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Type: Posts; User: Mike P.

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  1. Le Sigh. :(

    Le Sigh. :(
  2. OH, good point. I seem to recall someone asking...

    OH, good point. I seem to recall someone asking in the huge thread and there was no response (which I may have presumed was a "no"). So definitely not confirmed either way... There are enough...
  3. Here's a link to a video for DSMC1 replacement....

    Here's a link to a video for DSMC1 replacement. But I think DSMC2's work-around is...<checks notes>... to leave the camera running for ~36hours!!? Facepalm.

    To be fair, since you can recharge...
  4. Hey Alex, do you have a similar breakdown with...

    Hey Alex, do you have a similar breakdown with Dragon? It's quite useful. (I also didn't realize chip 16 was captured; I thought that was clip.)

    Bare in mind unlike falsecolour, GioScope does...
  5. Sweet! Look forward to seeing samples! ...

    Sweet! Look forward to seeing samples!

    Another tidbit is if you set the footage to 5000K, the image will be cleaner (since that's the what the sensor was designed for, and changing colour temp...
  6. I presume you mean compensate for the 2K crop...

    I presume you mean compensate for the 2K crop factor/FOV by using wider lenses. Yes, you can! Gemini at 2k (which is what you'll need to be at for 240fps), is ~s16 in size, so S16 lenses should...
  7. Was the demo shot by Timur, by chance? I...

    Was the demo shot by Timur, by chance?

    I wouldn't mind using an AI for normalization, but I'll wait until its integrated into/included with Resolve or FCPX or whatever (like it's not something I'd...
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    The EVF/LCD port on DSMC1 is on the removable SSD...

    The EVF/LCD port on DSMC1 is on the removable SSD module. Might wanna meet up with a local Reduser first and try their (working) SSD module on your camera. At the very least that'd let you remove...
  9. Set the meter a stop darker. MX AT 3200ISO is...

    Set the meter a stop darker. MX AT 3200ISO is actually closer to ISO1600, so if you meter at ISO3200, and the meter says t2.8, you’ll actually have to go to ISO6400 for what you saw on set/lit...
  10. Sorry to go OT, but does anyone know what OLPF...

    Sorry to go OT, but does anyone know what OLPF they used on The Disaster Artist? (Cause 3200 isn't pushing it that far with LLO... but if that was STH, then I'd also love to know what kind of...
  11. Thread: ISO

    by Mike P.
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    Technically there is no difference to changing...

    Technically there is no difference to changing ISO in-post or in-camera, but the in-camera setting will be used for the physical exposure of your image on set (shutter, f-stop, nd, amount of light...
  12. I personally don't have any examples, but in the...

    I personally don't have any examples, but in the silent film days, most things were shot 16~18fps... (Like Charlie Chaplin, etc.).
  13. You mean set sound/dialogue or the music track...

    You mean set sound/dialogue or the music track being put over the video? Those details change the answer completely.

    Speaking broadly, if it's the music track, it'd have nothing to be synced to...
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    Removed to avoid confusion. And yes, if it's...

    Removed to avoid confusion.

    And yes, if it's an artificial heat/time limit (presumably to preserve higher end sales), that'd be pretty dirty. But like Ian Malcom said, 'life, uhhh, finds a way.'
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    @Andrew: From Brian Caldwell or from RUser James...

    @Andrew: From Brian Caldwell or from RUser James Miller?

    Pretty sure James Miller posted a CAD drawing for a DSMC2 OLPF holder that has a slot for the OLPF and shaved down Speedboster Optical...
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    There is (was) a focal reducer mount for DSMC2,...

    There is (was) a focal reducer mount for DSMC2, but it cost $4k, plus you had to buy a VV OLPF. Sooo, after shipping/taxes/duties, likely >$5k. Better off buying an R5/A7s3/S1H or Komodo+RF-to-EF...
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    Imagine it did 8k raw internally without...

    Imagine it did 8k raw internally without overheating and they're calling it S5 because S comes after R. That'd be the ultimate troll.
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    Soooooo, they're basically the same as the Cine...

    Soooooo, they're basically the same as the Cine DS except weather sealed?
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    It was the same with the...

    It was the same with the Scarlet-X/Scarlet-Dragon... And they never got the two extra frames.

    Fortunately, when you set the timebase to 25fps, you can still use 48fps to slowdown to a ~52%...
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    Here's hoping the rumours are wrong, and it's...

    Here's hoping the rumours are wrong, and it's essentially just an "R5C" Cinema EOS version of the R5 that doesn't overheat.
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    I'm pretty sure Phil has a rig like this... I...

    I'm pretty sure Phil has a rig like this... I seem to recall him showing it off when he was demoing Duclos's DSMC Medium Format focal reducer prototype.

    Conversely, I know GDU makes DSMC2...
  22. Are you sure it's supposed to be BT1886 with...

    Are you sure it's supposed to be BT1886 with med/soft for tone/highlight? I was under the impression it was supposed to be RWG/3GLog10 with no conversions (as Panavision didn't want an extra layer...
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    From my understanding RF mount is slightly longer...

    From my understanding RF mount is slightly longer flange distance than E, M, or MFT (they're all ~18mm, while RF is ~20mm), so it might not be possible, unfortunately.

    Too bad, too. I was very...
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    ISO probably won't match either, FYI. Gemini...

    ISO probably won't match either, FYI. Gemini typically defaults to ISOCal2 which will be a stop brighter at the same ISO (and maybe why it seems cooler as the blue channel would be comparatively...
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    Seems slightly 'too little, too late' to me. ...

    Seems slightly 'too little, too late' to me. 12mp isn't good enough for professional stills (whereas the R5 is 45mp), and 4k max seems slightly meagre compared to 6k~8k downscale. I like the focus...
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