma3-LUT-for-Resolve
si fa riferimento ad una LUT da REDlog Film a REDgamma...

ciao a tutti... seguo reduser.net da un bel po' ormai, e negli ultimi mesi ho avuto la fortuna di provare una RED Epic in due occasioni...
Nello studio (fotografico, ma ci stiamo avvicinando...

Tomorrow I've got to work on the set with the client,
I would like to keep raw visualization on the 5" monitor and send the signal to an external monitor (via SDI) with a personalized look applied...

found it! you're right, it was set in relative shutter speed, now I've checked the manual, I didn't know about this function, I must admit it's very useful..

I've just rented an EPIC for a small project (and for one internal tests), but I've got a doubt...
The shutter speed is displayed in yellow, the rest of the text is white..
I know that the yellow...

+1 :)

still with the lite version... i'm waiting the cinema camera for the full!
but thanks for the proposal!

ok, it seems that the latest version solved this issue...
but i've got some problems downloading it, the download page of blackmagic site is offline.
any other way to download it?

Resolve Manual says that speed changes are supported in XML roundtrip,
but I've got a timeline with some clips with speed change (200%), exported via xml to Resolve and it seems that Resolve can't...

Thanks, everthing worked just fine!

Yes, the debayes setting is in the Output Options in the Delivery Tab

Ok, rendered at 1% and solved almost every problem with false colors, except for 2 clips with blown highlights that were still rendered with black clipping. I've managed to go back and make some...

I'm new to DaVinci and I'm trying to work between Resolve 9 and PremierePro.

I've graded my clips, now I'm exporting a Quicktime 4444 1920x1080 from Red EPIC RAW footage.
The clip I've exported...

I'm trying the new versione on Resolve with some RED Epic footage,
I've just finished some light grading and trying to export the files bring them back in PremierePro.

I'm exporting with...

I'm having trouble with some RED Epic footage...
I've made a light grading in REDCine X (temperature and a little of Red Green Blue channel adjustment).
The problem is that Resolve 9 cannot see...

Ok, so far so good.

Light grading in RedCineX, opened in PremierePro, fast cut, export EDL, open in Speedgrade and grade.
Now?? I mean, is there a way to go back to PPro via EDL? I remember...

I'm trying to get a easy workflow between RedCineX, PPro and Speedgrade. So far, I get my light edit from RedCine, open the files in premiere, do some cuts, export via EDL and conform in Speedgrade. ...

Does the EDL PremierePro->Speedgrade path works?

I'm trying to get a clean workflow,
with a quick look/setting at files in RedCineX, then make a cut in PremierePro and final grading in Speedgrade.

How do you usually work with this workflow?...

Some informations about the weight? Is the stuff from x heavy?

this stuff looks great!!! I'm gonna dig more... but it seems they have everything i'm looking for!
thanks everyone!!

I'm gonna come back for more questions, that's for sure :D

I'm going to order a RED EPIC any time soon,
but my main concern is about the support system...

I'm coming from a C300 with RedRock, I've found that it's a bit too light, too much vibrations in...

well, it'll be a studio workstation, so I don't need it to be mobile.
External SAS RAID?